 |
Laiwan | |
|---|---|
| Born | 1961 (age 62–63) |
| Education | Emily Carr University of Art and Design Simon Fraser University |
| Occupation(s) | Artist, writer, educator, curator, gallerist |
| Known for | Cultural criticism, activism, participatory projects |
| Website | http://www.laiwanette.net/ |
Laiwan (born 1961) is a Zimbabwean interdisciplinary artist, art critic, gallerist, writer, curator and educator. Her wide-ranging practice is based in poetics and philosophy. She lives in Vancouver, British Columbia.
Laiwan was born in Harare, Zimbabwe in 1961.[ citation needed ] Her family emigrated to Canada in 1977 to leave the war in Rhodesia. [1]
She graduated from Emily Carr College of Art and Design (now Emily Carr University of Art and Design) in 1983. [2] In 1999, she received an MFA from Simon Fraser University in Vancouver, British Columbia. [3] [4]
She is an interdisciplinary artist interested in poetics and philosophy. [5] [6] Laiwan has won several prizes, such as the 2021 Emily Award from Emily Carr University. [7] She founded the Or Gallery in 1983, [8] where her intent was to dispel myths about the impossibility of founding and operating a gallery, particularly for women. [9] She was chair of the grunt gallery board of directors from 2010 to 2014. [10] [11]
Laiwan teaches in the Interdisciplinary Arts Program at Goddard College in Washington State. [12]
Laiwan investigates embodiment through performativity, writing, music, and audio works, in a variety of media. Her practice unravels and engages in the idea of presence by way of bodily and emotional intelligence.
Her work is held in Vancouver Art Gallery collection, Morris and Helen Belkin Art Gallery Collection, [13] [14] [15] [16] and other private collections, and her time-based work is available from VIVO Media Arts Centre in Vancouver, [17] [18] and V-Tape in Toronto. [19]
In Laiwan's 1986 slide sequence work, The Mesmerization of Language: The Language of Mesmerization, she deals with language as a structure which has a life independent of its conveyed meaning. [20] There are three parts to this artwork. [21] Part One, titled "OBSESSION : POSSESSION" shows the poem Sappho 31 in both the original Greek and as an English translation. Part Two is titled "SPELL", wherein Laiwan translates the Christian prayer Our Father from sign language into words, deconstructing and breaking apart the text, phrase by phrase, word by word, and letter by letter. "Untitled", which is Part Three of the project, moves from language into images of landscapes. [22]
In the exhibition catalogue for Political Landscapes I (1989) at Tom Thomson Memorial Art Gallery, Stephen Hogbin describes Laiwan as an artist who examines the political relationship of geography and identity. [23]
In 2016 as part of the City of Vancouver's Public Art Program, the Coastal City series, Laiwan displayed Barnacle City, which was projected on various buildings throughout downtown Vancouver. [47] In 2018, Laiwan started the Mobile Barnacle City Live/Work Studio, an installation created in the SiteFactory bus, which was a part of Emily Carr University's Living Labs Ten Different Things project series. Mobile Barnacle City was installed in various locations around Chinatown in Vancouver. The project also involved T’uy’tanat-Cease Wyss and Anne Riley. [48] [49]
In 2014, Laiwan curated Queering the International, an exhibition part of the Queer Arts Festival, which took place at the Roundhouse Community Arts and Recreation Centre. The exhibition examined issues of sexual identity. [50]
The Morris and Helen Belkin Art Gallery is a contemporary art gallery in Vancouver, British Columbia, on the campus of the University of British Columbia. The gallery is housed in a building designed by architect Peter Cardew which opened in 1995. Cardew received a RAIC gold medal for the building's design in 2012. It houses UBC's growing collection of contemporary art as well as archives containing objects and records related to the history of art in Vancouver.
Marian Penner Bancroft is a Canadian artist and photographer based in Vancouver. She is an associate professor at the Emily Carr University of Art and Design, where she has been teaching since 1981. She has previously also taught at Simon Fraser University and the Nova Scotia College of Art and Design. She is a member of the board of Artspeak Gallery and is represented in Vancouver by the Republic Gallery.
The grunt gallery is a Canadian artist-run centre, founded in 1984 and located in Vancouver, British Columbia. They show work by both Indigenous and non-Indigenous artists.
Karin Bubaš is a contemporary Canadian artist known for her work in various media including photography, painting, and drawing.
Lorna Brown is a Canadian artist, curator and writer. Her work focuses on public space, social phenomena such as boredom, and institutional structures and systems.
Tania Willard is an Indigenous Canadian multidisciplinary artist, graphic designer, and curator, known for mixing traditional Indigenous arts practices with contemporary ideas. Willard is from the Secwepemc nation, of the British Columbia interior, Canada.
Arabella Campbell is a Canadian artist based in Vancouver, British Columbia. She graduated with a Bachelor of Arts from the University of British Columbia in 1996, and a Bachelor of Fine Arts from Emily Carr University of Art and Design in 2002. She attended the San Francisco Art Institute from 1998 to 2000. She has exhibited locally, nationally, and internationally. She works out of a warehouse studio in False Creek Flats, Vancouver.
