Lao Buddhist sculptures were created by the Lao people of Southeast Asia. They are typically made of bronze, although gold and silver images can also be found. The Vat Manorom is believed to be the oldest colossal Lao Buddhist sculpture. Today, the sculpture gardens of Luang Pu Bunleua Sulilat provide a modern twist to the ancient tradition.
Lao artisans have, throughout the past, used a variety of media in their sculptural creations. Of the metals, bronze is probably the most common, but gold and silver images also exist. Typically, the precious metals are used only for smaller objects, but some large images have been cast in gold, most notably the Phra Sai of the sixteenth century, which the Siamese carried home as loot in the late eighteenth century. It is enshrined at Wat Po Chai in Nongkhai, Thailand, just across the Mekong River from Vientiane. The Phra Sai's two companion images, the Phra Serm and Phra Souk, are also in Thailand. One is in Bangkok and the other is in Lopburi. Perhaps the most famous sculpture in Laos, the Phra Bang, is also cast in gold, but the craftsmanship is held to be of Sinhalese, rather than Lao, origin. Tradition maintains that relics of the Buddha are contained in the image.
Bronze is an alloy of copper, containing about two percent tin. Other materials are often added, however, and the balance of ingredients determines the characteristics of the bronze. In Laos, like Cambodia and Thailand, the bronze, which is called samrit, includes precious metals, and often has a relatively high percentage of tin, which gives the newly-cast images a lustrous dark gray color. Other images, such as the Buddha of Vat Chantabouri in Vientiane, have a higher copper and, probably, gold content that give them a muted gold color.
A number of colossal images in bronze exist. Most notable of these are the Phra Ong Teu (16th century) of Vientiane, the Phra Ong Teu of Sam Neua, the image at Vat Chantabouri (16th century) in Vientiane and the image at Vat Manorom (14th century) in Luang Phrabang, which seems to be the oldest of the colossal sculptures. The Manorom Buddha, of which only the head and torso remain, shows that colossal bronzes were cast in parts and assembled in place.
Brick-and-mortar also seems to be a favorite medium for colossal images. Perhaps the most famous of these is the image of Phya Vat (16th century) in Vientiane, though apparently an unfortunate renovation completely altered the appearance of the sculpture, and it no longer resembles a Lao Buddha.
Wood is popular for small, votive Buddhist images that are often left in caves. Wood is also very common for large, life-size standing images of the Buddha.
The most famous two sculptures carved in semi-precious stone are the Phra Keo (The Emerald Buddha) and the Phra Phuttha Butsavarat. The Phra Keo, which is probably of Xieng Sen (Chiang Saen) origin, is carved from a solid block of jade. It rested in Vientiane for two hundred years before the Siamese carried it away as booty in the late eighteenth century. It now serves as the palladium of the Kingdom of Thailand, and resides at the Grand Palace in Bangkok. The Phra Phuttha Butsavarat was also taken to Bangkok, today it resides at the Amphorn Sathan Residential Hall. Before the Siamese seized it in the early nineteenth century, this crystal image was the palladium of the Lao kingdom of Champassack.
Many mostly wooden Lao Buddhist sculptures have been assembled inside the Pak Ou caves.
The religious art tradition of the region has received an original contemporary twist in the monumental fantastic sculpture gardens of Luang Pu Bunleua Sulilat: Buddha Park near Vientiane, and Sala Keoku near Nong Khai, Thailand.
Evidence for modern human presence in the northern and central highlands of Indochina, that constitute the territories of the modern Laotian nation-state dates back to the Lower Paleolithic. These earliest human migrants are Australo-Melanesians—associated with the Hoabinhian culture—and have populated the highlands and the interior, less accessible regions of Laos and all of South-east Asia to this day. The subsequent Austroasiatic and Austronesian marine migration waves affected landlocked Laos only marginally and direct Chinese and Indian cultural contact had a greater impact on the country.
Wat Xieng Thong is a Buddhist temple on the northern tip of the peninsula of Luang Phrabang, Laos. Built between 1559 and 1560 by King Setthathirath, Wat Xieng Thong is one of the most important of Lao monasteries and remains a significant monument to the spirit of religion, royalty and traditional art.
The Emerald Buddha is an image of the meditating Gautama Buddha seated in a meditative posture, made of a semi-precious green stone, clothed in gold. and about 66 centimetres (26 in) tall. The image is considered the sacred palladium of Thailand. It is housed in the Temple of the Emerald Buddha on the grounds of the Grand Palace in Bangkok.
The Phra Bang, Lao is the palladium of Laos. The Lao-language name for the image has been transliterated in a number of ways, including "Pra Bang," "Prabang," "Phabang" and "Pha Bang." The statue is an 83 cm-high standing Buddha with palms facing forward, cast using thong, an alloy of bronze, gold, and silver. According to local lore, it was cast in Ceylon sometime between the 1st and 9th century. However, the features of the image suggest a much later Khmer origin.
