Laura Lima | |
---|---|
Born | 1971 Governador Valadares, Minas Gerais, Brazil |
Education | Universidade do Estado do Rio de Janeiro |
Occupation | Contemporary Artist |
Awards | Bonnefanten Award |
Laura Lima (Governador Valadares, Minas Gerais, Brazil) is a contemporary Brazilian artist who lives and works in Rio de Janeiro. Since the 1990s, Lima has discussed in her works the matter of alive beings, among other topics. Her works can be found in the collections of institutions such as Bonniers Konsthall, Stockholm, Sweden; Inhotim Institute, Brumadinho, Brazil; MAM - Museum of Modern Art, São Paulo, Brazil; Migros Museum für Gegenwartskunst, Zurich, Switzerland; Pinacoteca of the State of São Paulo, Brazil; Itaú Cultural, São Paulo, Brazil; Pampulha Museum of Art, Belo Horizonte, Brazil; National Museum of Fine Arts, Rio de Janeiro, Brazil; Hammer Museum, Los Angeles, USA; MASP - Museum of Art of São Paulo, Brazil, among others.
Born in Governador Valadares, Laura Lima moved to Rio de Janeiro when she was still a teenager. Graduated in Philosophy in the State University of Rio de Janeiro (UERJ), she also studied at the School of Visual Arts at Parque Lage, Rio de Janeiro. Lima is one of the founding partners of the art gallery A Gentil Carioca and is currently represented by the galleries A Gentil Carioca (Rio de Janeiro), Galeria Luisa Strina (São Paulo) and Tanya Bonakdar Gallery (New York).
Laura Lima began her work in the 1990s and since then has been one of the leading artists of her generation. Her production escapes easy classification and she usually says that the works are not performances or installations, but rather attempts to visually articulate, in concrete reality, a personal glossary of concepts that the artist has been working on throughout her career. Lima is the first Brazilian artist to have authorial works acquired in the “Performance” (sic) category by a Brazilian museum, the Museu de Arte Moderna de São Paulo, in 2000.
In 1994, the artist began the production of the well-known set of works Man = flesh/Woman = flesh, dealing with the materiality of living beings as an integral part of her work. With this set, Lima establishes a complex conceptual game about the idea of performance; rejects such a definition; and launches new notions about the temporality of exhibitions of these works, in addition to new articulations about this language and that of museums and galleries. Some works from this set are Puller-landscape (M = f/W = f), Bala(M = f/W = f), Hips(M = f/W = f), Doped(M = f/W = f), etc. Thus, Lima's works tend to stretch the limits of usual concepts and classifications, based mainly on the use of living beings (''matter'': animals or human beings) in unusual circumstances, causing strangeness and controversial or provocative situations, such as in the works Gala chickens or Pheasants with food.
This is the case of The Inverse, a work that consists of an enormous braided nylon rope whose width decreases from one end to the other that crosses and winds through the exhibition space. Its finer end must be placed between the legs of a participant, who is lying down, with the rest of the body hidden by a false wall. It is up to the participant whether she wants to insert the tip into her vagina, using a finger protector, or leave it between her legs. The work is an honorable mention on the Huffpost website's list of the ten most controversial art projects of the last century, which includes works by artists such as Marcel Duchamp, Robert Mapplethorpe and Guerrilla Girls. In the exhibition The Inverse, held in 2016 at the Institute of Contemporary Art (ICA) – Miami, United States, there was controversy when a participant in the work claimed to have been led by the instructions of the work to ''self-violation''. The accusation did not proceed because, in all of Lima's works that include people, the hiring of each individual is contractually and legally accompanied, so that the participant is not forced to do anything that has not been previously agreed. The ICA went public to clarify that the museum or the artist did not pressure the participant and that the decision of what to do with the rope was up to her. Free will is an essential part of the work.
Laura Lima received in 2014 the BACA, Bonnefanten Prize for Contemporary Art, Netherlands; and, in 2007, the Marcantonio Vilaça Award. The artist was also nominated for the 2011 Francophone Prize and the 2012 Hans Nefkens Prize. In 2015, her work was commissioned for Performa 15. Lima was co-curator of the 7th Mercosul Bienalle, in 2009, with Victoria Noorthoorn and Camilo Yáñez.
A piece of her work, Sombra de Cinema (Cinema Shadow), has been described as "not filmmaking, it is perhaps reality. It is not theatre, it is not installation, maybe fiction. It is not performance." [1]
Brígida Baltar was a Brazilian visual artist. Her work spanned across a wide range of mediums, including video, performance, installation, drawing, and sculpture. She was interested in capturing the ephemeral in her artwork.
