Leaving the table | |
---|---|
Danish: Man rejser sig fra bordet | |
Artist | Laurits Tuxen |
Year | 1906 |
Medium | oil on canvas |
Dimensions | 142 cm× 212 cm(56 in× 83 in) |
Leaving the Table (Danish : Man rejser sig fra bordet), also known as Dinner Party at the Morescos' (Danish : Aftenselskab hos familien Moresco), is a 1906 oil-on-canvas group portrait painting by Laurits Tuxen depicting a dinner party in Danish businessman Jacob Heinrich Moresco's home north of Copenhagen. The painting was a gift to Moresco on the occasion of the 50th anniversary of his firm. Many of the 45 people seen in the painting are well-known businessmen, politicians or other peers of the time.
On 16 April 1856, Jacob Heinrich Moresco opened a store with women's clothing and fashion accessories at Amagertorv 13. His firm would later develop into the first large-scale industrial manufacturer of women's clothing in Denmark. Moresco is one of the businessmen depicted on Peder Severin Krøyer's monumental 1895 group portrait painting From Copenhagen Stock Exchange in Børsen. [1]
Leaving the Table was commissioned from Lauritz Tuxen as a gift to Moresco on the occasion of the 50th anniversary of his company on 16 April 1906. It was painted on the basis of a black-and-white photograph taken at a dinner party some time before the anniversary. The dinner party took place in Moresco's home, Villa Adelaïde, at Ordrupvej 119, in Ordrup. The house was named after Moresco's mother. The property was acquired by Gentofte Municipality in 1943 and the building was subsequently demolished to make way for Ordrup Park. [2]
Moresco died in October 1906. just a few months after the anniversary. [1] The painting remained in the Moresco family for the next more than 70 years. On 23 April 1991, it was sold at a Bruun Rasmussen auction to Ole Abildgaard for DKK 480,000, then a price record for a Tuxen painting. [3] The Danish Commission of Export of Cultural Assets (Kulturværdiudvalget) had the same year issued an export ban under the Act on Protection of Cultural Assets in Denmark (No. 332 of 4 July 1876). [4] On 15 November 1995, it was sold at another auction, this time at Kunsthallen, for DKK 250.000. [4] The buyer was by Kunstnyt.dk reported to be the Kolding-based businessman Christian Houe. [3] He later moved it out of the country illegally and in 1997 sold it at a Sotheby's New York auction for US§ 84,000 (the equivalent of DKK 548,000). [3] The buyer was New York-based art collector John Oden. On 22 October 2010, TV2 broadcastet a programme about the faith of the painting. In an interview with Oden, he stated that he had no intention of parting with the painting. [4]
Tuxen painted a number of portrait studies of some of the people seen in the picture, including Enevold Sørensen (Kolding City Hall, acquired in 1920), Charles Shaw (Skagens Museum), Morescos, Marie Warelius, Emil Hjort, Johannes Werner and N. P.Jensen.
Laurits Regner Tuxen CVO was a Danish painter and sculptor specialising in figure painting. He was also associated with the Skagen Painters. He was the first head of Kunstnernes Frie Studieskoler, an art school established in the 1880s to provide an alternative to the education offered by the Royal Danish Academy of Fine Arts.
Events from the year 1906 in Denmark.
The Skagen Painters were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.
Emilius Ditlev Bærentzen, usually known as Emil Bærentzen was a Danish portrait painter and lithographer, active during the Golden Age of Danish Painting. He founded Em. Bærentzen & Co.
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Elise Konstantin-Hansen (1858–1946) was a Danish painter and ceramist. She developed her own naturalistic style, often painting sea birds, animals, plants and beach scenes.
Heinrich August Georg Schiøtt was a Danish portrait painter.
Moses Melchior was a Jewish Danish businessman. He was a co-owner of Moses & Søn G. Melchior, a trading house founded by his grandfather.
The Winsløw family is a Danish family.
Jacob Heinrich Moresco, also known simply as Jacob Heinrich, was one of the first large-scale manufacturers of women's clothing in Denmark. His company, which at the end of the 19th century was the largest of its kind in the Nordic countries, was after his death in 1906 continued by his nephew Carl Moresco. His former hone, Villa Adelaide, was located in what is now Ordrup Park. Morescovej is named after him.
From Copenhagen Stock Exchange is a monumental 1895 oil on canvas group portrait painting by Peder Severin Krøyer, featuring 50 representatives of the Danish commercial and financial industries gathered in the Great Hall of the Exchange Building in Copenhagen, Denmark.
Frederik Riise was a Danish photographer and exhibition curator. He was a noted portrait photographer and is also remembered for his numerous photographs of buildings, streets and monuments in Copenhagen.
Sabinus Theodor William Halvor Seidelin was a Danish businessman and landowner. He founded the company S. Seidelin.
Gråbrødretorv 14, also known as Gråbrødrehus, is a Neoclassical property situated on the west side of Gråbrødretorv in the Old Town of Copenhagen, Denmark. It was listed in the Danish registry of protected buildings and places in 1945. There is a large atelier window in the garret where the artist Edvard Lehmann lived and worked in the building in the 1860s and 1870s.
Nicolai Elias Tuxen was a Danish naval officer and politician, technical director of Orlogsværftet in Copenhagen. He was a member of the Danish Constituent Assembly. He was the father of painter Laurits Tuxen.
Georg Emil Tuxen was a Danish naval officer.
Vodroffsvej 10 is one of several surviving 19th-century villas situated on the west side of St. Jørgen's Lake in the Frederiksberg district of central Copenhagen, Denmark. Built in 1865, it was one of three villas constructed in the area by master mason and architect Jørgen Wilhelm Frohne (1832-1909) for family members of the owner of nearby Vodroggsgård. An atelier in the garden was constructed in 1882 for the painter Laurits Tuxen, brother-in-law of the next owner and also a resident of the building. Other artists to have used the atelier include Julius Schultz, Hans Gyde Petersen and Daniel Hvidt. The house and atelier were both listed in the Danish registry of protected buildings and places in 1980. The neighboring villa at No. 8 was also constructed by Frohne and is also heritage listed. Bonnie Mürsch — a lawyer whose father purchased the house in 1940 and is herself still living in one of its three apartments — published a book about it in conjunction with its 150th anniversary in 2015.
HDMS Thetis was a frigate of the Royal Danish Navy, which she served from 1842 to 1864. She is best known for being one of the ships that picked up some of the sculptor Bertel Thorvaldsen's artworks and other belongings in Rome, some forty years after another Danish naval vessel by the same name had transported him the other way. In the meantime he had achieved international fame for his Neoclassical sculptures. Thorvaldsen, who had been back in Rome since September 1841, after moving back to Copenhagen in 1838, was also supposed to return with the ship. He did however, miss its departure by one day. The Royal Danish Navy's first music corps played its first performance on board the Thetis in 1857.
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