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Lando Bartolini (born 11 April 1937 in Prato) is an Italian tenor.
He studied at the Academy of Vocal Arts in Philadelphia after winning the Mario Lanza Award in 1968. In 1973 he debuted as Osaka in Mascagni's Iris at the Gran Teatre del Liceu in Barcelona and then became a naturalized American, appearing as Turiddu in Cavalleria Rusticana at the New York City Opera.
Bartolini returned to Italy in January 1982 and featured in the La Scala di Milano in the title role of Ernani. He later sang at some of the most prestigious opera houses in Europe, in Vienna, Munich, Hamburg, Berlin, Paris, Covent Garden, London and the Arena di Verona as well as South America. [1]
In 1986 he replaced Luciano Pavarotti in a production of Ernani at the Lyric Opera of Chicago which garnered him critical acclaim and in 1988 he made his debut with the Metropolitan Opera.
Maria Anna MarziaAlboni was a renowned Italian contralto opera singer. She is considered "one of the greatest contraltos in operatic history".
Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play Hernani by Victor Hugo.
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Franco Corelli was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. Dubbed the "prince of tenors", audiences were enchanted by his handsome features and charismatic stage presence. He had a long and fruitful partnership with the Metropolitan Opera in New York City between 1961 and 1975. He also appeared on the stages of most of the major opera houses in Europe and with opera companies throughout North America.
Lorenzo Bartolini was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail, while he drew inspiration from the sculpture of the Florentine Renaissance rather than the overpowering influence of Antonio Canova that circumscribed his Florentine contemporaries.
Salvatore Licitra was an Italian operatic tenor.
Ruggero Raimondi is an Italian bass-baritone opera singer who has also appeared in motion pictures.
Ettore Bastianini was an Italian operatic baritone who was particularly associated with the operas of the bel canto tradition.
Giuseppe Taddei was an Italian baritone, who, during his career, performed multiple operas composed by numerous composers.
Mario Sereni was an Italian baritone, who sang leading roles at the New York Metropolitan Opera for many years.
Ezio Domenico Flagello was born in New York City to Italian Americans. He sang at the Metropolitan Opera from 1957 to 1984; a bass particularly associated with the Italian repertory.
Dmitri Aleksandrovich Hvorostovsky was a Russian operatic baritone.
Matteo Manuguerra was a Tunisian-born French baritone, one of the leading Verdi baritones of the 1970s.
Caterina Mancini was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s.
Clifford Scantlebury Grant was an Australian operatic bass singer.
Carlo Guasco was a celebrated Italian operatic tenor who sang in Italian and other European opera houses from 1837 to 1853. Although he sang in many world premieres, he is most remembered today for having created the leading tenor roles in Verdi's I Lombardi alla prima crociata, Ernani, and Attila.
Gaetano Fraschini was an Italian tenor. He created many roles in 19th century operas, including five composed by Giuseppe Verdi. His voice was "heroic ... with a baritonal quality, ... yet Verdi and Donizetti appreciated his ability to sing softly and with subtlety." An Italian biographer has pointed out Fraschini's role in extending the longevity of Donizetti's operas, while at the same time accelerating the ascent of Verdi's repertory. He was indeed the most prominent singer who facilitated the transition from Donizetti to Verdi. Fraschini sang over one hundred roles and Verdi placed him at the top of his favorite tenors' list and described him as a "natural Manrico" for his Il trovatore. Fraschini also played a pivotal role in the success of many operas by Pacini and Mercadante.
Carlo Meliciani was an Italian operatic baritone who had an active international career from the mid-1950s through the late 1970s. From 1959 to 1979 he was on the roster of singers at La Scala in Milan. Although he sang a wide repertoire, he was particularly known for his portrayal of roles from the operas of Giuseppe Verdi. He notably recorded the part of Don Carlo in Ernani in 1969 with Plácido Domingo in the title role.
Corrado Zambelli was an Italian classical bass who had an active international singing career in operas and concerts from the 1920s through the 1950s. He appears on several complete opera recordings, including Otello and Carmen for His Master's Voice; and Ernani, Il trovatore, La favorite, and La Gioconda for Columbia Records.
Giovanni Battista Belletti was an Italian operatic baritone. He appeared in operas in Italy, Stockholm, London and Paris, and supported Jenny Lind in her tour of America.