Héctor Julio Páride Bernabó was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.
Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.
Gretta Sarfaty, born Alegre Sarfaty, is also known as Gretta Grzywacz and Greta Sarfaty Marchant, also simply as Gretta. is a painter, photographer and multimedia artist who earned international acclaim in the 1970s, from her artistic works related to Body art and Feminism. Born in Greece, in 1947, she moved with her family to São Paulo in 1954, being naturalized as Brazilian.
Claudio Edinger is a Brazilian photographer born in Rio de Janeiro in 1952. He lived in New York from 1976 to 1996.
Frida Baranek is a Brazilian sculptor known for creating large sculptural works that incorporate fibers and industrial materials such as plates, rods, and iron or steel wires as commentary on industrialization and the environment in Brazil.
Waltércio Caldas Júnior, also known as Waltércio Caldas, is a Brazilian sculptor, designer, and graphic artist. Caldas is best known as part of Brazil's Neo-Concretism movement as well as for his eclectic choices in materials.
Antonio José de Barros Carvalho e Mello Mourão, known professionally as Tunga, was a Brazilian sculptor and performance artist. Tunga was born in Palmares, Pernambuco, Brazil.
Maria Lynch Rio de Janeiro born 1981 is a Brazilian artist
Waldemar Cordeiro was an Italian-born Brazilian art critic and artist. He worked as a computer artist in the early days of computer art and was a pioneer of the concrete art movement in Latin America.
Judith Lauand was a Brazilian painter and printmaker. She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo, the Grupo Ruptura.
Ivan Ferreira Serpa was a Brazilian painter, draftsman, printmaker, designer, and educator active in the concrete art movement. Much of his work was in geometric abstractionism. He founded Grupo Frente, which included fellow artists Lygia Clark, Helio Oiticica, and Franz Weissmann, among others, and was known for mentoring many artists in Brazil.
Hermelindo Fiaminghi was a Brazilian painter, designer, graphic designer, lithographer, professor, and art critic, known for his geometric works and exploration of color.
Renata Lucas is a Brazilian artist.
Wanda Pimentel was a Brazilian painter, based in Rio de Janeiro, Brazil. Her work is distinguished by "a precise, hard-edge quality encompassing geometric lines and smooth surfaces in pieces that often defy categorization as abstract or figurative. “My studio is in my bedroom,” Pimentel said in an interview. “Everything has to be very neat. .. I work alone. I think my issues are the issues of our time: the lack of perspective for people, their alienation. The saddest thing is for people to be dominated by things.”
Marcia Grostein Marcia Grostein is a Brazilian-American artist known for using various mediums across public art, sculpture, painting, video art, photography, and portable wearable art/jewelry. She was the first contemporary Brazilian artist to be acquired by the Metropolitan Museum of Art for the 20th Century Collection by the curator Lowery Sims.
Oskar Metsavaht is a Brazilian artist, academic degree in medicine, fashion designer environmental activist and Amazon guardian. Oskar's work expresses the theme of preserving the forest, water and the empowerment and protection of the peoples of the forest, as an artist, designer and activist. He is founder and creative director of Osklen, a Brazilian fashion brand, recognized as one of the forerunners of the New Luxury concept that strives for the fusion between ethics and aesthetics and advocates conscious fashion through the adoption of sustainable practices. Creative Director of OM.art studio, where he hosts his art studio, an exhibition space and the studio for the development and production of art projects. Metsavaht serves as UNESCO Goodwill Ambassador. Creator of Janeiro Hotel, located in Leblon, Rio de Janeiro. He is also on the advisory board of the Inhotim Institute and board member of Museum of Modern Art (MAM) of Rio de Janeiro. In 2014, Oskar Metsavaht was awarded as Knight of Ordem do Mérito Cultural medal from the Ministry of Culture (Brazil) an honorary order granted by the Federal Government to personalities and institutions that make relevant contributions to Brazil's culture.
Galeria Luisa Strina is an art gallery founded by art collector Luisa Malzone Strina. The main gallery and its annex are located in São Paulo, Brasil. It is the oldest art gallery of contemporary art in Brazil.
Luisa Malzone Strina is a Brazilian art gallerist and art collector. Her gallery, Galeria Luisa Strina, is the oldest contemporary art gallery in Brazil.
Marcela Cantuária is a Brazilian visual artist working primarily with paintings. Cantuária's work revolves around contemporary historical paintings produced in small and large formats. Recurring themes in her work are social movements, political history, feminisms, and environmental causes in Latin America.