Frequency | Weekly |
---|---|
Format | 30x23cm |
First issue | 6 March 1881 |
Final issue | 9 August 1914 |
Country | Belgium |
Based in | Brussels |
Language | French |
L'Art Moderne was a weekly review of the arts and literature published in Brussels from March 1881 until the outbreak of the First World War in August 1914. [1] It was established by a number of lawyers based in Brussels who felt the need for a regular overview of the cultural life of the capital. [2] The leading figures in the founding group were Edmond Picard and Octave Maus. [3] The poet and art critic Émile Verhaeren (also a lawyer) soon became a frequent contributor.
Each issue was eight pages long, and reviews were unsigned. [2] Initially the review's editorial line opposed "Art for art's sake" (promoted by the rival La Jeune Belgique ) under the alternative slogan l'art social ("social art"), insisting that art should serve progressive social and political purposes. This stance was later softened. Despite the differences in editorial emphasis, several contributors wrote for both reviews.
L'Art Moderne was closely involved in promoting two fin de siècle Belgian art movements, Les XX and La Libre Esthétique. [3]
The Université libre de Bruxelles is a French-speaking research university in Brussels, Belgium. ULB is one of the two institutions, which trace their origins to the Free University of Brussels, founded in 1834 by Belgian lawyer Pierre-Théodore Verhaegen.
Fernand Edmond Jean Marie Khnopff was a Belgian symbolist painter.
Louis Scutenaire was a poet, anarchist, surrealist and civil servant. Born Jean Émile Louis Scutenaire in Ollignies, Belgium, he died in Brussels.
Les XX was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro, Claude Monet, Georges Seurat, Paul Gauguin, Paul Cézanne (1890), and Vincent van Gogh.
Octave Maus was a Belgian art critic, writer and lawyer.
Saint-Louis University, Brussels or UCLouvain Saint-Louis Brussels is a public university in Brussels, belonging to the French Community of Belgium and specialized in social and human sciences.
La Libre Esthétique was an artistic society founded in 1893 in Brussels, Belgium to continue the efforts of the artists' group Les XX dissolved the same year. To reduce conflicts between artists invited or excluded, artists were no longer admitted to the society, thus all exhibitors were now invited.
The Société Libre des Beaux-Arts was an organization formed in 1868 by Belgian artists to react against academicism and to advance Realist painting and artistic freedom. Based in Brussels, the society was active until 1876, by which time the aesthetic values it espoused had infiltrated the official Salon. It played a formative role in establishing avant-gardism in Belgium.
Antoine-Félix Bouré, known in his own time as Félix Bouré but sometimes found in modern scholarship as Antoine Bouré, was a Belgian sculptor, best known for his monumental lions.
Émile Sacré (1844–1882) was a Belgian painter, after whom the Prix Émile Sacré was named.
Isabella or Isabelle Alice Errera, née Goldschmidt was a Belgian art historian specializing in textiles.
Events in the year 1894 in Belgium.
Michel Draguet is a Belgian art historian, professor at the Université libre de Bruxelles, and the director and CEO of the Royal Museums of Fine Arts of Belgium since May 2005. Draguet is a member of the board of the federal administration for science: the Belgian Science Policy Office (BELSPO).
Charles Scharrès was a Belgian pianist, composer, and pedagogue.
Events in the year 1893 in Belgium.
The following lists events that happened during 1881 in the Kingdom of Belgium.
Gisbert Combaz or Ghisbert Combaz was a Belgian painter, lithographer, illustrator, poster artist, furniture designer, sculptor, art educator, art historian and lawyer. He originally trained and practised as a lawyer, but gave up his legal career to dedicated himself to art education and art. He was one of the leading Belgian Art Nouveau artists. Despite his talents as a painter, he is now mainly known for his poster designs and postcards as well as his First World War drawings expressing his hatred for the German occupiers. His work showed a strong influence of his in-depth study of Japanese and Chinese art.
Le canal en Flandre par temps triste is an oil on canvas painting by Belgian painter Théo van Rysselberghe, created in 1894.
Anarchism spread into Belgium as Communards took refuge in Brussels with the fall of the Paris Commune. Most Belgian members in the First International joined the anarchist Jura Federation after the socialist schism. Belgian anarchists also organized the 1886 Walloon uprising, the Libertarian Communist Group, and several Bruxellois newspapers at the turn of the century. Apart from new publications, the movement dissipated through the internecine antimilitarism in the interwar period. Several groups emerged mid-century for social justice and anti-fascism.