Lava Thomas | |
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Born | 1958 (age 65–66) [1] Los Angeles, California, U.S. |
Lava Thomas (born 1958) is an American artist. She was born and raised in Los Angeles. [2]
Thomas' art practice explores female subjectivity, social justice and changing historical discourses. [3]
In 2015, she was selected by the City of San Francisco to create a monument to the writer Maya Angelou. [4] However, the city rescinded its initial approval for the monument, citing objections to Thomas' proposed work by city supervisor Catherine Stefani, who had sponsored the legislation for the artwork. [5] [6] The city started its search for an artist anew, but in 2019, it reversed course and affirmed the original selection of Thomas. The city issued a public apology that stated "Due to our failures, we have caused significant harm to an incredibly talented Black woman artist, and we have caused deep pain to members of the Black artist community." [7] [8]
In 2015, she had a solo exhibition at the Museum of the African Diaspora. [9] [10] In 2018, she exhibited Mugshot Portraits: Women of the Montgomery Bus Boycott, which presented portraits of the women involved in the 1955–1956 Montgomery bus boycott. [3]
Her work is included in the collections of the Smithsonian American Art Museum, [1] the San Francisco Museum of Modern Art [11] and the Pennsylvania Academy of the Fine Arts. [12]
Damien Smith is a Canadian artist.
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
The San Francisco Arts Commission (SFAC) is the City agency that champions the arts as essential to daily life by investing in a vibrant arts community, enlivening the urban environment and shaping innovative cultural policy in San Francisco, California. The commission oversees Civic Design Review, Community Investments, Public Art, SFAC Galleries, The Civic Art Collection, and the Art Vendor Program.
Grace Louise McCann Morley was a museologist of global influence. She was the first director of the San Francisco Museum of Modern Art and held the position for 23 years starting in 1935. In an interview with Thomas Tibbs, she is credited with being a major force in encouraging young American artists. The government of India awarded her the Padma Bhushan, its third highest civilian award, in 1982.
Chris Johanson is an American painter and street artist. He is a member of San Francisco's Mission School art movement.
Taraneh Hemami is an Iranian-born American visual artist, curator, and arts educator based in San Francisco. Her works explore the complex cultural politics of exile through personal and collective, multidisciplinary projects often through site specific installation art or participatory engagement projects.
Whitfield Lovell is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops.
The SECA Art Award is a contemporary art award program that has been organized by the San Francisco Museum of Modern Art (SFMOMA) and supported by its auxiliary SECA since 1967 to honor San Francisco Bay Area artists. It includes an SFMoMA exhibition, an accompanying catalogue, and a modest cash prize. The SECA Art Award distinguishes “artists working independently at a high level of artistic maturity whose work has not, at the time of recommendation, received substantial recognition."
Kenyatta A.C. Hinkle , also known as Olomidara Yaya, is an American artist, author, and assistant professor at the University of California at Berkeley Department of Art Practice. Her work focuses on questions of race, sexuality, and history through a variety of visual and textual mediums. She lives and works in Los Angeles, California. Notable works include the Kentifrica project, the Tituba series, The Evanesced, and the Uninvited series. She is a member of CTRL+SHFT Collective in Oakland, California.
Lindsey White (1980) is a visual artist working across many disciplines including photography, video, sculpture, and book making. Her work has been described as "reveling in lighthearted gags and simple gestures to create an experience that is all the more satisfying for the puzzles it contains."
Titus Kaphar is an American contemporary painter and filmmaker whose work reconfigures and regenerates art history to include African-American subjects. His paintings are held in the collections of Museum of Modern Art, Brooklyn Museum, Yale University Art Gallery, New Britain Museum of American Art, Seattle Art Museum, Mississippi Museum of Art, Virginia Museum of Fine Arts, and University of Michigan Museum of Art.
Catherine Michele Stefani is an American attorney and politician who has served on the San Francisco Board of Supervisors since 2018, representing District 2, which includes the neighborhoods of Pacific Heights, Cow Hollow, the Marina District and Laurel Heights. She is a member-elect of the California State Assembly for the 19th district, succeeding Phil Ting.
Rebeca Bollinger is an American artist. She works with sculpture, photography, video, drawing, installation, writing and sound.
Alicia Henry was an American contemporary artist who lived, worked, and taught in Nashville. Henry was an associate professor in the Language and Arts Department at Fisk University. Henry created multi-media artwork that focused on themes of the body and identity. She used materials such as wood, fabric, paper and pigment for her creations. Henry received a Bachelor of Fine Arts from The School of the Art Institute of Chicago and a Master of Fine Arts from the School of Art at Yale University.
Ruth Armer was an American abstractionist painter, teacher, art collector, and lithographer, from the San Francisco Bay area in California. Her art is held in the collections of San Francisco Museum of Modern Art, and the Fine Arts Museums of San Francisco.
Lewis Watts is an American photographer, archivist curator, art historian, author, lecturer, and educator. He is a Professor Emeritus of Art at the University of California, Santa Cruz.
Angela Hennessy is an American artist and educator. She is an Associate Professor at the California College of the Arts, and co-founder of SeeBlackWomxn. Hennessy teaches courses on visual and cultural narratives of death in contemporary art. She primarily works with textiles. She uses synthetic and human hair to create large-scale sculptures addressing cultural narratives of the body and mortality. Through writing, studio work, and performance, her practice addresses death and the dead themselves. Hennessy constructs “ephemeral and celestial forms” with every day gestures of domestic labor—washing, wrapping, stitching, weaving, brushing, and braiding.
Irene Pijoan was a Swiss-born American painter, sculptor, and educator. She was active in the San Francisco Bay Area and taught at the San Francisco Art Institute for more than 20 years.
Sahar Khoury is an American artist and sculptor. She won the 2019 SECA Art Award and has had work exhibited in multiple institutions such as the Luggage Store Gallery, Wexner Center for the Arts, Yerba Buena Center for the Arts, and the Fine Arts Museums of San Francisco.
Dennis Delgado is a contemporary American artist and critic who examines how ideologies of colonialism persist and re-inscribe themselves within modern technology such as in facial recognition systems which fail to properly identify people of color. His work has been exhibited throughout the United States including the Bronx Museum of the Arts, the Schomburg Center for Research in Black Culture, UC Irvine, University of Texas at Austin, Palo Alto Art Center, El Museo del Barrio, and at the Cooper Union. He currently serves as an assistant professor in information technology at Baruch College.
The artists featured in The Black Index—Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images.