Le Pays (The Land) is a three-act opera by Guy Ropartz with a libretto by Charles Le Goffic. It was composed between 1908 and 1910 and was premiered in 1912 at Nancy. It is an important example of the Breton cultural renaissance of the early 20th century.
Ropartz stated that he was looking for an opera subject that involved "interiorised action; few events; feelings; few characters; no spectacle." He was given a copy of Le Goffic's short story collection Passions Celtes (1908), and was immediately attracted to the story L'islandaise (The Icelandic Girl), which describes a doomed love affair between the girl and a stranded Breton fisherman. It was based on the lives of the Breton "Icelanders", who fished in Icelandic waters and sometimes stayed there for periods. Ropartz had already created a score for Louis Tiercelin's stage adaptation of Pierre Loti's novel Pêcheur d'Islande (An Iceland Fisherman) on the same basic theme. Ropartz asked Le Goffic to adapt his story for the stage. [1]
Ropartz's style is influenced by the form of Wagner's music dramas and the structural innovations of César Franck. Ropartz makes frequent use of leitmotives and also incorporates elements of Breton folk melodies to represent the hero's nostagia for his homeland. The critic Michel Fleury argues that the music is built around four main themes, one of which represents Iceland, and in particular the bog which plays a role in the narrative; one represents the main female character and the emotion of love associated with her; another represents the male character and his nostalgia for Brittany. The fourth theme represents stability, associated with the heroine's father. [1]
Act I.
Autumn: A cottage in Iceland: Tual, a Breton fisherman who has survived a shipwreck, has been recuperating in the home of Jörgen, an old trapper. He is tended by Kaethe, Jörgen's daughter. She suggests that Tual must be nostalgic for his Breton home. Tual reminds her that after he had dragged himself ashore from the shipwreck, he nearly died in the Hrafuaga, a dangerous Icelandic swamp; only Jörgen's timely arrival saved him. All the other fishermen on the ship were drowned, so everyone in Brittany will think him dead and he has no ties there anymore. Tual declares his love for Kaethe. Kaethe is worried that Tual's feelings may be temporary, but says she loves him too. In the absence of a preacher Jörgen "marries" the couple by insisting that Tual dedicate himself to Kaethe by swearing on the "mud of Hrafuaga" that if he ever abandons her it will swallow him up.
Act 2
Spring: The Icelandic shore: Tual dreams of Paimpol, his home in Brittany, while making a small fishing boat. He sings Breton folk songs. Kaethe says she has seen a sadness in him for his homeland and worries that he will sail back to Brittany. Tual says his boat is too small for anything more than local waters. Kaethe tells him she is pregnant with his child, hoping that this will keep him beside her. Kaethe sings him a Nordic ballad about "Sir Olaf", who was abducted by the Queen of the Fairies. His loyal wife Lady Hilda waited for him for a hundred years, so that they could renew their love and die together. Tual says that they will live and die together like Olaf and Hilda.
Act 3
Spring: The cottage: Kathe muses on Tual's increasingly withdrawn behaviour. Jörgen returns home tipsy after drinking gin and reminisces about Kaethe's late mother, describing how they grew up together. When Tual enters Jörgen mentions that some Paimpol fishermen have arrived at the village of Seidsfjord. Tual is excited and asks if it is easy to get there. Jörgen says that if the Hrafuaga swamp is still frozen, it can be crossed in time to catch them. Tual tries to put the thought out of his mind, but as he sleeps with Kaethe he has a dream of Brittany. In his vision he sees the rolling Breton landscape and the white sails of the Paimpol fishing fleet. He leaves and tries to cross the Hrafuaga. Kaethe watches as the swamp cracks and swallows him.
Brittany is a cultural region in the west of France, covering the western part of what was known as Armorica during the period of Roman occupation. It became an independent kingdom and then a duchy before being united with the Kingdom of France in 1532 as a province governed as if it were a separate nation under the crown.
Arthur I was 4th Earl of Richmond and Duke of Brittany between 1196 and 1203. He was the posthumous son of Geoffrey II, Duke of Brittany and Constance, Duchess of Brittany. His father, Geoffrey, was the son of Henry II, King of England.
The Duchy of Brittany was a medieval feudal state that existed between approximately 939 and 1547. Its territory covered the northwestern peninsula of Europe, bordered by the Atlantic Ocean on the west, the English Channel to the north. It was less definitively bordered by the Loire River to the south, and Normandy and other French provinces to the east. The Duchy was established after the expulsion of Viking armies from the region around 939. The Duchy, in the 10th and 11th centuries, was politically unstable, with the dukes holding only limited power outside their own personal lands. The Duchy had mixed relationships with the neighbouring Duchy of Normandy, sometimes allying itself with Normandy, and at other times, such as the Breton-Norman War, entering into open conflict.
Salomon was Count of Rennes and Nantes from 852 and Duke of Brittany from 857 until his death by assassination. He used the title King of Brittany intermittently after 868. In 867, he was granted the counties of Avranches and Coutances.
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Joseph Guy Marie Ropartz was a French composer and conductor. His compositions included five symphonies, three violin sonatas, cello sonatas, six string quartets, a piano trio and string trio, stage works, a number of choral works and other music, often alluding to his Breton heritage. Ropartz also published poetry.
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Anatole le Braz, the "Bard of Brittany", was a Breton poet, folklore collector and translator. He was highly regarded amongst both European and American scholars, and known for his warmth and charm.
An Iceland Fisherman is a novel by French author Pierre Loti. It depicts the romantic but inevitably sad life of Breton fishermen who sail each summer season to the stormy Iceland cod grounds. Literary critic Edmund Gosse characterized it as "the most popular and finest of all [Loti's] writings."
My Brother Yves is a semi-autobiographical novel by French author Pierre Loti. It describes the friendship between French naval officer Pierre Loti and a hard drinking Breton sailor Yves Kermadec during the 1870s and 80s. It was probably Loti's best-known book, and its descriptions of Breton seafaring life, on board ship and on shore, set the tone for his later acclaimed work An Iceland Fisherman (1886).
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Julien Maunoir, was a French-born Jesuit priest known as the "Apostle of Brittany". He was beatified in 1951 by Pope Pius XII and is commemorated by the Roman Catholic Church on 29 January and 2 July.
Charles Le Goffic was a Breton poet, novelist and historian whose influence was especially strong in his native Brittany. He was a member of the Académie française.
René-Emmanuel Baton, known as Rhené-Baton, was a French conductor and composer. Though born in Courseulles-sur-Mer, Normandy, his family originated in Vitré in neighbouring Brittany. He returned to the region at the age of 19, and many of his compositions express his love of the area. He also had close relationships with composers of the Breton cultural renaissance, notably Guy Ropartz, Paul Le Flem, Paul Ladmirault and Louis Aubert. As a conductor he was notable for his attempts to expand appreciation of classical music.
Francis Renaud (1887–1973), was a Breton sculptor mainly noted for his monumental granite public memorials in Brittany.
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Octave-Louis Aubert, (1870–1950) was a French editor and writer associated with Breton nationalism.
Laxdæla saga, also Laxdœla saga, Laxdoela saga, Laxdaela saga or The Saga of the People of Laxárdalr, is one of the Icelanders' sagas. Written in the 13th century, it tells of people in the Breiðafjörður area of Iceland from the late 9th century to the early 11th century. The saga particularly focuses on a love triangle between Guðrún Ósvífrsdóttir, Kjartan Ólafsson and Bolli Þorleiksson. Kjartan and Bolli grow up together as close friends but the love they both have for Guðrún causes enmity between them and, in the end, their deaths.