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Laura Foreman (died 2001) was a dancer, choreographer, visual artist, writer and director of dance at New School University. She lived and worked in New York City from the mid-1960s until her death.
Foreman worked primarily in dance for the first decade of her time in Manhattan, operating both the Laura Foreman Dance Company and Composers' and Choreographers' Theatre with her husband, John Watts. In the late 1970s she began working in more abstract performance and visual art. Perhaps her most well-known piece was 1981's "Wallwork," a collaboration with Watts which took the form of a rigorous advertising campaign for a nonexistent performance.
After Watts's death in 1982, Foreman's work shifted towards visual art and writing. Two of her written pieces, "A Little Bell Gone Berserk" [1] and "Stuff", [2] were published in The Act [3] in 1987. She created an extensive sculpture series, "Birdhouse as Metaphor," which consisted of numerous functional and non-functional birdhouses and showed in 1990 at Souyun Yi Gallery. In 1997, Close Encounters, a volume of Foreman's short stories, was published by Outloud Books.
Foreman died of cancer in Manhattan in 2001. [4]
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
Cornell Luther Dupree was an American jazz and R&B guitarist. He worked at various times with Aretha Franklin, Bill Withers, Donny Hathaway, King Curtis, and Steve Gadd, appeared on Late Night with David Letterman, and wrote a book on soul and blues guitar, Rhythm and Blues Guitar. He reportedly recorded on 2,500 sessions.
Richard Foreman is an American avant-garde playwright and the founder of the Ontological-Hysteric Theater.
American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. As the organization undergoes a multi-year renovation it is currently sited at a satellite loft space in the West Village located at 163B Bank Street, where exhibitions and performances are regularly held. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance, and incorporated as a not-for-profit arts organization in 1973. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo. In 1987 it moved to its current location in Manhattan, New York City.
Andrea Louisa Marcovicci is an American actress and singer.
Dame Gillian Barbara Lynne was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera. At age 87, she was made a DBE in the 2014 New Year Honours List.
David Gordon was an American dancer, choreographer, writer, and theatrical director prominent in the world of postmodern dance and performance. Based in New York City, Gordon's work has been seen in major performance venues across the United States, Europe, South America and Japan, and has appeared on television on PBS's Great Performances and Alive TV, and the BBC and Channel 4 in Great Britain.
Deborah Hay is an American choreographer, dancer, dance theorist, and author working in the field of experimental postmodern dance. She is one of the original founders of the Judson Dance Theater. Hay's signature slow and minimal dance style was informed by a trip to Japan while touring with Merce Cunningham's company in 1964. In Japan she encountered Noh theatre and soon incorporated nô's extreme slowness, minimalism and suspension into her post-Cunningham choreography. Sometimes she also imposed stressful conditions on the dancers, as with her "Solo" group dance that was presentation at 9 Evenings: Theatre and Engineering.
The Asian American Dance Theatre (AADT) was a dance performance and educational non-profit organization in New York. It featured traditional Asian folk and classical dances along with contemporary pieces that evoke Asian forms and sensibilities. AADT was a pioneer in the development of Asian American dance.
Simone Forti is an American postmodern artist, dancer, choreographer, and writer. Since the 1950s, she has exhibited, performed, and taught workshops all over the world. Her innovations in Postmodern dance, including her seminal 1961 body of work, Dance Constructions, along with her contribution to the early Fluxus movement, have influenced many notable dancers and artists. Forti first apprenticed with Anna Halprin in the 1950s and has since worked alongside artists and composers Nam June Paik, Steve Paxton, La Monte Young, Trisha Brown, Charlemagne Palestine, Peter Van Riper, Dan Graham, Yoshi Wada, Robert Morris and others. Forti's published books include Handbook in Motion, Angel, and Oh Tongue. She is currently represented by The Box L.A. in Los Angeles, CA, and has works in the permanent collections of the Museum of Modern Art (MOMA) in New York, the Stedelijk Museum in Amsterdam, the Generali Foundation in Vienna, the Whitney Museum of American Art in New York, and the Moderna Museet in Stockholm.
Lau Kar-wing is a martial artist, Hong Kong film director, action choreographer and actor.
Peter van Riper was an American sound and light environment artist, musician and pioneer of laser art and holography.
John Everett Watts, Jr. (1929–1982) was an American composer of electronic music throughout the 1970s and 1980s. One of the medium's main advocates and teachers, Watts wrote about new music, experimenting with literary composition and journalism. Watts worked extensively with his wife, Laura Foreman, on performance art and dance pieces. Together, they formed the Composers and Choreographers Theatre, "an entity that quickly grew into a nationally recognized venue for contemporary dance and music in New York City."
Margaret Dragu is a Canadian dancer, writer, performance artist and feminist.
Valda Setterfield was a British-born American postmodern dancer and actress. She was noted for her work as a soloist with the Merce Cunningham Dance Company and for her performances in works by her husband, postmodern choreographer and director David Gordon. She was described as his muse, and together they were called "The Barrymores of post-modern dance." Their son, playwright, theatrical director and actor Ain Gordon, has worked with Setterfield on a number of projects as well.
Rambert is a leading British dance company. Formed at the start of the 20th century as a classical ballet company, it exerted a great deal of influence on the development of dance in the United Kingdom, and today, as a contemporary dance company, continues to be one of the world's most renowned dance companies. It has previously been known as the Ballet Club, and the Ballet Rambert.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
Kate Manheim is an American visual artist and actress based in New York. She acted primarily in the works of Richard Foreman in the 1970s and 1980s. She has been painting since the 1990s.