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 | This article may be expanded with text translated from the corresponding article in Italian. (January 2020)Click [show] for important translation instructions.
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| La conquista dei diamanti | |
|---|---|
| Directed by | Augusto Genina |
Release date |
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| Country | Italy |
| Language | Silent |
La conquista dei diamanti is a 1915 Italian film directed by Augusto Genina, the sequel to his earlier film, La fuga dei diamanti of 1914. [1] [2]
Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Telefoni Bianchi films, also called deco films, were made by Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
Augusto Genina was an Italian film pioneer. He was a movie producer and director.
Andrea Checchi was a prolific Italian film actor.
La fuga dei diamanti is a 1914 Italian film directed by Augusto Genina. It was followed in 1915 by the sequel La conquista dei diamanti.
Renato Castellani was an Italian film director and screenwriter.
Emilio Luigi Carlo Giuseppe Maria Ghione, known as Emilio Ghione, was an Italian silent film actor, director and screenwriter. Ghione was best known for writing, directing, and starring in the Za La Mort series of adventure films, in which Ghione played a likeable French Apache and 'honest outlaw'. Ghione directed, wrote, and acted in every genre of film, and directed some of the most famous stars of the time, including Francesca Bertini, Lina Cavalieri, Alberto Collo, and Hesperia. After his final film role in 1926, Ghione briefly performed on a theatrical tour of Italy. Ghione wrote three novels based around his Za La Mort character, an autobiography, and an essay on Italian Silent Cinema, before his death from tuberculosis in 1930.
Giuseppa Iolanda Menichelli, known professionally as Pina Menichelli, was an Italian actress. After a career in theatre and a series of small film roles, Menichelli was launched as a film star when Giovanni Pastrone gave her the lead role in The Fire (1916). Over the next nine years, Menichelli made a series of films, often trading on her image as a diva and on her passionate, decadent eroticism. Menichelli became a global star, and one of the most appreciated actresses in Italian cinema, before her retirement in 1924, aged 34.
Romolo Bacchini, also credited as Bachini was a filmmaker, musician, painter and Italian dialect poet, who spent his career during the silent film era.
The filmography on immigration in Italy is a phenomenon started with the arrival of the first migratory flows in Italy, since the 1990s.
Letter at Dawn is a 1948 Italian drama film directed by Giorgio Bianchi.
Diana Sorel is a 1921 Italian silent film directed by Gustavo Serena and starring Tilde Kassay.
Tower of Terror is a 1913 Italian silent film directed by Roberto Roberti and starring Bice Valerian.
The Princess of Bedford is a 1914 Italian silent film directed by Roberto Roberti and starring Bice Valerian.
The Fear of Love is a 1920 Italian silent film directed by Roberto Roberti and starring Gustavo Serena.
Monna Vanna is a 1915 Italian silent film directed by Mario Caserini and starring Madeleine Céliat, Hamilton Revelle and François-Paul Donadio. It was released in the United States by Universal Pictures in 1916.
The Kreutzer Sonata is a 1920 Italian silent film directed by Umberto Fracchia. The film is based Leo Tolstoy's 1889 novella of the same name. It is also known by the alternative title A Page from Life.
New Moon is a 1925 Italian silent film directed by Armando Fizzarotti and Mario Volpe.
Gian Piero Brunetta is an Italian film critic, film historian, and academic.
Antonio Veretti was an Italian composer.
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