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Lara Schnitger (born 1969 in Haarlem, Netherlands) is a Dutch-American sculptor and painter, living and working in Los Angeles and Amsterdam. Schnitger studied at the Royal Academy of Art (The Hague) from 1987 to 1991 and spent a year on a residency at the Kitakyushu Centre for Contemporary Art in southern Japan.
Schnitger works in knitted and sewn textile sculptures, videos and photographs, and has produced a book about art created from mundane materials such as fabric, titled Lara Schnitger: Fragile Kingdom. [1]
Schnitger has had over 40 solo exhibitions world wide and numerous group exhibitions. Her work has been shown internationally at galleries and museums such as Magasin 3 in Stockholm, the Chinese European Art Center in Xiamen, the Santa Monica Museum of Art, Kunstwerke in Berlin, the UCLA Hammer Museum in Los Angeles, P.S. 1 Contemporary Art Center in New York, The Power Plant in Toronto, and the Royal Academy in London. Schnitger's work is in the permanent collection of several museums including the Museum of Contemporary Art in Los Angeles [2] and the Museum of Modern Art in New York. She participated in the Liverpool Biennial in 1999 and the Shanghai Biennial in 2002.
Raymond Pettibon is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his older brother, Greg Ginn. He has subsequently become widely recognized in the fine art world for using American iconography variously pulled from literature, art history, philosophy, and religion to politics, sport, and sexuality.
Anya Gallaccio is a British artist, who creates site-specific, minimalist installations and often works with organic matter.
Sigmar Polke was a German painter and photographer.
Kenny Scharf is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf's do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art. Growing up in post-World War II Southern California, Scharf was fascinated by television and the futuristic promise of modern design. His works often includes pop culture icons, such as the Flintstones and the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting.
Matthew Day Jackson is an American artist whose multifaceted practice encompasses sculpture, painting, collage, photography, drawing, video, performance and installation. Since graduating with an MFA from Rutgers University in 2001, following his BFA from the University of Washington in Seattle, he has had numerous solo exhibitions. His work has been shown at MAMbo Museo d'Arte Moderna in Bologna, Italy; Boulder Museum of Contemporary Art in Boulder, Colorado; the Museum of Fine Arts in Boston, MA; the Portland Museum of Art Biennial in Portland, Maine; and the Whitney Biennial Day for Night in New York.
Mark Grotjahn is an American painter best known for abstract work and bold geometric paintings. Grotjahn lives and works in Los Angeles.
Matthew Monahan is an American contemporary artist based in Los Angeles. He works in a variety of artistic disciplines that incorporate mixed media and found objects such as "foam, folded and crumbled construction paper," glass vitrines, and drywall. His work references art history and literature, recalling the works of modernists such as Constantin Brancusi and Marcel Duchamp. His sculptures and installations often combine modernists refences with figurative "fragments of ancient, mainly Greco-Roman statues."
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."
Mark Manders is a Dutch artist, currently living and working in Ronse, Belgium. His work consists mainly of installations, drawings and sculptures. He is probably best known for his large bronze figures that look like rough-hewn, wet or peeling clay. Typical of his work is also the arrangement of random objects, such as tables, chairs, light bulbs, blankets and dead animals.
My Barbarian is a Los Angeles based collaborative theatrical group consisting of Malik Gaines, Jade Gordon and Alexandro Segade. The trio makes site-responsive performances and video installations that use theatrical play to draw allegorical narratives out of historical dilemmas, mythical conflicts, and current political crises.
Allen Ruppersberg is an American conceptual artist based in Los Angeles and New York City.
Sir Christopher Mark Le Brun PPRA is a British artist, known primarily as a painter. President of the Royal Academy of Arts from 2011 to December 2019, Le Brun was knighted in the 2021 New Year Honours "for services to the arts".
Fiona Tan is a visual artist primarily known for her photography, film and video art installations. With her own complex cultural background, Tan's work is known for its skillful craftsmanship and emotional intensity, which often explores the themes of identity, memory, and history. Tan currently lives and works in Amsterdam, the Netherlands.
Paul Sietsema is a Los Angeles-based American artist who works primarily in film, painting and drawing. His work addresses the production, consumption, and proliferation of cultural objects, reflecting his interest in the possibility of an artwork to mediate information or meaning in a way that engages with the aesthetics of a specific time period. In the words of Sarah Robayo Sheridan, “Paul Sietsema compounds organic and artificial detritus in all his artwork, scavenging in history’s wake to identify specific tools of cultural production and foraging for concepts of art promulgated in the words of artists and attitudes of critics. He mines film as a vestige, the medium of the mechanical age, pressing and squeezing its very obsolescence through a contemporary sieve. In so doing, the artist hovers in the switchover between a bodily inscription in the image and a fundamental reconstitution of sight and representation in the matrix of the virtual. Where body stops and image starts is a divide collapsing through a series of innovations and accidents that go back as far as the people of Pompeii trapped in an emulsion that marked their death, but which paradoxically carried forward their image into eternity.”
Jordan Wolfson is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
Eric Wesley is an American artist. Wesley was born in Los Angeles, California, where he continues to live and work. He has held solo exhibitions in galleries internationally as well as at the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy.
Liz Larner is an American installation artist and sculptor living and working in Los Angeles.
Luisa Lambri is an Italian artist working with photography and film, based in Milan. Her photographs are often based on architecture and abstraction.
Jennifer Pastor is an American sculptor and Professor of Visual Arts at the University of California Irvine. Pastor examines issues of space encompassing structure, body and object orientations, imaginary forms, narrative and progressions of sequence.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).