The Kunstschau Wien 1908 (engl: Vienna Art Show) was an art and craft exhibition held from June 1 to November 16, 1908, on the grounds of what became the Wiener Konzerthaus (engl: Vienna Concert Hall) in Vienna, Austria. The show was one of dozens of events and festivities marking the 60th anniversary of the reign of Emperor Franz Joseph I. It was organized by Austrian artist Gustav Klimt and the community of avant-garde artists surrounding him, including most notably Koloman Moser, Alfred Roller, Carl Otto Czeschka, Otto Prutscher, and Josef Hoffmann. Despite organizing the workshop, considered to be a groundbreaking showcase of Viennese modernism, Klimt and his colleagues were not invited to the formal, official, celebrations. [1]
The event was held on the grounds of today's Wiener Konzerhaus, built in 1913. In just a few months, the artists erected a wooden building designed by Josef Hoffmann, and curated the surrounding grounds, some 6,500 square meters and had 54 exhibition rooms, to include a café, courtyards, gardens, and a small cemetery. The exhibitions featured more than 170 artists, especially faculty and student artists from the Vienna School of Arts and Crafts, the Art School for Women and Girls and the Wiener Werkstatte, and a variety of modes of art, such as sculpture, mosaics, textiles, documentary photographs, glassware, silverware, architectural plans, furniture, and of course paintings and drawings of many techniques. [2] [3]
Gustav Klimt, the lead organizer of the event, had recently been under significant public criticism after his paintings for the University of Vienna, Philosophy, Medicine and Jurisprudence were deemed pornographic. The Kunstschau was also criticized and ultimately was a financial disaster, but many of the artists featured went on to have long and prominent career in Austria and around the world Klimt's painting, Der Kiss (engl: The Kiss ) was bought by the Viennese government before the exhibition had finished, “as it was deemed a national interest." Today it is held at the Vienna Belvedere and is considered a masterpiece. [4]
Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
The Wiener Werkstätte, established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive association in Vienna, Austria that brought together architects, artists, designers and artisans working in ceramics, fashion, silver, furniture and the graphic arts. The Workshop was "dedicated to the artistic production of utilitarian items in a wide range of media, including metalwork, leatherwork, bookbinding, woodworking, ceramics, postcards and graphic art, and jewelry." It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco.
The Vienna Secession is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum, which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
The Österreichische Galerie Belvedere is a museum housed in the Belvedere palace, in Vienna, Austria.
Koloman Moser was an Austrian artist who exerted considerable influence on twentieth-century graphic art. He was one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.
The Kiss is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title Liebespaar as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.
Portrait of Adele Bloch-Bauer I is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.
Josef Hoffmann was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.
The MAK – Museum of Applied Arts is an arts and crafts museum located at Stubenring 5 in Vienna's 1st district Innere Stadt. Besides its traditional orientation towards arts and crafts and design, the museum especially focuses on architecture and contemporary art. The museum has been at its current location since 1871. Since 2004 the building is illuminated in the evenings by the permanent outdoor installation "MAKlite" of American artist James Turrell. In 2015 the MAK became the first museum to use bitcoin to acquire art, when it purchased the screensaver "Event listeners" of van den Dorpel. With over 300,000 objects displayed online, the MAK presents the largest online collection within the Austrian Federal Museums. The audio guide to this museum is provided as a web-based app.
Tobias G. Natter is an Austrian art historian and internationally renowned art expert with a particular expertise in "Vienna 1900".
Erwin Puchinger was a Viennese painter, illustrator, industrial designer and graphic artist. He was an influential figure in Viennese art in the fin-de-siecle. Puchinger was a part of the Austrian Jugendstil and Gesamtkunstwerk movements, which sought to erase the boundaries between fine art and applied art. Puchinger worked in London, Prague and Paris as well as Vienna and collaborated with other major figures in Viennese art and design such as Ernst and Gustav Klimt and Otto Prutscher. He was a respected art professor at the Graphic Arts Institute, where he taught for more than thirty years. His work was also part of the painting event in the art competition at the 1936 Summer Olympics.
Emilie Louise Flöge was an Austrian fashion designer and businesswoman. She was the life companion of the painter Gustav Klimt.
Otto Prutscher was an Austrian architect and designer who worked in the Vienna Secession style.
Facing the Modern: The Portrait in Vienna 1900 was an exhibition at the National Gallery, London, running from 9 October 2013 through to 12 January 2014.
Leopold Forstner was an artist who was part of the Viennese Secession movement, working in the Jugendstil style, focusing particularly on the mosaic as a form.
Josef Löwy was an Austrian painter, publisher, industrialist and Imperial and Royal court photographer.
Galerie St. Etienne is a New York art gallery specializing in Austrian and German Expressionism, established in Vienna in 1939 by Otto Kallir. In 1923, Kallir founded the Neue Galerie in Vienna. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, moving the Galerie St. Etienne to New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane at 24 West 57th Street.
Gustav Nebehay was an Austrian art dealer and patron of the arts.
Klimt Villa is a building located in the Hietzing district of Vienna built in the early 1920s upon the last Viennese studio of the painter Gustav Klimt.
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