La santa alleanza (English: The Holy Alliance) is an 1822 cantata composed by the Italian Gioachino Rossini. It was produced by him for the Congress of Verona that year. Held in the Austrian-ruled city of Verona, it was the largest gathering of international figures since the Congress of Vienna seven years earlier. [1] While Ludwig van Beethoven had been chosen to compose music to be performed at Vienna, in 1822 Klemens Von Metternich turned to the Italian Rossini.
The cantata was a celebration of the Holy Alliance that involved several Continental European powers, most notablly Austria, Prussia and Russia. It premiered on 24 November 1822 in the city's Roman-era Verona Arena. It was one of four commissions Rossini received for the two month Congress. [2] Amongst the works performed was a resetting of music from the 1810 opera La donna del lago with fresh lyrics. [3]
A second cantata Il vero omaggio appeared at the city's Teatro Filarmonico on 3 December.
Gioachino Antonio Rossini was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Domenico Gaetano Maria Donizetti was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.
The Congress of Vienna of 1814–1815 was a series of international diplomatic meetings to discuss and agree upon a possible new layout of the European political and constitutional order after the downfall of the French Emperor Napoleon Bonaparte. Participants were representatives of all European powers and other stakeholders. The Congress was chaired by Austrian statesman Klemens von Metternich, and was held in Vienna from September 1814 to June 1815.
Michael William Balfe was an Irish composer, best remembered for his operas, especially The Bohemian Girl.
The Concert of Europe was a general agreement among the great powers of 19th-century Europe to maintain the European balance of power, political boundaries, and spheres of influence. Never a perfect unity and subject to disputes and jockeying for position and influence, the Concert was an extended period of relative peace and stability in Europe following the Wars of the French Revolution and the Napoleonic Wars which had consumed the continent since the 1790s. There is considerable scholarly dispute over the exact nature and duration of the Concert. Some scholars argue that it fell apart nearly as soon as it began in the 1820s when the great powers disagreed over the handling of liberal revolts in Italy, while others argue that it lasted until the outbreak of World War I and others for points in between. For those arguing for a longer duration, there is generally agreement that the period after the Revolutions of 1848 and the Crimean War (1853–1856) represented a different phase with different dynamics than the earlier period.
The Quintuple Alliance came into being at the Congress of Aix-la-Chapelle in 1818, when France joined the Quadruple Alliance created by Austria, Prussia, the Russian Empire, and the United Kingdom of Great Britain and Ireland. The European peace settlement concluded at the Congress of Vienna in 1815.
The Holy Alliance, also called the Grand Alliance, was a coalition linking the absolute monarchist great powers of Austria, Prussia, and Russia, which was created after the final defeat of Napoleon at the behest of Emperor (Tsar) Alexander I of Russia and signed in Paris on 26 September 1815.
The Trienio Liberal, or Three Liberal Years, was a period of three years in the modern history of Spain between 1820 and 1823, when a liberal government ruled Spain after a military uprising in January 1820 by the lieutenant-colonel Rafael de Riego against the absolutist rule of Ferdinand VII.
The Congress of Laibach was a conference of the allied sovereigns or their representatives, held in 1821 in Ljubljana as part of the Congress System which was the decided attempt of the five Great Powers to settle international problems after the Napoleonic Wars through discussion and collective weight rather than on the battlefield. A result of the Congress was the authorization of Austrian intervention in the Kingdom of the Two Sicilies in order to quell a liberal uprising.
The Congress of Verona met at Verona from 20 October to 14 December 1822 as part of the series of international conferences or congresses that opened with the Congress of Vienna in 1814–15, which had instituted the Concert of Europe at the close of the Napoleonic Wars.
The Congress of Aix-la-Chapelle, held in the autumn of 1818, was a high-level diplomatic meeting of France and the four allied powers Britain, Austria, Prussia and Russia, which had defeated it in 1814. The purpose was to decide the withdrawal of the army of occupation from France and renegotiate the reparations it owed. It produced an amicable settlement, whereby France refinanced its reparations debt; the Allies in a few weeks withdrew all of their troops.
Antonio Caldara was an Italian Baroque composer.
Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa after William Shakespeare's play Othello, or The Moor of Venice; it was premiered in Naples, Teatro del Fondo, 4 December 1816.
Ferdinando Paer was an Italian composer known for his operas. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër.
La gazzetta, ossia Il matrimonio per concorso is an opera buffa by Gioachino Rossini. The libretto was by Giuseppe Palomba after Carlo Goldoni's play Il matrimonio per concorso of 1763. The opera satirizes the influence of newspapers on people's lives. There is critical disagreement as to its success, although the New England Conservatory's notes for their April 2013 production state that the opera "was an immediate hit, and showed Rossini at his comic best".
The Teatro Filarmonico is the main opera theater in Verona, Italy, and is one of the leading opera houses in Europe. The Teatro Filarmonico is property of the Accademia Filarmonica di Verona. Having been built in 1716, and later rebuilt after a fire of January 21, 1749, and again after the allied bombing of February 23, 1945.
Maometto II is an 1820 opera in two acts by Gioachino Rossini to an Italian libretto by Cesare della Valle. Set in the 1470s during a time of war between the Turks and Venetians, the work was commissioned by the Teatro di San Carlo in Naples. Della Valle based his libretto on his earlier play Anna Erizo. The name of the title character, Maometto II, refers to the real-life Ottoman Sultan and conqueror of Constantinople Mehmed II, who lived from 1432 to 1481.
Olympe Pélissier was a French artists' model and courtesan and the second wife of the Italian composer Gioachino Rossini. She sat for Vernet for his painting of Judith and Holofernes. Honoré de Balzac described her as "the most beautiful courtesan in Paris".
Carlo Pedrotti was an Italian conductor, administrator and composer, principally of opera. An associate of Giuseppe Verdi's, he also taught two internationally renowned Italian operatic tenors, Francesco Tamagno and Alessandro Bonci.