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Leandro Estebecorena is a Special Effects Technical Director for the company Industrial Light & Magic. [1] Born in Buenos Aires, Argentina, Estebecorena has been working in the film industry of the USA since 1996. He has participated in the special effects of the films Transformers , Pirates of the Caribbean: Dead Man's Chest , Mission: Impossible III and Chicken Little . He is the principal Technical Director for the special effects of the 2008 film The Spiderwick Chronicles .
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
Special effects are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to sound effects.
Eiji Tsuburaya was a Japanese special effects director, filmmaker, and cinematographer. A co-creator of the Godzilla and Ultraman franchises, he is considered one of the most important and influential figures in the history of cinema. Tsuburaya is known as the "Father of Tokusatsu", having pioneered Japan's special effects industry and introduced several technological developments in film productions. In a career spanning five decades, Tsuburaya worked on approximately 250 films—including globally renowned features directed by Ishirō Honda, Hiroshi Inagaki, and Akira Kurosawa—and earned six Japan Technical Awards.
Aleksandr Lukich Ptushko was a Soviet animation and fantasy film director, and a People's Artist of the USSR (1969). Ptushko is frequently referred to as "the Soviet Walt Disney," because of his prominent early role in animation in the Soviet Union, though a more accurate comparison would be to Willis H. O'Brien or Ray Harryhausen. Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects. He began his film career as a director and animator of stop motion short films, and became a director of feature-length films combining live action, stop motion, creative special effects, and Russian mythology. Along the way he would be responsible for a number of firsts in Russian film history, and would make several extremely popular and internationally praised films full of visual flair and spectacle.
Douglas Hunt Trumbull was an American film director and visual effects supervisor, who pioneered innovative methods in special effects. He created scenes for 2001: A Space Odyssey, Close Encounters of the Third Kind, Star Trek: The Motion Picture, Blade Runner and The Tree of Life, and directed the movies Silent Running and Brainstorm.
John Charles Dykstra, A.S.C. is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original employees of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original Star Wars, helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including Batman Forever, Batman & Robin, Stuart Little, X-Men: First Class, Spider-Man and Spider-Man 2.
William Cameron Menzies was an American filmmaker who pioneered the discipline of production design, a job title he invented. His career spanned five decades, during which time he also worked as an art director, director, producer, and special effects artist. He began his career during the silent era, and later pioneered the use of color in film for dramatic effect.
Brian Johnson is a British designer and director of film and television special effects.
Dennis Muren, A.S.C is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor."
The set decorator is the head of the set decoration department in the film and television industry, responsible for selecting, designing, fabricating, and sourcing the "set dressing" elements of each set in a Feature Film, Television, or New Media episode or commercial, in support of the story and characters of the script. The set decorator is responsible for each décor element inside the sets, from practical lighting, technology, art, furniture, drapery, floor coverings, books, collectables, to exterior furnishings such as satellite dishes, Old West water troughs, streetlamps, traffic lights, garden furniture and sculptures.
Richard Edlund, ASC is an American visual effects artist and inventor. He was a founding member of Industrial Light & Magic, having already founded Pignose amplifiers, and later co-founded Boss Film Studios and DuMonde VFX. He has won four Academy Awards for Best Visual Effects, as well as two Special Achievement Awards, two Scientific and Technical Awards, and the Medal of Commendation. He is also a BAFTA and Emmy Award recipient.
Leslie Robert BurksA.S.C. was an American cinematographer most notable for his collaborations with Alfred Hitchcock.
Christian Rivers is a New Zealand storyboard artist, visual effects supervisor, special effects technician, and director. He first met Peter Jackson as a 17-year-old, and storyboarded all of Jackson's films since Braindead. He made his directing debut in the film adaptation of Mortal Engines, and planning a remake of The Dam Busters, both produced by Peter Jackson.
Eric Brevig is an American film director and visual effects supervisor known for his work in several major theatrical films and television shows. He was Visual Effects Supervisor and Second Unit Director on the 2001 Jerry Bruckheimer/Michael Bay action drama Pearl Harbor, for which he was nominated for the Academy Award for Best Visual Effects.
Joseph Bruce Letteri is a senior visual effects artist, winner of five Academy Awards, four BAFTA awards and four VES awards. He is the current Senior Visual Effects Supervisor of the Academy Award-winning Wētā FX having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being Avatar: The Way of Water, and previously for War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
Special Effects is a 1984 American horror thriller film directed by Larry Cohen and starring Zoë Lund and Eric Bogosian. Its plot follows a woman who is cast in a film by a director based on a murder he committed.
Babubhai Mistry was an Indian film director and special effects pioneer who is best known for his films based on Hindu mythology, such as Sampoorna Ramayana (1961), Mahabharat (1965), and Parasmani (1963) and Mahabharat
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Pablo Helman is an Argentine visual effects supervisor. He was nominated for three Academy Awards for his work on the films Star Wars: Episode II – Attack of the Clones (2002), War of the Worlds (2005) and The Irishman (2019).
Craig Hammack is an American special effects supervisor known for his works in Disney's visual effects company Industrial Light & Magic (ILM). Hammack has worked as a technical director, digital effects artist and VFX supervisor in films, Titanic (1997), Pearl Harbor (2001), Star Wars: Episode III – Revenge of the Sith (2005), Indiana Jones and the Kingdom of the Crystal Skull (2008), Star Trek (2009), Red Tails (2012), Tomorrowland (2015), Deepwater Horizon (2016), and Black Panther (2017).