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Kurt Edward Fishback is an American photographer [1] noted for his portraits of other artists and photographers. Kurt was born in Sacramento, CA in 1942. Son of photographer Glen Fishback and namesake of photographer Edward Weston, he was exposed to art photography at an early age as his father's friends included Edward Weston, Ansel Adams and Wynn Bullock. Kurt studied art at Sacramento City College, San Francisco Art Institute, Cornell University and UC Davis where he received his Master of Fine Arts Degree studying with Robert Arneson, Roy DeForest, William Wiley and Manuel Neri. Ceramic Sculpture was the first medium that gained him high visibility in the Art World. Kurt took up photography in 1962 when he asked his Father to teach him. After finishing graduate work and teaching fine art media at several colleges, Kurt was asked to teach at his father's school of photography in Sacramento. The series of artist portraits which now number over 250 were begun in 1979.
Since 1963 Kurt has been involved in many solo and group exhibitions including; SFMOMA, and Crocker Art Museum. His work is represented in many public, private and corporate collections including; SFMOMA, San Francisco Art Institute, and Museum of Contemporary Crafts, New York, NY.
Today, Kurt lives in Sacramento, California with his wife Cassandra Reeves. He exhibits at galleries and museums, teaches photography at American River College, and has published several books including a book of portraits of California artists entitled, Art in Residence: West Coast Artists in Their Space (see illustration). The book includes portraits of 74 artists, including Ansel Adams, Wayne Thiebaud, Judy Chicago, Brett Weston, and Jock Sturges. Other artist portraits made by Kurt include Cornell Capa, André Kertész, Mary Ellen Mark, Chuck Close and Robert Mapplethorpe.
Kurt is represented by Appel Photography Gallery in Sacramento, CA and The Camera Obscura Gallery in Denver, CO.
Ansel Easton Adams was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography.
Group f/64 or f.64 was a group founded by seven 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialist photographic style that had dominated much of the early 20th century, but moreover, they wanted to promote a new modernist aesthetic that was based on precisely exposed images of natural forms and found objects.
Edward Henry Weston was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still-lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and especially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.
Pure photography or straight photography refers to photography that attempts to depict a scene or subject in sharp focus and detail, in accordance with the qualities that distinguish photography from other visual media, particularly painting. Originating as early as 1904, the term was used by critic Sadakichi Hartmann in the magazine Camera Work, and later promoted by its editor, Alfred Stieglitz, as a more pure form of photography than Pictorialism. Once popularized by Stieglitz and other notable photographers, such as Paul Strand, it later became a hallmark of Western photographers, such as Edward Weston, Ansel Adams and others.
Nancy Wynne Newhall was an American photography critic. She is best known for writing the text to accompany photographs by Ansel Adams and Edward Weston, but was also a widely published writer on photography, conservation, and American culture.
Theodore Brett Weston was an American photographer.
The Center for Creative Photography (CCP), established in 1975 and located on the University of Arizona's Tucson campus, is a research facility and archival repository containing the full archives of over sixty of the most famous American photographers including those of Edward Weston, Harry Callahan and Garry Winogrand, as well as a collection of over 80,000 images representing more than 2,000 photographers. The center also houses the archives for Ansel Adams, including all negatives known to exist at the time of his death. The CCP collects, preserves, interprets, and makes available materials that are essential to understanding photography and its history.
John Sexton is an American fine art photographer who specializes in black and white traditional analog photography.
Sonya Noskowiak was a 20th-century German-American photographer and member of the San Francisco photography collective Group f/64 that included Ansel Adams and Edward Weston. She is considered an important figure in one of the great photographic movements of the twewntieth century. Throughout her career, Noskowiak photographed landscapes, still lifes, and portraits. Her most well-known, though unacknowledged, portraits are of the author John Steinbeck. In 1936, Noskowiak was awarded a prize at the annual exhibition of the San Francisco Society of Women Artists. She was also represented in the San Francisco Museum of Art’s “Scenes from San Francisco” exhibit in 1939. Ten years before her death, Noskowiak's work was included in a WPA exhibition at the Oakland Museum in Oakland, California.
Alma Ruth Lavenson was an American photographer active in the 1920s and 1930s. She worked with and was a close friend of Ansel Adams, Imogen Cunningham, Edward Weston and other photographic masters of the period.
Don Worth was an American photographer. His childhood on an Iowa farm inspired an abiding love of exotic horticulture, which later became the primary focus of his photography. He attended Juilliard as well as the Manhattan School of Music, receiving a graduate degree in piano and composition in 1951. During college, he began photographing and eventually became Ansel Adams' first full-time assistant in 1956. He taught photography at San Francisco State University for thirty years becoming a Professor Emeritus of Art.
The Monterey Museum of Art (MMA) an art museum located in Monterey, California. It was founded in 1959 as a chapter of the American Federation of Arts. The Monterey Museum of Art collects, preserves, and interprets the art of California from the nineteenth century to the present day. Notable holdings celebrate the heritage of Northern and Central California, and especially for early California images from the Carmel Art Colony.
Fred Robert Archer, was an American photographer who collaborated with Ansel Adams to create the Zone System. He was a portrait photographer, specializing early in his career in portraits of Hollywood movie stars. He was associated with the artistic trend in photography known as pictorialism. He later became a photography teacher, and ran his own photography school for many years.
Dody Weston Thompson was a 20th-century American photographer and chronicler of the history and craft of photography. She learned the art in 1947 and developed her own expression of “straight” or realistic photography, the style that emerged in Northern California in the 1930s. Dody worked closely with contemporary icons Edward Weston, Brett Weston and Ansel Adams during the late 1940s and through the 1950s, with additional collaboration with Brett Weston in the 1980s.
Rondal Partridge was an American photographer. After working as an assistant to well-known photographers Dorothea Lange and Ansel Adams in his youth, he went on to a long career as a photographer and filmmaker.
Friends of Photography was a nonprofit organization started by Ansel Adams and others in 1967 to promote photography as a fine art. During its existence the organization held at least 330 photography exhibitions at its galleries in Carmel and San Francisco, California, and it published a lengthy series of monographs under the name Untitled. Among those who were featured in their exhibitions and publications were well-known photographers Ansel Adams, Wynn Bullock, Ruth Bernhard, Harry Callahan, Roy DeCarava, Lee Friedlander, Emmet Gowin, Mary Ellen Mark, Barbara Morgan, Aaron Siskind, Paul Strand, Brett Weston, Edward Weston and Minor White, as well as then newly starting photographers such as Marsha Burns, William Garnett, Richard Misrach, John Pfahl, Lorna Simpson, and Jo Ann Walters. The organization was formally dissolved in 2001.
Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.
Musya S. Sheeler (1908–1981), born Musya Metas Sokolova, was a Russian dancer who, at age 15, fled with her family from the Revolution to the USA, where she became a photographer. Her work was exhibited at the Museum of Modern Art three times and featured in magazines including Life and Vogue.
The Polaroid Collection was a collection of fine-art photographs assembled by the Polaroid Corporation. The collection was initiated in the 1940s by Ansel Adams and Edwin Land. Following the company's 2008 bankruptcy, the collection was broken up for sale in 2010.
Linn Underhill was an American photographer and professor. Underhill was best known for work that challenged cultural and societal conventions of gender identity and sexuality. Her work was considered innovative in its portrayal of women and aging.