The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.
The cornett, cornetto, or zink is a wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.
The lip is a soft, protruding organ at the mouth of many animals, including humans.
Horse-flies and deer flies are true flies in the family Tabanidae in the insect order Diptera. The adults are often large and agile in flight. Only female horseflies bite land vertebrates, including humans, to obtain blood. They prefer to fly in sunlight, avoiding dark and shady areas, and are inactive at night. They are found all over the world except for some islands and the polar regions. Both horse-flies and botflies (Oestridae) are sometimes referred to as gadflies.
The term labial originates from Labium, and is the adjective that describes anything of or related to lips, such as lip-like structures. Thus, it may refer to:
A flue pipe is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure is driven through a flue and against a sharp lip called a labium, causing the column of air in the pipe to resonate at a frequency determined by the pipe length. Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs.
The labia are the major externally visible portions of the vulva. In humans and other primates, there are two pairs of labia: the labia majora are large and thick folds of skin that cover the vulva's other parts while the labia minora are the inner folds of skin between the outer labia that surround and protect the openings. Inside the vestibule are the introitus of the vagina and the meatus of the urethra. Upward from the labia minora is the clitoral hood that protects the clitoral glans.
The tibia is a bone in the leg of humans and other vertebrates.
The mouthparts of arthropods have evolved into a number of forms, each adapted to a different style or mode of feeding. Most mouthparts represent modified, paired appendages, which in ancestral forms would have appeared more like legs than mouthparts. In general, arthropods have mouthparts for cutting, chewing, piercing, sucking, shredding, siphoning, and filtering. This article outlines the basic elements of four arthropod groups: insects, myriapods, crustaceans and chelicerates. Insects are used as the model, with the novel mouthparts of the other groups introduced in turn. Insects are not, however, the ancestral form of the other arthropods discussed here.
The mandible of an arthropod is a pair of mouthparts used either for biting or cutting and holding food. Mandibles are often simply called jaws. Mandibles are present in the extant subphyla Myriapoda, Crustacea and Hexapoda. These groups make up the clade Mandibulata, which is currently believed to be the sister group to the rest of arthropods, the clade Arachnomorpha.
Insects have mouthparts that may vary greatly across insect species, as they are adapted to particular modes of feeding. The earliest insects had chewing mouthparts. Most specialisation of mouthparts are for piercing and sucking, and this mode of feeding has evolved a number of times independently. For example, mosquitoes and aphids both pierce and suck, though female mosquitoes feed on animal blood whereas aphids feed on plant fluids.
Heterolabis may refer to:
Labrum Latin, defined as "having the edge"
A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.
Insect morphology is the study and description of the physical form of insects. The terminology used to describe insects is similar to that used for other arthropods due to their shared evolutionary history. Three physical features separate insects from other arthropods: they have a body divided into three regions, three pairs of legs, and mouthparts located outside of the head capsule. This position of the mouthparts divides them from their closest relatives, the non-insect hexapods, which include Protura, Diplura, and Collembola.
This glossary describes the terms used in formal descriptions of spiders; where applicable these terms are used in describing other arachnids.
The labrum is a flap-like structure that lies immediately in front of the mouth in almost all extant Euarthropoda. The most conspicuous exceptions are the Pycnogonida, which probably are chelicerate-relatives. In entomology, the labrum amounts to the "upper lip" of an insect mouth, the corresponding "lower lip" being the labium.
The subcapitulum, also known as infracapitulum, hypognathum or hipognatum, refers to the ventral part of the gnathosoma or the fusion of the palpal coxae and the labrum complex present in some arthropods on which the mouth, pedipalps, mouthparts and pharynx are generally located. It is delimited by the subcapitular apodeme, which separates it from the cheliceral frame.
Fausta Labia was an Italian operatic soprano who was active mainly from 1892 to 1908. She made her debut in Naples in April 1892 as Valentine in Meyerbeer's Les Huguenots. After engagements at the Royal Swedish Opera in Stockholm (1893–95) and Lisbon (1896), she returned to Italy where she performed first in Turin, Rome and Bologna. Thereafter notable performances included the title role in Mascagni's Iris at La Fenice in Venice (1900) and Sieglinde in Wagner's Die Walküre at Milan's La Scala (1901).
