Lake II | ||||
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Studio album by | ||||
Released | 1978 | |||
Genre | rock, pop | |||
Label | CBS | |||
Producer | Detlef Petersen, Lake | |||
Lake chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
Lake II is the second studio album by Lake, released in 1978.
All tracks written by Detlef Petersen and James Hopkins-Harrison except as indicated
(*)This is the correct title per the original LP release; later CD releases have it as "Love's a Jailer".
Produced by Detlef Petersen and Lake
Engineered by Geoffrey Peacey
Recorded at Russl Studios, Hamburg, Rockfield Studios, South Wales, Caribou Ranch, Colorado
String arrangements on "Love's the Jailor" by Peter Hecht
Mixed at Caribou Ranch, Colorado, and Russl Studios, Hamburg
Cover illustration by James McMullan
Design by Paula Scher
LP: Columbia Records JC 35289
CD: Renaissance RMED0126
Chicago VII is the sixth studio album by American rock band Chicago and was released in 1974. It is notable for being their first double album of new material since 1971's Chicago III, and remains their final studio release in that format. It features session percussionist Laudir de Oliveira who would become a full-fledged band member for the release of Chicago VIII the following year.
Chicago VIII is the seventh studio album, and eighth album overall, by American rock band Chicago, released in 1975. Following the experimental jazz/pop stylings of Chicago VII, the band returned to a more streamlined rock-based sound on this follow-up.
Barnstorm is the debut studio album by the American band Barnstorm, which was formed by guitarist Joe Walsh after he left the James Gang. The album was released in October 1972 on the labels ABC and Dunhill. It was the first album to be recorded at Caribou Ranch in Colorado.
Caribou is the eighth studio album by English singer Elton John, released in 1974. It was his fourth chart-topping album in the United States and his third in the United Kingdom. The album contains the singles "Don't Let the Sun Go Down on Me", which reached number 16 in the UK Singles Chart and number two in the US, and "The Bitch Is Back", which reached number 15 in the UK and number four in the US. Both singles reached number one in Canada on the RPM 100 national Top Singles Chart, as did the album itself.
Nether Lands is the fourth album by American singer-songwriter Dan Fogelberg, released in 1977. The album title is a play on Nederland, Colorado, the location of one of the studios used to record the album.
Unguarded is the seventh studio album by Christian music singer Amy Grant, released in 1985 on A&M Records. It is Grant's first album released by A&M.
Sleep Dirt is an album by Frank Zappa released in January 1979, on his own DiscReet Records label. It reached #175 on the Billboard 200 album chart in the United States. Zappa's original title for the album was Hot Rats III.
''Läther'' is the sixty-fifth official album by Frank Zappa. It was released posthumously as a 3-CD set on Rykodisc in 1996. The album's title is derived from bits of comic dialog that link the songs.
Studio Tan is the 24th album by American musician Frank Zappa, first released in September 1978 on his own DiscReet Records label. It reached #147 on the Billboard 200 albums chart in the United States.
Wish You Were Here is the seventh studio album by rock band Badfinger and their third consecutive album produced by Chris Thomas. It was recorded in the spring of 1974 at Colorado's Caribou Ranch and released in November of that year on Warner Bros. Records. Wish You Were Here was the second and last album the band released on the Warner Bros. label.
To the Bone is the tenth solo album by Kris Kristofferson, released in 1981, his last for Monument Records. It is his first album after his divorce from Rita Coolidge, and many of its songs deal with relationship decline. "Nobody Loves Anybody Anymore" became a minor hit.
Lake is a German-British rock music group that formed in 1973 in Hamburg, Germany. In 1975, they were joined by lead singer James Hopkins-Harrison, who gave them their signature sound for the remainder of their recording career.
Illegal Stills is an album released by American musician Stephen Stills on 7 May 1976. This was Stills second album on Columbia Records and his fourth solo album overall. After it was released he would start an album and tour with Neil Young. It was released on CD in 1991 (Columbia CK-34148). The album charted at number 31 in the US on release, but wasn't a critical success.
Dumb Waiters is the second studio album by English pop band The Korgis. It was released on Rialto Records in the UK in 1980.
Sticky George is the third studio album by English pop band, The Korgis. It was released on Rialto Records in the UK in 1981.
Lake is the self-titled first studio album by Lake, released in Germany in 1976 and the USA in 1977. The track "Time Bomb" was the band's highest charting single of their career. It reached #91 in Canada in December 1977.
Paradise Island is the third studio album by Lake, released in 1979.
Ouch! is the fourth studio album by Lake, released in August 1980 in Europe and June 1981 in the USA. It is the first album to be released following the departure of three members of the band from their peak period, Detlef Petersen, Geoffrey Peacey, and Martin Tiefense, who were replaced by Frank Hieber, Achim Opperman, and Heiko Efferz.
Don't Look Down is the fifth album by the Southern rock/Country rock band The Ozark Mountain Daredevils. The band lost another founding member, Buddy Brayfield, gained a new producer David Kershenbaum, and added three new players, including singer/guitarist and longtime pal Steve Canaday, who as owner of the New Bijou had been instrumental in the group's formation. Despite containing "Following The Way That I Feel", one of the strongest pop tunes in their catalogue, Don't Look Down didn't meet sales expectations, and presaged the Ozark Mountain Daredevils' move from A&M Records to Columbia Records.
That's the Way a Cowboy Rocks and Rolls is the fifth studio album by American country artist, Jessi Colter. The album was released in November 1978 on Capitol Records and was produced by Richie Albright and Waylon Jennings.