Kjell Waltman (April 28, 1758 - May 07, 1799) was a Swedish stage actor. [1]
Kjell Christian Adolf Waltman belonged to the elite of the pioneer generation actors of the Royal Dramatic Theatre, where he was engaged in 1788-99. He was employed at the Comediehuset in Gothenborg in 1780-85 before making his Stockholm debut at the Stenborg Theatre in 1785. He was employed at the Royal Dramatic Theatre after having been noted by King Gustav III of Sweden. Waltman was described as a versatile actor able to play most roles convincingly (not a given thing for an actor in an epoch when most actors specialized in playing a certain type of role) and praised for his expressive mimic, though he was most noted for his comical parts.
He was married to Maria Elisabeth Uppman (1768-1852).
Emilie Sophie Högquist or Högqvist was a Swedish stage actress. She was a star of the Royal Dramatic Theatre and has been referred to as the first celebrity within Swedish drama and known as the Swedish Aspasia, both for her artistic ability but also for the literary salon she hosted. She is also known in history for her love affair with King Oscar I of Sweden.
The Royal Dramatic Theatre is Sweden's national stage for "spoken drama", founded in 1788. Around one thousand shows are put on annually on the theatre's five running stages.
Fredrica Löf, also known as Fredrique Löwen, was a Swedish stage actress. She was the first female star at the newly founded national stage Royal Dramatic Theater, which was founded the year of her debut.
Caroline Frederikke Müller née Halle also known as Caroline Walther, was a Danish and later naturalized Swedish opera singer (mezzo-soprano). She was also active as an instructor at the Royal Dramatic Training Academy. She was a member of the Royal Swedish Academy of Music and a Hovsångare.
Bollhuset, also called Stora Bollhuset, Bollhusteatern, and Gamla Bollhuset at various times, was the name of the first theater in Stockholm, Sweden; it was the first Swedish theater and the first real theater building in the whole of Scandinavia. It was built in 1627 for ball sports and used in this way for forty years. The name Lejonkulan, however, was, in fact, the name of a different building, which was also used by the same theater in the 17th century.
Lovisa Sofia Augusti was a Swedish opera singer (soprano). She was regarded as one of the most noted opera singers of the Royal Swedish Opera during the Gustavian era. She was appointed Hovsångare in 1773 and inducted to the Royal Swedish Academy of Music in 1788.
Marie Louise Marcadet née Baptiste was a Swedish opera singer and a dramatic stage actress of French origin. She was active in the Royal Swedish Opera as a singer, and in the Royal Dramatic Theatre and the French Theater of Gustav III as an actress. She was a member of the Royal Swedish Academy of Music from 1795.
Maria Kristina Franck was a Swedish actress and drama teacher. She was a member of the pioneer generation of the Royal Dramatic Theatre, and belonged to the first stars of the theater. She has been referred to as her country's first native dramatic tragedienne. She was the principal of the Royal Dramatic Training Academy from 1819 to 1823. During her last years on stage, she was known under her name as married, Ruckman.
Sara Fredrica Torsslow née Strömstedt was a Swedish stage actress. She was one of the most famed actresses in Sweden during the first half of the 19th century, and an elite member of the Royal Dramatic Theatre.
Inga Åberg was a Swedish actress and opera singer. She was engaged as an opera singer at the Royal Swedish Opera, and as a stage actress at the Royal Dramatic Theater, between 1787 and 1810.
Lars Hjortsberg was a Swedish stage actor. He belonged to the pioneer generation of elite actors of the Royal Dramatic Theatre and has, alongside Emilie Högquist, been referred to as the most famous Swedish actor of the first half of the 19th-century.
Gertrud Elisabeth Forsselius née Forsell, also called Forselia, later known as Elisabet Haeffner and Elisabet Fahlgren, was a Swedish stage actress and opera singer. She belonged to the pioneer generation of the Royal Dramatic Theatre.
Marie Jeanette Wässelius was a Swedish opera singer. She is referred to as the leading prima donna of the Royal Swedish Opera in the early 19th-century. She was a Hovsångare (1815) as well as an associé of the Royal Swedish Academy of Music (1817). She is also known as Mamsell Wässelia or only Wässelia.
Sofia Franziska Stading was a Swedish opera singer of German origin. She is referred to as one of the more notable opera singers in Sweden during the Gustavian era. She was a Hovsångare and member of the Royal Swedish Academy of Music from 1788.
Edvard Maurits Swartz, was a Swedish stage actor. He was one of the star actors of the Royal Dramatic Theatre in the mid 19th century.
Euphrosyne (Euphrosina) Löf was a Swedish ballet dancer and stage actress, best known for her affair with Prince Frederick Adolf of Sweden from 1795 to 1800, after his relationship with Sophie Hagman. Euphrosyne Löf acted as his hostess at Tullgarn.
Ulrika Eleonora Säfström was a Swedish stage actress, described as a great dramatic star of Stockholm in her day. She was used for heroine parts and was also popular in operettas.
Events from the year 1785 in Sweden
Carl Schylander (1748–1811), was a Swedish stage actor.
Louise Götz (1772-?), was a Swedish stage actress. She belonged to the elite of the pioneer generation actors of the Royal Dramatic Theatre (1788-1805).
You can help expand this article with text translated from the corresponding article in Swedish. (July 2018)Click [show] for important translation instructions.
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