La Licorne (French : "The Unicorn") or Cahiers de La Licorne/Cuadernos de la Licorne was a literary magazine founded by Uruguayan poet Susana Soca, which produced three issues in Paris in Spring 1947, Autumn 1948, and Winter 1948. [1]
A follow-on publication, Entregas de la licorne, was launched in Montevideo in 1953 [2] under editor Ángel Rama. [3]
Samuel Barclay Beckett was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal, and tragicomic experiences of life, often coupled with black comedy and nonsense. His work became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of stream of consciousness repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd.
Waiting for Godot is a play by Irish playwright Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives. Waiting for Godot is Beckett's reworking of his own original French-language play, En attendant Godot, and is subtitled "a tragicomedy in two acts". In a poll conducted by the British Royal National Theatre in 1998/99, it was voted as the "most significant English-language play of the 20th century".
The theatre of the absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence.
Events from the year 1953 in literature .
This article contains information about the literary events and publications of 1955.
Juan Carlos Onetti Borges was a Uruguayan novelist and author of short stories.
How It Is is a novel by Samuel Beckett first published in French as Comment c'est by Les Editions de Minuit in 1961. The Grove Press published Beckett's English translation in 1964. An advance text of his English translation of the third part appeared in the 1962 issue of the Australian literary journal, Arna.
Gaucho literature, also known as gauchesco ("gauchoesque") genre was a literary movement purporting to use the language of the gauchos, comparable to the American cowboy, and reflecting their mentality. Although earlier works have been identified as gauchoesque, the movement particularly thrived from the 1870s to 1920s in Argentina, Uruguay and southern Brazil after which the movement petered out, although some works continued to be written. Gauchoesque works continue to be read and studied as a significant part of Argentine literary history.
The Fizzles are eight short prose pieces written by Samuel Beckett:
Ángel A. Rama was a Uruguayan writer, academic, and literary critic, known for his work on modernismo and for his theorization of the concept of "transculturation."
Ida Vitale is a Uruguayan poet, translator, essayist, lecturer and literary critic.
François Noudelmann is a contemporary French philosopher, university professor and radio producer.
Marta Traba Taín was an art critic and writer known for her contributions to Latin American art and literature.
José Pedro Díaz was a Uruguayan essayist, educator and writer.
Susana Soca (1906–1959) was a Uruguayan poet-writer. During the most productive part of her public career, much of which coincided with the Second World War, she lived in France. Soca also founded and for many years produced the transatlantic literary journal La Licorne. Both in her journal and elsewhere she was notable for the extent and effectiveness of her support for fellow writers from Latin America and Europe.
Carlos Maggi was a Uruguayan lawyer, playwright, journalist and writer. Among his acquaintances he was known as "the Kid".
Idea Vilariño Romani was a Uruguayan poet, essayist and literary critic.
Armonía Liropeya Etchepare Locino was a Uruguayan feminist, pedagogue, novelist and short story writer. She was sometimes referred to as Armonía Etchepare de Henestrosa or, by her pseudonym, Armonía Somer. A member of the literary movement Generación del 45, Somers wrote in a transgressive style. Her contemporaries included Silvina Ocampo, Griselda Gambaro, Luisa Valenzuela, Elena Garro, and Peri Rossi.
Alan Warren Friedman is Thaman Professor of English and Comparative Literature in the department of English at the University of Texas at Austin. He is a specialist in the work of James Joyce and Samuel Beckett.
Anarchism in Uruguay held a major importance in the organization of the labor movement. The history of the libertarian movement in Uruguay was closely linked to issues circulating internationally: the immigration of Spanish and Italian workers in particular had a major influence in its development, but the relations between revolutionary movements across Latin America, and in particular with Argentina and Brazil were equally significant.