Lao art involves the myriad of forms creative, cultural expression originating from Laos. This includes both ancient artifacts and recent productions. Laotian Art often features Buddhist themes and includes such material forms as textiles, wood-carving and basket-weaving. Lao art is well known for its wealth of ornamentation
Nong Khai is a city in northeast Thailand. It is the capital of Nong Khai province. Nong Khai city is located in Mueang Nong Khai district.
Laos developed its culture and customs as the inland crossroads of trade and migration in Southeast Asia over millennia. As of 2012 Laos has a population of roughly 6.4 million spread over 236,800 km2, yielding one of the lowest population densities in Asia. Yet the country of Laos has an official count of over forty-seven ethnicities divided into 149 sub-groups and 80 different languages. The Lao Loum have throughout the country's history comprised the ethnic and linguistic majority. In Southeast Asia, traditional Lao culture is considered one of the Indic cultures.
'Phra Lak Phra Ram' is the national novel of the Lao people, and is the Lao adaptation of the Dasaratha Jataka, a story narrating one of the previous life of Buddha as a Bodhisatta named Rama. It was brought to Laos and other Southeast Asia by propagation of Buddhism. The story reached Laos much later than Cambodia and Thailand (Siam) and thus was affected by local adaptation.
Haw Phra Kaew, also written as Ho Prakeo, Hor Pha Keo and other similar spellings, is a former temple in Vientiane, Laos. It is situated on Setthathirath Road, to the southeast of Wat Si Saket. It was first built in 1565 to house the Emerald Buddha, but has been rebuilt several times. The interior now houses a museum of religious art and a small shop.
Buddha Park, also known as Xieng Khuan, is a sculpture park 25 km southeast from Vientiane, Laos in a meadow by the Mekong River. Although it is not a temple (Wat), it may be referred to as Wat Xieng Khuan since it contains numerous religious images. The name Xieng Khuan means Spirit City. The park contains over 200 Hindu and Buddhist statues. The socialist government operates Buddha Park as a tourist attraction and public park.
A Buddha image in Thailand typically refers to three-dimensional stone, wood, clay, or metal cast images of the Buddha. While there are such figures in all regions where Buddhism is commonly practiced, the appearance, composition and position of the images vary greatly from country to country in Buddhist art.
A wat is a type of Buddhist temple and Hindu temple in Cambodia, Laos, East Shan State, Yunnan, the Southern Province of Sri Lanka and Thailand. The word wat is a Thai word that was borrowed from Sanskrit vāṭa, meaning 'enclosure'. The term has varying meanings in each region, sometimes referring to a specific type of government-recognised or large temple, other times referring to any Buddhist or Hindu temple.
Vientiane is the capital and largest city of Laos. Comprising the five urban districts of Vientiane Prefecture, the city is located on the banks of the Mekong, right at the border with Thailand. Vientiane was the administrative capital during French rule and, due to economic growth in recent times, is now the economic center of Laos. The city had a population of 1,001,477 as of the 2023 Census.
Wat Ong Teu Mahawihan is one of many Buddhist monasteries in the city of Vientiane in Laos. This name is given to the temple due to the large, bronze Phra Ong Teu Buddha image that is in the temple: the largest Buddha in Vientiane. This temple was initially constructed by King Setthathirath I in the 16th century when Laos was being bombarded by the Burmese, but was later demolished during a foreign invasion. Thus, it may have gone through many reconstructions during the 19th or 20th century to attain the appearance it has today.
Vientiane is a prefecture of Laos, in the northwest Laos. The national capital, Vientiane, is in the prefecture. The prefecture was created in 1989, when it was split off from Vientiane province.
Luang Prabang is a province in northern Laos. Its capital of the same name, Luang Prabang, was the capital of the Lan Xang Kingdom during the 13th to 16th centuries. It is listed since 1995 by UNESCO as a World Heritage Site for unique architectural, religious and cultural heritage, a blend of the rural and urban developments over several centuries, including the French colonial influences during the 19th and 20th centuries. The province has 12 districts. The Royal Palace, the national museum in the capital city, and the Phou Loei Protected Reserve are important sites. Notable temples in the province are the Wat Xieng Thong, Wat Wisunarat, Wat Sen, Wat Xieng Muan, and Wat Manorom. The Lao New Year is celebrated in April as The Bun Pi Mai.
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Lao–Siamese War or the Siamese Invasion of Laos (1778–1779) is the military conflict between Thonburi Kingdom of Siam and the Lao kingdoms of Vientiane and Champasak. The war resulted in all three Lao kingdoms of Luang Phrabang, Vientiane and Champasak becoming Siamese tributary vassal kingdoms under Siamese suzerainty and domination in Thonburi and the subsequent Rattanakosin Period.
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