The kora is a stringed instrument used extensively in West Africa. A kora typically has 21 strings, which are played by plucking with the fingers. It combines features of the lute and harp.
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
Toumani Diabaté is a Malian kora player. In addition to performing the traditional music of Mali, he has also been involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles. In 2006, the London-based newspaper The Independent named Diabaté one of the fifty best African artists.
Ba Cissoko is a Guinean world music band featuring five members, two of whom play the traditional Kora harp. Two band members play percussion instruments and one plays bass. The sound of the band has been described as "West Africa meets Jimi Hendrix".
Moussa Kouyate is a kora player from Bamako, Mali. His father, Batourou Sekou Kouyate, was also a prominent kora player.
Songhai is a fusion flamenco album by Spanish band Ketama, working in collaboration with Malian kora player Toumani Diabaté and other musicians.
Articles related to Mali include:
The ngoni is a string instrument and a traditional West African guitar. Its body is made of wood or calabash with dried animal skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the akonting and the xalam. This is called a jeli ngoni as it is played by griots at celebrations and special occasions in traditional songs called fasas in Mandingo. Another larger type, believed to have originated among the donso is called the donso ngoni. This is still largely reserved for ceremonial purposes. The donso ngoni, or "hunter's harp," has six strings. It is often accompanies singing along with the karagnan, a serrated metal tube scraped with a metal stick. The donso ngoni was mentioned by Richard Jobson in the 1620s, describing it as the most commonly used instrument in the Gambia. He described it as an instrument with a great gourd for a belly at the bottom of a long neck with six strings.
Mah Damba is a traditional griot singer. She comes from a family of griots: her father, Djeli Baba Sissoko, was a griot and her aunt, Fanta Damba, is also considered a top vocalist.
Songhai was a world music collaboration between the Spanish flamenco group Ketama, Malian kora player Toumani Diabaté, and English bass player Danny Thompson. They released two albums, Songhai (1988) and Songhai 2 (1994), both co-produced by Joe Boyd.
Ketama is a Spanish musical group in the new flamenco tradition. Fusing flamenco with other musical forms, they created a style that lies somewhere between flamenco and pop salsa. Their music drew as much criticism as praise because purists did not like the change from traditional flamenco, but the group won over the young public. They continued to fuse other music in, and their 2002 album, Dame la Mano, added hip hop and house music.
Djeli Moussa Diawara, born 1962 in Kankan, Guinea, is a Kora player (Korafola), composer and singer.
Yasimika is the first studio album by Djeli Moussa Diawara, Guinean Kora player (Korafola), released in 1983.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Red Earth is a 2007 studio album by Dee Dee Bridgewater. It carries the subtitle "A Malian Journey" to celebrate and explore her African and Malian ancestry. The album brought her the seventh nomination for Best Jazz Vocal Album at the 2008 Grammy Awards. On Billboard's Top Jazz Album chart it reached Number 16.
Malicool is an album by American trombonist Roswell Rudd and Malian kora player Toumani Diabaté. It was recorded in January 2001 at Studio Bogolan in Bamako, Mali, and was released by Sunnyside Records in 2002. On the album Rudd and Diabaté are joined by balaphone player Lassana Diabate, ngone player Bassekou Kouyate, guitarist Sayon Sissoko, bassist Henry Schroy, djembe player Sekou Diabate, and vocalists Mamadou Kouyate and Dala Diabate.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.
