This article needs additional citations for verification .(February 2024) |
La Vie Nouvelle | |
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Directed by | Philippe Grandrieux |
Cinematography | Stéphane Fontaine |
Release date |
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Running time | 102 minutes |
Country | France |
A New Life (French: La Vie nouvelle) is a 2002 French film directed by Philippe Grandrieux and starring Zachary Knighton and Anna Mouglalis. [1]
The story involves a young American who falls obsessively in love with a mysterious courtesan named Melania against the backdrop of a dilapidated Eastern European landscape.
Irréversible is a 2002 French art thriller film written and directed by Gaspar Noé. Starring Monica Bellucci, Vincent Cassel, and Albert Dupontel, the plot depicts the events of a tragic night in Paris as two men attempt to avenge the brutal rape and beating of the woman they love. The film is made up of a title sequence followed by 13 segments made to look like long takes. Each of these segments is either a continuous shot or a series of shots digitally composited to resemble a continuous shot. The story is told in reverse order, with each scene taking place chronologically before the one that precedes it.
Claire Denis is a French film director and screenwriter. Her feature film Beau Travail (1999) has been called one of the greatest films of the 1990s and of all time. Other acclaimed works include Trouble Every Day (2001), 35 Shots of Rum (2008), White Material (2009), High Life (2018) and Both Sides of the Blade (2022), the last of which won her the Silver Bear for Best Director at the Berlin International Film Festival. For her film Stars at Noon (2022), Denis competed for the Palme d'Or at the 2022 Cannes Film Festival. She won the Grand Prix, sharing the award with Lukas Dhont's film Close.
François Ozon is a French film director and screenwriter.
Trouble Every Day is a 2001 French erotic horror film directed by Claire Denis and written by Denis and Jean-Pol Fargeau. It stars Vincent Gallo, Tricia Vessey, Béatrice Dalle, Alex Descas and Marilu Marini. The film's soundtrack is provided by Tindersticks.
Linda Ruth Williams is Professor of Film Studies in the College of Humanities at the University of Exeter, UK. Her special interests include sexuality and censorship in cinema and literature, women in film, psychoanalytic theory and D. H. Lawrence.
Sombre is a 1998 French film directed by Philippe Grandrieux, starring Marc Barbé and Elina Löwensohn. The film was nominated for the Golden Leopard and won the C.I.C.A.E. Award - Special Mention at the Locarno International Film Festival.
NISI MASA is a nonprofit organization promoting young professionals in the European film industry. It is formed from 28 national member bodies.
New Extreme Films describes a range of transgressive films made at the turn of the 21st century that sparked controversy, and provoked significant debate and discussion. They were notable for including graphic images of violence, especially sexual violence and rape, as well as explicit sexual imagery.
Philippe Grandrieux is a French film director and screenwriter.
The 44th Cannes Film Festival was held from 9 to 20 May 1991. The Palme d'Or went to Barton Fink by Joel Coen and Ethan Coen.
Sophie Guillemin is a French actress. She has appeared in such films as L'Ennui, Harry, He's Here to Help, Un chat un chat, and A la folie, pas du tout. In 2017, whilst on the set of the TV movie Remember Us, she met the actor Thierry Godard. The couple were married in August 2018.
Nelly Kaplan was an Argentine-born French writer and film director who focused on the arts, film, and filmmakers. She studied economics at the University of Buenos Aires. Passionate about cinema, she abruptly put her studies on hold to go to Paris to represent the new Argentine film archive at an international convention and later became a correspondent for different Argentine newspapers. She met Abel Gance in 1954, who gave her the opportunity to work on the film La tour de Nesle.
Stéphane Michaud is a French scholar specializing in comparative literature. He is Professor Emeritus of the Sorbonne Nouvelle in Paris where he taught since the 1990s. He has written or edited more than ten books, a body of work that is influential in his field.
Martine Beugnet is a French film theorist, and a Professor in Visual Studies at the Paris Diderot University. She has written primarily on corporeality and sensation in avant-garde and narrative cinema, and has had her work published in several film journals. She wrote her PhD thesis at the University of Edinburgh in 1999, on themes of sexuality and bodies in recent French cinema, citing filmmakers such as Claire Denis, Bertrand Blier, Jean-Jacques Beineix, Laetitia Masson, and Leos Carax. She later wrote an entire monograph on the work of Claire Denis, where she invoked the film theory of French philosopher Gilles Deleuze. In 2005, she published a book on cinematic treatments of Marcel Proust, written in collaboration with Marion Schmid. Two years later, she wrote a book titled Cinema and Sensation, where she further explored themes she had written about in her PhD thesis, again invoking Deleuze.
Selma Baccar or Salma Baccar is a Tunisian filmmaker, producer and politician. She is considered the first woman to make a featured length film in Tunis. Baccar is known for creating manifestos through her films, centered around women's rights in Tunisia.
Kino-Fot was a Russian magazine dedicated to cinema produced from 1922 to 1923 under the editorship of Aleksei Gan. A total of six issues of the magazine were produced, five in 1922 with a sixth in 1923. The contributors included Vladimir Mayakovsky, Dziga Vertov and Lev Kuleshov. It was, for a while, the principal journal of the emerging cinematic industry in the Soviet Union.
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La Providence de Notre-Dame-des-Flots, sold in the United States as The Providence of the Waves, or the Dream of a Poor Fisherman and in Britain as The Fisher's Guardian Angel, was a 1904 silent film directed by Georges Méliès.
Philippe Corcuff is a French academic, full professor in political science at the Institut d'études politiques de Lyon since October 1992 and member of the CERLIS laboratory since October 2003. Politically committed to the left, with a trajectory that took him from social democracy to pragmatic anarchism, via the ecologists and the New Anti-Capitalist Party, he defines himself as an “anti-globalization and libertarian activist”. He was a columnist for the French satirical weekly Charlie Hebdo from 2001 to 2004.