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The Labor Heritage Foundation is a non-profit organization which preserves and disseminates information and artifacts about the labor history of the United States.
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The Labor Heritage Foundation is a non-profit organization which preserves and disseminates information and artifacts about the labor history of the United States.
The genesis of the Labor Heritage Foundation was in June 1979. [1] Joe Glazer, a composer, musician and educator active in the American labor movement. Glazer invited 14 other labor musicians to the George Meany Center for Labor Studies in Silver Spring, Maryland to share musical and written compositions, and to discuss the effective use of music, song, poetry and chants in labor activism. The three-day event became an annual one, becoming known as the Great Labor Arts Exchange (GLAE).
Over the next five years, the concept of "labor culture" and how the labor movement and the arts interacted, which Glazer and others held, expanded. In 1984, Glazer, with Joe Uehlein [2] and Saul Schniderman, [3] incorporated the Labor Heritage Foundation as a parent body for GLAE as well as to curate and promote the culture of the American labor movement.
The Labor Heritage Foundation is governed by a board of directors. [4]
In 1986, the foundation hired its first executive director. The executive director, a full-time position, oversees the day-to-day operations of the foundation.
The Labor Heritage Foundation shares office space with the AFL–CIO in Washington, D.C. The Great Labor Arts Exchange continues to be held at the original venue, which became the National Labor College (from 1997 to 2014) [5] and now is the Tommy Douglas Conference Center. [6]
GLAE remains the largest and most prominent program of the Labor Heritage Foundation. The festival now includes a variety of artistic and cultural endeavors, such as cartooning, painting, film, puppetry, street theater, and photography. GLAE participants have included singer Pete Seeger, artist Ralph Fasanella, photographer Earl Dotter and poet Chris Llewellyn.
Concurrently with GLAE, the Labor Heritage Foundation also holds an annual Conference on Creative Organizing, which trains worker activists and labor union staff in the use of songs, chants, skits, costumes, food, and other cultural media in organizing and collective bargaining campaigns.
Publishing constitutes a third major program of the foundation. The organization has published a number of books and pamphlets. Topics include labor history, song, photography, poetry, children's activities, short story collections, biographies and autobiographies, graphic novels, and collections of graphic art. The foundation has also published a limited number of audio recordings, including song collections and oral histories.
In 1996, the foundation developed the Labor Culture Consulting and Referral Service, a database of artists active in the labor movement, and published the Directory of Cultural Resources for use by local unions in identifying community artists and arts organizations which may be of assistance in union activities.
The foundation supports regional labor arts festivals and community arts exchanges on an irregular and limited basis.
The Labor Heritage Foundation began presenting the Joe Hill Award in 1989. The award honors individuals for a body of work in the field of labor culture.
Peter Seeger was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
"We Shall Overcome" is a gospel song that is associated heavily with the U.S. civil rights movement. The origins of the song are unclear; it was thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley, while the modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina.
The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.
Hazel Jane Dickens was an American bluegrass singer, songwriter, double bassist and guitarist. Her music was characterized not only by her high, lonesome singing style, but also by her provocative pro-union, feminist songs. Cultural blogger John Pietaro noted that "Dickens didn’t just sing the anthems of labor, she lived them and her place on many a picket line, staring down gunfire and goon squads, embedded her into the cause." The New York Times extolled her as "a clarion-voiced advocate for coal miners and working people and a pioneer among women in bluegrass music." With Alice Gerrard, Dickens was one of the first women to record a bluegrass album.
Agnes "Sis" Cunningham was an American musician, best known for her involvement as a performer and publicist of folk music and protest songs. She was the founding editor of Broadside magazine, which she published with her husband Gordon Friesen and their daughters.
Mike Seeger was an American folk musician and folklorist. He was a distinctive singer and an accomplished musician who played autoharp, banjo, fiddle, dulcimer, guitar, mouth harp, mandolin, dobro, jaw harp, and pan pipes. Seeger, a half-brother of Pete Seeger, produced more than 30 documentary recordings, and performed in more than 40 other recordings. He desired to make known the caretakers of culture that inspired and taught him.
Elizabeth "Libba" Cotten was an American folk and blues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down. This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". NPR stated "her influence has reverberated through the generations, permeating every genre of music."
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special". Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.
Lee Elhardt Hays was an American folk singer and songwriter, best known for singing bass with the Weavers. Throughout his life, he was concerned with overcoming racism, inequality, and violence in society. He wrote or cowrote "Wasn't That a Time?", "If I Had a Hammer", and "Kisses Sweeter than Wine", which became Weavers' staples. He also familiarized audiences with songs of the 1930s labor movement, such as "We Shall Not Be Moved".
Joseph Glazer was an American folk musician who recorded more than thirty albums over the course of his career. He was closely associated with labor unions and often referred to as "labor's troubadour".
The Great Labor Arts Exchange is an annual arts festival in Silver Spring, Maryland, which celebrates the labor history of the United States as well as preserves, advances and promotes the culture of the American labor movement.
The Joe Hill Award is awarded annually at the Great Labor Arts Exchange by The Labor Heritage Foundation.
Zilphia Horton was an American musician, community organizer, educator, Civil Rights activist, and folklorist. She is best known for her work with her husband Myles Horton at the Highlander Folk School where she is generally credited with turning such songs as "We Shall Overcome", "We Shall Not Be Moved," and "This Little Light of Mine" from hymns into protest songs of the Civil Rights Movement.
People's Songs was an organization founded by Pete Seeger, Alan Lomax, Lee Hays, and others on December 31, 1945, in New York City, to "create, promote, and distribute songs of labor and the American people." The organization published a quarterly Bulletin from 1946 through 1950, featuring stories, songs and writings of People's singers members. People's Songs Bulletin served as a template for folk music magazines to come like Sing Out! and Broadside.
John L. Handcox (1904–1992) was a Great Depression-era tenant farmer and union advocate from Arkansas renowned for his politically charged songs and poetry. Handcox is noted for playing a "vital role in bettering the lives of sharecroppers and energizing labor union organizers and members." Despite his brief career, many of his songs were so popular that they became standard folk songs themselves, and continue to be sung today.
The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways.
Collector Records was founded in 1970 by Joe Glazer, an American folk singer. Glazer is known as “labor’s troubador” and he started the label to distribute albums of his own interpretations and compositions of American labor songs. Working with an organization called the Great Labor Arts Exchange, Glazer also released recordings of other performers in the modern U.S. labor movement. The label was donated to the Ralph Rinzler Folklife Archives and Collections in 2005.
Bev Grant is an American musician, photographer, filmmaker, and activist based in New York City.
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