L'inimico delle donne (The Enemy of Women) is an Italian-language comic opera in 3 acts by Baldassare Galuppi to a libretto by Giovanni Bertati. [1] It was Galuppi's first collaboration with Bertali, and premiered autumn 1771 Venice, at the Teatro San Samuele. The opera ran for 10 years. [2] A modern revival directed by Stefano Mazzonis di Pralafera was given in February 2011 at the Opera de Wallonie, Liège.
Carlo Osvaldo Goldoni was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty. His plays offered his contemporaries images of themselves, often dramatizing the lives, values, and conflicts of the emerging middle classes. Though he wrote in French and Italian, his plays make rich use of the Venetian language, regional vernacular, and colloquialisms. Goldoni also wrote under the pen name and title Polisseno Fegeio, Pastor Arcade, which he claimed in his memoirs the "Arcadians of Rome" bestowed on him.
Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica, commedia per musica, dramma bernesco, dramma comico, divertimento giocoso.
Gaspare Luigi Pacifico Spontini was an Italian opera composer and conductor from the classical era.
Baldassare Galuppi was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments.
The German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
Giuseppe Gazzaniga was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers.
"Madamina, il catalogo è questo" is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.
Giovanni Bertati was an Italian librettist.
A catalogue aria is a genre of opera aria in which the singer recounts a list of information that was popular in Italian comic opera in the latter half of the eighteenth and early nineteenth centuries.
Don Giovanni, o sia Il convitato di pietra, also known as Don Giovanni Tenorio is a one-act opera by the Italian composer Giuseppe Gazzaniga. The opera was first performed at the Teatro San Moisè, Venice, on 5 February 1787, the same day as Francesco Gardi's opera Don Giovanni in the same city at the Teatro San Samuele The libretto, by Giovanni Bertati, is based on the legend of Don Juan as told by Tirso de Molina in his play The Trickster of Seville and the Stone Guest (c. 1630), leading to comparisons with Mozart's Don Giovanni which had its premiere later in 1787. Mozart's librettist, Lorenzo Da Ponte, certainly knew the earlier opera. Gazzaniga's work is much shorter than Mozart's, and originally formed part of a double-bill with another piece, Il capriccio drammatico.
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal.
Matteo Antonio Babini, also known by the family name of Babbini, was a leading Italian tenor of the late 18th-century, and a teacher of singing and stage art.
Gennaro Astarita was an Italian composer, mainly of operas. The place of his birth is unknown, although he was active in Naples for many years. He began his operatic career in 1765, collaborating with Niccolò Piccinni in the writing of the opera L'orfana insidiata. He became the maestro di cappella in Naples in 1770.
The Teatro San Angelo or Teatro Sant' Angelo was once a theatre in Venice which ran from 1677 until 1803.
L'impresario delle Isole Canarie, also known as L'impresario delle Canarie or Dorina e Nibbio, is a satirical opera intermezzo libretto attributed to Metastasio, written in 1724 to be performed between the acts of Metastasio's opera seria Didone abbandonata. The first performance of the work was on February 1, 1724, in Naples, Italy, at Teatro San Bartolomeo. The first composer to set this libretto to music was Domenico Sarro, also known by the name Sarri, who also revised the work in 1730. The role of Dorina was first sung by the contralto Santa Marchesini, and Nibbio by the basso buffo singer Gioacchino Corrado. Later versions of this libretto appear with the titles L'impresario, L'impresario e la cantante and others.
L'avaro, is an opera in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy The Miser. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities.
Il curioso indiscreto, is an opera in three acts composed by Pasquale Anfossi. The libretto is based on an episode from the 17th-century Spanish novel Don Quixote. The librettist is not known for sure but is thought to be either Giovanni Bertati or Giuseppe Petrosellini. The opera premiered at the Teatro delle Dame in Rome during the Carnival season of 1777.
L'Olimpiade is an opera in three acts by Baldassare Galuppi, based on the original libretto of the same name by Pietro Metastasio. It premiered on 26 December 1747 at the Teatro Regio Ducale in Milan.
Bonaventura Furlanetto was an Italian composer and music teacher, also known in his lifetime by the nickname Musin. His pupils included Anselmo Marsand and Giovanni Pacini.
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