Allyson Clay is a Canadian visual artist, curator, and educator based in Vancouver, B.C.
Julia Feyrer is a Canadian visual artist, performer, and writer based in Vancouver, British Columbia.
Kathy Slade (1966) is a Canadian artist, author, curator, editor, and publisher born in Montreal, Quebec, and based in Vancouver, British Columbia. She is currently a Term Lecturer at Simon Fraser University's School for the Contemporary Arts.
Jennifer Weih is a Canadian artist and educator based in Vancouver, British Columbia. She currently teaches at the Emily Carr University of Art and Design. Weih received her BFA from the Emily Carr University of Art and Design and her MFA from the University of British Columbia. She works in installation, objects, video, and print. Her projects include a range of aesthetics including found, manufactured, or crafted materials. She is part of the production team at Other Sights for Artists' Projects. Weih was a programmer for VIVO Media Arts Centre, which she initiated community oriented projects, and founded Signal and Noise Media Art Festival.
Jeneen Frei Njootli is an interdisciplinary Vuntut Gwitchin artist known primarily for their work with sound and textiles, performance, fashion, workshops, and barbeques.
Tarah Hogue is a Canadian curator and writer known for her work with Indigenous art. Hogue is of Métis and settler ancestry and resides in Saskatoon, Saskatchewan. She is the inaugural Curator at Remai Modern.
Melanie O'Brian is a Canadian curator of contemporary art and writer based in Vancouver, British Columbia.
Kimberly Phillips is a writer, educator and curator in Vancouver, British Columbia, Canada. She is Director of SFU Galleries at Simon Fraser University.
Elspeth Pratt is a Canadian contemporary artist based in Vancouver, British Columbia. Pratt is best known for her colorful sculptures using "poor" materials such as cardboard, polystyrene, balsa wood and vinyl, and for her interest in leisure and consumerism in domestic and public spaces. Her use of humble, crude, unusual materials has sometimes been compared to the Arte Povera movement.
Tʼuyʼtʼtanat-Cease Wyss is a Skwxwú7mesh (Squamish), Stó꞉lō, Kānaka Maoli (Hawaiian), Irish-Métis, and Swiss multi-media artist, ethnobotanist, independent curator, educator, activist, and small business owner based in Vancouver, British Columbia. Tʼuyʼtʼtanat is Wyss's ancestral name, which means “woman who travels by canoe to gather medicines for all people.” Wyss's interdisciplinary practice encompasses aspects of visual art, fiber arts, ethnobotany, storytelling, and community education, among other interdisciplinary approaches, and she has been working with new media, performance, and interdisciplinary arts for more than 30 years. As a Coast Salish weaver, Wyss works with wool and cedar and uses indigenous plants in the dyeing process. Wyss also engages with beekeeping and gardening practices as part of community-led initiatives and as a way to explore aspects of land remediation - the ability of plants to remediate soil that has been contaminated with colonial toxins.
Anne Riley is an interdisciplinary artist of Slavey Dene and German ancestry. Born in Dallas, Texas, Riley currently lives and works in Vancouver, Canada. Several of Riley's works derive from her identity as Indigiqueer, a term coined by Cree artist TJ Cuthand, and commonly used by Indigenous artists including Oji-Cree storyteller, Joshua Whitehead. The term is interconnected with Two-spirit, an identity and role that continues to be vital within and across many Indigenous nations. Through artistic projects, Riley engages Indigenous methodologies that prioritize learning through embodiment, nurturing communities as well as the non-human world. Riley received her BFA from the University of Texas at Austin in 2012. Riley is a recipient of the City of Vancouver Studio Award (2018–2021).
Cindy Mochizuki is a multimedia Japanese Canadian artist based in Vancouver, British Columbia. In her drawings, installations, performance, and video works created through community-engaged and location-specific research projects, Mochizuki explores how historical and family memories are passed down in the form of narratives, folktales, rituals and archives. Mochizuki's works have been exhibited in multiple countries including Japan, the United States, and Canada. Mochizuki received MFA in Interdisciplinary Studies from the School For Contemporary Arts at Simon Fraser University in 2006. She received Vancouver's Mayor's Arts Award in New Media and Film in 2015 and the VIVA and Max Wyman awards in 2020.
Scott Watson is a Canadian curator, writer, and researcher based in Vancouver, British Columbia. Watson was the Director/Curator of the Morris and Helen Belkin Art Gallery at the University of British Columbia from 1995 to 2021. As faculty in the Department of Art History, Visual Art and Theory at the University of British Columbia, he helped initiate the Critical Curatorial Studies program at UBC in September 2002. Through his research and publications, he has acted as a champion of contemporary Vancouver artists.
{{cite web}}: CS1 maint: numeric names: authors list (link){{cite web}}: CS1 maint: numeric names: authors list (link){{cite book}}: |website= ignored (help)| International | |
|---|---|
| National | |
