Leah Barclay |
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Leah Barclay (born 1985, Adelaide, Australia) is an Australian sound artist, composer and researcher known for acoustic ecology, environmental field recording, sound walks. [1] She is the president of the Australian Forum for Acoustic Ecology, and is currently a research fellow at the Queensland Conservatorium Research Centre. [2] She is a multi-talented sound artist, sound activist and composer, [3] raising environmental awareness through sound. [4]
Leah Barclay organised the Sonic Environments Conference in 2016 hosted by The Queensland Conservatorium of Music in Brisbane, Australia.
Leah Barclay was part of the 100 Ways to Listen component of the World Science Festival 2017, where she ran Augmented Reality Soundwalks. [5] Numerous sound artists and electronic musicians from the Queensland Conservatorium performed [6] and did demonstrations as part of the 100 Ways to Listen component of the World Science Festival 2017. [7]
Barclay primarily explores Biosphere Soundscapes and River Listening and raises environmental awareness utilising field recordings of endangered ecosystems as a form of acoustic ecology in her compositions and sound walks. [2] [8]
Leah Barclay organised the 100 Ways to Listen along with other prominent sound artists, performers and researchers, including Vanessa Tomlinson, John Ferguson and Erik Griswald, creating sonic playgrounds and installations for 100 Ways to Listen in 2017, along with student led demonstrations and performances [6] from the Queensland Conservatorium of Music Technology department. [9] At the 2021 APRA Art Music Awards she won an Award for Excellence in Experimental Music for Listening in the Wild (shared with Lyndon Davis and Tricia King). [10]
Barclay is the president of the Australian Forum for Acoustic Ecology, currently a research fellow at the Queensland Conservatorium Research Centre. [2]
Leah Barclay organised the Sonic Environments Conference in 2016 hosted by the Queensland Conservatorium of Music in Brisbane, Australia. [11]
An academic at the Queensland Conservatorium of Music Research Centre specialising in the fields of:
Leah Barclay primarily explores Biosphere Soundscapes and River Listening and raises environmental awareness utilising field recordings of endangered eco systems as a form of acoustic ecology in her compositions and sound walks. [2]
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Lee Mark Ranaldo is an American guitarist, singer and songwriter, best known as a co-founder of the rock band Sonic Youth. In 2004, Rolling Stone ranked Ranaldo at number 33 on its "Greatest Guitarists of All Time" list. In May 2012, Spin published a staff-selected top 100 guitarist list, ranking Ranaldo and his Sonic Youth bandmate Thurston Moore together at number 1.
A soundscape is the acoustic environment as perceived by humans, in context. The term was originally coined by Michael Southworth, and popularised by R. Murray Schafer. There is a varied history of the use of soundscape depending on discipline, ranging from urban design to wildlife ecology to computer science. An important distinction is to separate soundscape from the broader acoustic environment. The acoustic environment is the combination of all the acoustic resources, natural and artificial, within a given area as modified by the environment. The International Organization for Standardization (ISO) standardized these definitions in 2014.
The Elder Conservatorium of Music, also known as "The Con", is Australia's senior academy of music and is located in the centre of Adelaide, the capital of South Australia. It is named in honour of its benefactor, Sir Thomas Elder (1818–1897). Dating in its earliest form from 1883, it has a history in professional training for musical performance, musical composition, research in all fields of music, and music education. The Elder Conservatorium of Music and its forerunners have been parts of the University of Adelaide since the early 1880s. The current Director is Professor Anna Goldsworthy.
Acoustic ecology, sometimes called ecoacoustics or soundscape studies, is a discipline studying the relationship, mediated through sound, between human beings and their environment. Acoustic ecology studies started in the late 1960s with R. Murray Schafer a musician, composer and former professor of communication studies at Simon Fraser University with the help of his team there as part of the World Soundscape Project. The original WSP team included Barry Truax and Hildegard Westerkamp, Bruce Davies and Peter Huse, among others. The first study produced by the WSP was titled The Vancouver Soundscape. This innovative study raised the interest of researchers and artists worldwide, creating enormous growth in the field of acoustic ecology. In 1993, the members of the by now large and active international acoustic ecology community formed the World Forum for Acoustic Ecology.
