Laila Havilio (born 1960) is a sculptor from Santiago, Chile.
She is a Chilean sculptor working in wood, stone, bronze, cement, and ceramic. Born in Recoleta, Chile in April 1960, she moved to Buenos Aires Argentina at the age of 10. From 1980 to 1983 she studied ceramics with the sculptor Ingeborg Ringer. [1] In 1993 she moved to Paris, France to continue her formal education in sculpting of high-temperature ceramics under sculptor Vivianne Cheveron. In 1995 she moved back to Chile where she attended the Pontifical Catholic University of Chile to learn working in other media including wood and stone. [2] At the same time, she became an apprentice at "La Obra", a prestigious metal sculpture foundry. There she learned the Lost-wax casting method and was able to produce sculptures in bronze and other metals. In 2001 Havilio exhibited at the Galeria de arte San Francisco in Chile, thus making a name for herself. Two years later, in 2003, Havilio was selected by the Inter-American Development Bank, (IDB), in Washington DC to represent Chile in their art collection. Meanwhile, other sculptures by the artist were displayed at the Embassy of Chile in Washington, D.C. [3] Since then, Havilio has had frequent coverage of her work in Chilean newspapers, television and radio.[ citation needed ]
Ossip Zadkine was a Belarusian-French artist of the School of Paris. He is best known as a sculptor, but also produced paintings and lithographs.
Evelyn Beatrice Longman was an American sculptor whose allegorical figure works were commissioned as monuments and memorials, adornment for public buildings, and attractions at art expositions in the early 20th-century. She became the first woman sculptor to be elected a full member of the National Academy of Design in 1919.
Elizabeth Catlett, born as Alice Elizabeth Catlett, also known as Elizabeth Catlett Mora was an American and Mexican sculptor and graphic artist best known for her depictions of the Black-American experience in the 20th century, which often focused on the female experience. She was born and raised in Washington, D.C., to parents working in education, and was the grandchild of formerly enslaved people. It was difficult for a black woman at this time to pursue a career as a working artist. Catlett devoted much of her career to teaching. However, a fellowship awarded to her in 1946 allowed her to travel to Mexico City, where she settled and worked with the Taller de Gráfica Popular for twenty years and became head of the sculpture department for the Escuela Nacional de Artes Plásticas. In the 1950s, her main means of artistic expression shifted from print to sculpture, though she never gave up the former.
Deborah Kay Butterfield is an American sculptor. Along with her artist-husband John Buck, she divides her time between a farm in Bozeman, Montana, and studio space in Hawaii. She is known for her sculptures of horses made from found objects, like metal, and especially pieces of wood.
Ruth Duckworth was a modernist sculptor who specialized in ceramics, she worked in stoneware, porcelain, and bronze. Her sculptures are mostly untitled. She is best known for Clouds over Lake Michigan, a wall sculpture.
Isaac Witkin was an internationally renowned modern sculptor born in Johannesburg, South Africa. Witkin entered Saint Martin's School of Art in London in 1957 and studied under Sir Anthony Caro and alongside artists including Phillip King, William G. Tucker, David Annesley, and Michael Bolus. Witkin helped create a new style of sculpture which led to this New Generation of sculptors and their innovating abstract forms of modern sculpture reaching and changing the art world. Witkin's abstract works of usually brightly colored fiberglass or wood was noted for its "witty, Pop-Art look".
Lorenzo Domínguez was a prolific Latin American sculptor whose art is a deliberate and personal synthesis of pre-Columbian and Rapa Nui aesthetics with a European artistic formation.
Germán Cueto was a Mexican artist. He was part of the initial wave of artistic activity following the Mexican Revolution. However, his stay in Europe from 1927 to 1932 moved him into more European and more abstract work, especially sculpture. While he had a number of exhibitions in Mexico during his life including a retrospective at the Museo de Arte Moderno in 1965, he did not have the kind of success that many of his contemporaries did as he did not follow the then dominant themes or styles of Mexican muralism movement. His work was considered to be avant-garde and is considered to be the first Mexican abstract artist, creating masks and sculptures of wood, wire, plastic, sheet metal, ceramic, electrical wire and other materials, traditional and non-traditional.
