Headquarters | Ottawa, Ontario, Canada Brooklyn, New York |
---|---|
Key people | Omid McDonald, CEO [1] Booker Sim, CMO [1] Gerry Burtenshaw, CTO |
Industry | Music technology |
Products | Music remixes |
URL | www |
Launched | 2011 |
Current status | Defunct |
Legitmix was a Canadian company that offered services to artists who create remixes. [2] [3] The company launched in 2011 and had offices in Ottawa, Ontario, Canada and Brooklyn, New York. [1] [3] [4] [5]
Legitmix sold files that rebuild a remixed song on a user's hard drive using the listener's copies of the sampled tracks. [3] [6] Remixers received 70% of the price of their Legitmix files, [4] [7] while copyright holders got paid for the purchase of the original tracks used in the remix. [2] Music files used to construct remixes had to be exact matches to the ones legally sold through Legitmix. [6] Because listeners were required to purchase or already own the original tracks used in a remix, the recreated remix might have been several times more expensive than the cost of an individual song. [7] [8]
The Hood Internet and El-P had used the product. [4] In 2016, it was announced that the company had shut down. [9]
Bhangra is a type of non-traditional music of Punjab originating from the Punjab region.
Criticism of copyright, or anti-copyright sentiment, is a dissenting view of the current state of copyright law or copyright as a concept. Critics often discuss philosophical, economical, or social rationales of such laws and the laws' implementations, the benefits of which they claim do not justify the policy's costs to society. They advocate for changing the current system, though different groups have different ideas of what that change should be. Some call for remission of the policies to a previous state—copyright once covered few categories of things and had shorter term limits—or they may seek to expand concepts like fair use that allow permissionless copying. Others seek the abolition of copyright itself.
A remix is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.
iTunes Store is a digital marketplace selling songs, albums, music videos, ringtones and alert tones. It was launched by Apple Inc. on April 28, 2003 for macOS, and on October 16, 2003 for Microsoft Windows. It launched as a mobile application with iOS on June 29, 2007.
A digital music store is a business that sells digital audio files of music recordings over the Internet. Customers gain ownership of a license to use the files, in contrast to a music streaming service, where they listen to recordings without gaining ownership. Customers pay either for each recording or on a subscription basis. Online music stores generally also offer partial streaming previews of songs, with some songs even available for full length listening. They typically show a picture of the album art or of the performer or band for each song. Some online music stores also sell recorded speech files, such as podcasts, and video files of movies.
MP3.com was a website operated by Paramount Global publishing tabloid-style news items about digital music and artists, songs, services, and technologies. It is better known for its original incarnation as a legal, free music-sharing service, named after the popular music file format MP3, popular with independent musicians for promoting their work. That service was shut down on December 2, 2003, by CNET, which, after purchasing the domain name, established the current MP3.com site.
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format.
A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 was a landmark intellectual property case in which the United States Court of Appeals for the Ninth Circuit affirmed a district court ruling that the defendant, peer-to-peer file sharing service Napster, could be held liable for contributory infringement and vicarious infringement of copyright. This was the first major case to address the application of copyright laws to peer-to-peer file sharing.
Music on hold (MOH) is the business practice of playing recorded music to fill the silence that would be heard by telephone callers who have been placed on hold. It is especially common in situations involving customer service.
Remix culture, also known as read-write culture, is a term describing a culture that allows and encourages the creation of derivative works by combining or editing existing materials. Remix cultures are permissive of efforts to improve upon, change, integrate, or otherwise remix the work of other creators. While combining elements has always been a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig, who considers remixing a desirable concept for human creativity, has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001, which released a variety of licenses as tools to promote remix culture, as remixing is legally hindered by the default exclusive copyright regime applied on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
"Porcelain" is a song by American electronic musician Moby. It was released on April 25, 2000, as the sixth single from his fifth studio album Play (1999). Written by Moby, who also performs vocals on the recording, "Porcelain" is a melancholic song with lyrics reflecting on the breakup of a relationship. It features a lush musical backing that incorporates reversed strings and various synthesized elements. While Moby initially expressed disdain over the song and its production, he was eventually talked into including it on Play.
BMG Music v. Gonzalez, 430 F.3d 888, was a court decision in which the United States Court of Appeals for the Seventh Circuit ruled that a record company could sue a person who engaged in online sharing of music files for copyright infringement. The decision is noteworthy for rejecting the defendant's fair use defense, which had rested upon her contention that she was merely "sampling" songs with the intention of possibly purchasing the downloaded songs in the future, a practice known informally as "try before you buy".
The 2007 dance-pop song "Do It" performed by Canadian singer-songwriter Nelly Furtado features elements sampled from "Acidjazzed Evening", a chiptune-style track composed by the Finnish demoscene artist Janne Suni. This was considered plagiarism by some. Timbaland, "Do It"'s producer, admitted to sampling Suni's work, but did not believe his usage constituted "stealing", calling the allegations "ridiculous". Although users had noted the similarities between the two tracks on Finnish demoscene forums in July 2006, the Timbaland plagiarism controversy attracted mainstream attention in January 2007, when Internet users posted videos to YouTube alleging Timbaland had plagiarized Suni's work. Soon afterwards, the controversy attracted the attention of the Finnish news portal eDome, and the MTV and Rolling Stone websites, who all published articles detailing the events of the controversy. "Do It" was released as the fifth North American single from Loose on July 24, 2007.
The Grey Album is a mashup album by Danger Mouse, released in 2004. It mixes an a cappella version of rapper Jay-Z's The Black Album with samples from the Beatles' self-titled ninth album, commonly known as "The White Album". The Grey Album gained notoriety when the Beatles' record label EMI attempted to halt its distribution despite approval of the project from Jay-Z and the two surviving Beatles, Paul McCartney and Ringo Starr.
In sound and music, sampling is the reuse of a portion of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample can be brief and only incorporate a single musical note, or it can consist of longer portions of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using electronic music instruments (samplers) or software such as digital audio workstations.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. The book was made available for free download and remixing under the CC BY-NC Creative Commons license via Bloomsbury Academic. It is still available via the Internet Archive. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture to a "remix culture".
RiP!: A Remix Manifesto is a 2008 open-source documentary film about "the changing concept of copyright" directed by Brett Gaylor.
"Best I Ever Had" is a song by Canadian rapper Drake from his third mixtape So Far Gone. The song was later re-released on his debut EP of the same name. The song's popularity helped Drake decide to release So Far Gone as an EP, available for purchase. "Best I Ever Had" is also included as a bonus track on Drake's debut studio album Thank Me Later in certain countries.
"Harlem Shake" is a song recorded by American DJ and producer Baauer. It was released as his debut single on May 22, 2012, by Mad Decent imprint label Jeffree's. The uptempo song—variously described as trap, hip hop or bass music—incorporates a mechanical bassline, Dutch house synth riffs, a dance music drop, and samples of growling-lion sounds. It also samples Plastic Little's 2001 song "Miller Time", specifically the vocal "then do the Harlem shake", which is an allusion to the dance of the same name. Baauer added a variety of peculiar sounds to the song so that it would stand out.
Recharged is the second remix album of recordings by American rock band Linkin Park. The album was released on October 29, 2013, through Warner Bros. Records and Machine Shop Recordings. It is entirely produced by Rick Rubin and Mike Shinoda. The album includes remixes of ten of the songs from the band's fifth studio album Living Things, as well as a new song, "A Light That Never Comes" with Steve Aoki, which is the album's first single, released on September 16. Recharged received mixed reviews from critics.
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