Queensland Conservatorium Griffith University is a selective, audition based music school located in Brisbane, Queensland, Australia, and is part of Griffith University.
"Lady (Hear Me Tonight)" is a song by French house duo Modjo, written and performed by vocalist Yann Destagnol and producer Romain Tranchart. It was released on 19 June 2000 as the lead single from the duo's self-titled debut studio album (2001). It became a major worldwide success, topping at least 10 music charts, including the national charts of Ireland, Italy, Spain, Switzerland, and the United Kingdom. It also topped the US Billboard Hot Dance Club Play chart in January 2001.
Hildegard Westerkamp is a Canadian composer, radio artist, teacher and sound ecologist of German origin. She studied flute and piano at the Conservatory of Music in Freiburg, West Germany from 1966 to 1968 and moved to Canada in 1975. She received a Bachelor of Music from the University of British Columbia in 1972 and a Master of Arts from Simon Fraser University in 1988. She taught acoustic communication at Simon Fraser University from 1982 to 1991.
Jon Drummond is an Australian composer.
William Barton is an Aboriginal Australian composer and multi-instrumentalist, known for his and didgeridoo (yidaki) playing, particularly with classical orchestras.
Nigel Henry Cockburn Butterley was an Australian composer and pianist.
Juan Carlos Vasquez is a Colombian composer and sound artist.
Ecomusicology is an area of study that explores the relationships between music or sound, and the natural environment. It is a study which encompasses a variety of academic disciplines including musicology, biology, ecology and anthropology. Ecomusicology combines these disciplines to explore how sound is produced by natural environments and, more broadly how cultural values and concerns about nature are expressed through sonic mediums. Ecomusicology explores the ways that music is composed to replicate natural imagery, as well as how sounds produced within the natural environment are used within musical composition. Ecological studies of sounds produced by animals within their habitat are also considered to be part of the field of ecomusicology. In the 21st century, studies within the field the ecomusicology have also become increasingly interested in the sustainability of music production and performance.
Sound maps are digital geographical maps that put emphasis on the sonic representation of a specific location. Sound maps are created by associating landmarks and soundscapes.
A soundwalk is a walk with a focus on listening to the environment. The term was first used by members of the World Soundscape Project under the leadership of composer R. Murray Schafer in Vancouver in the 1970s. Hildegard Westerkamp, from the same group of artists and founder of the World Forum of Acoustic Ecology, defines soundwalking as "... any excursion whose main purpose is listening to the environment. It is exposing our ears to every sound around us no matter where we are."
What So Not is an electronic music project by Australian record producer Emoh Instead. What So Not has toured the world, playing in various festivals, including Coachella Valley Music and Arts Festival, Pukkelpop, Ultra Music Festival and Lollapalooza. What So Not is best known for his hits such as Innerbloom ,"Gemini", "Jaguar", "High You Are" and "Tell Me". He has featured on charts such as the Australian Singles Chart, Triple J Hottest 100, and USA iTunes Dance Album chart. He released his debut album titled Not All the Beautiful Things on 9 March 2018.
David Monacchi is an Italian sound artist, researcher and eco-acoustic composer, best known for his multidisciplinary project Fragments of Extinction, patented periphonic device, the Eco-Acoustic Theatre, and award-winning music and sound-art installations.
Vanessa Tomlinson is an Australian percussionist, composer, artistic director and educator. She is Director of Creative Arts Research Institute and Head of Percussion at Griffith University and has produced 150 publications. She is the co-founder and co-artistic director of Clocked Out, along with Erik Griswold.
Sound scenography is the process of staging spaces and environments through sound. It combines expertise from the fields of architecture, acoustics, communication, sound design and interaction design to convey artistic, historical, scientific, or commercial content or to establish atmospheres and moods.