Lily Garafulic Yankovic was a Chilean sculptor, a member of the Generation of 40 artists, and museum director. Garafulic was a recipient of a Guggenheim Fellowship in New York City in 1944.
James Edward Kelsey is an American Abstract Expressionist sculptor best known for creating large stainless steel abstract curvilinear sculptures.
Abel Ramírez Águilar was a Mexican sculptor who won many prizes not only for traditional pieces in wood, stone and metal, but also for ice and snow sculptures in the United States, Canada, Japan and Europe. He was trained as a sculptor in Mexico and the Netherlands and has exhibited his work individually and collectively since the 1960s. He discovered snow and ice sculpting while visiting Quebec in the 1980s, first experiencing snow in his forties. The challenge intrigued him and he began sculpting this medium as an amateur. He began sculpting ice and snow professionally when he was entered in the competition associated with the 1992 Winter Olympic Games without his knowledge. Having practiced beforehand at an ice factory in Mexico City, he won the gold medal for this event, leading to invitations to other competitions for over twenty years. Ramírez lived in Mexico City.
Carla Lavatelli was an Italian-American artist whose career spanned five decades, from the 1950s into the early 2000s. Her work is in the permanent collections of several major museums, including the San Francisco Museum of Art, the Phillips Collection in Washington, D.C., the Hakone Open-Air Museum in Japan, and the Cantor Arts Center at Stanford University. She was noted primarily for her abstract sculptures in stone and bronze, which appeared in reproduction in such publications as Arts Magazine, Art in America, and Artforum during the late 1960s and early 1970s.
Tosia Malamud was a Mexican sculptor of Ukrainian origin, one of the first female graduates of Mexico's Escuela Nacional de Artes Plásticas. Her family immigrated to Mexico when she was four, and her talent for art appeared early. She went to art college against her parents' wishes, graduating in 1943. Because of family obligations, her career did not begin until the mid-1950s with two important exhibitions that brought her style to the attention of critics. From then until her death, she exhibited her work in Mexico and abroad. She also created large and small works for public spaces and was considered to be the best bust maker in Mexico at the time. In addition to depictions of notable people, she created works mostly dealing with maternity, family and childhood which can be found in places such as the Museo de Arte Moderno and the Hospital Siglo XXI in Mexico City. La familia has become iconic for Mexico's Instituto Mexicano de Seguro Social and Viento for the Museo de Arte Contemporáneo in Morelia.
Kristen L. Morgin is an American visual artist working primarily in sculpture. She is best known for her works made of unfired clay that use trompe-l'œil to appear as wood, paper, or metal and suggest decay.
Meridian is a bronze sculpture by British artist Barbara Hepworth. It is an early example of her public commissions, commissioned for State House, a new 16-storey office block constructed at 66–71 High Holborn, London, in the early 1960s. The sculpture was made in 1958–59, and erected in 1960. When the building was demolished in 1992, the sculpture was sold and moved to the Donald M. Kendall Sculpture Gardens in Purchase, New York.
Marja Vallila was an American artist, painter, ceramicist and sculptor.
Elmira Hüseynova was an Azerbaijani sculptor and portrait painter, who has exhibits in various locations throughout the world and was honored as an Honored Artist of Azerbaijan.
Margaret Christian Grigor was a prolific sculptor and medalist, working in metal, wood, stone, plaster and plasteline. Grigor was elected to the National Sculpture Society in 1963. In 1969 she won the Lindsey Morris Prize for best bas-relief from the National Sculpture Society.
Halima Jade Cassell FRSS is a British sculptor and ceramicist working in many materials. She was born in Pakistan and brought up in Lancashire, England, now living in Shropshire. Her work is described as having "strong geometric elements and recurrent patterns that are often inspired by the repetitive motifs found in Islamic architecture and North African surface design".
Olga Rosalie Aloisa Wagner née Packness (1873–1963) was a Danish painter and sculptor. After specializing in painting at the Royal Danish Academy of Fine Arts, she was trained as a sculptor by her husband Siegfried. She worked together with him throughout her life, developing her own style. She is remembered for her large stone and bronze figures but also created smaller works in porcelain while working with Bing & Grøndahl and the Royal Danish Porcelain Factory.