Leo Butnaru (was born in Negureni, Orhei County, in the Republic of Moldova 5 January 1949) is a writer from Moldova and Romania. He holds a degree in journalism and philology from the University of Moldova (1972). He has worked in publishing, as editor and editor-in-chief, at magazines such as, Moldovan Youth, Literature and Art, and Moldova. His first poetry publication was a chapbook, Wing in Light (1976). In 1977, he became a member of the Writers Union of the Soviet Union. In the same year, he is removed from the staff of Moldoval Youth (following his approval of an article regarding M. Kogalniceanu that crossed imperial-communist ideological lines). He is a member of the Romanian Writers Union (1993). He is a founding member of the Moldovan PEN Center. From 1997 to 2005, he was president of the Chisinau branch of the Romanian Writers Union. He is on the board of the Romanian Writers Union. [1] [2]
In 2019 some media sources announced that Leo Butnaru has been nominated for the Nobel Prize for Literature. [3]
The Russian Avant-Garde (two volumes, 2006), Horizon Testimonial (The Poetic Russian Miniature, two volumes, 2006), The Panorama of the Russian Avantgarde Poetry (2016), The Panorama of the Ukrainian Avantgarde Poetry (2017), volumes by V. Khlebnikov, V. Mayakovski, N. Gumilev, [4] O. Mandelstam, A. Akhmatova, M. Tzvetaeva, L. Dobâcin, D. Kharms, I. Bahterev, Gh. Ayghi, I. Satunovski; and modern poets V. Pavlova, Е. Stepanov, А. Veprev.
His poetry and prose have appeared in Albanian, Armenian, English, Bulgarian, French, Georgian, German, Letton, Macedonian, Russian, Serbian, Slovakian, Spanish, Swedish, Ukrainian, and Hungarian. His books have been published in France, Russia, Germany, Italia, Poland, Serbia, Bulgaria, Azerbaijan, Tatarstan, and Ukraine.
Takes part in international projects. [5]
State distinctions of Moldova and Romanian.
Bessarabia is a historical region in Eastern Europe, bounded by the Dniester river on the east and the Prut river on the west. About two thirds of Bessarabia lies within modern-day Moldova, with the Budjak region covering the southern coastal region and part of the Ukrainian Chernivtsi Oblast covering a small area in the north.
Grigore Vieru was a Moldovan poet, writer and unionist advocate, known for his poems and books for children. His poetry is characterized by vivid natural scenery, patriotism, as well as a venerated image of the sacred mother. Vieru wrote in the Romanian language. In 1993 he was elected a correspondent member of the Romanian Academy.
Emilian Bucov or Bukov was a Soviet and Moldavian writer and poet, recognized with the State Prize of the Moldavian SSR and honorary title of People's Writer of the Moldavian SSR (1982). He studied at the Bucharest University and took part in underground communist movement. Bukov was awarded the Hero of Socialist Labour in 1979 for his work, the Order of Lenin medal twice and the Order of the Red Banner of Labour, twice.
Sfatul Țării was a council of political, public, cultural, and professional organizations in the Governorate of Bessarabia in Tsarist Russia. This became a legislative body which established the Moldavian Democratic Republic as part of the Russian Federative Republic in December 1917. and then union with Romania in April [O.S. March] 1918.
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Gheorghe E. Cojocaru is a historian from the Republic of Moldova.
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Serafim Saca was a writer from Moldova. He is credited with being the author and director of several documentaries including House with Flowers (1965), Chișinău – 67 (1967), and Cross-Roads (1967). He became a member of the Moldovan Writers' Union in 1966. He was forbidden to publish between 1976 and 1987.
Ion Vatamanu was a chemist, writer, and politician from Moldova. He served as member of the Parliament of Moldova (1990–1994) and chairman of the Committee on Culture of the Parliament of Moldova.
Vasile Tărâțeanu was a Ukrainian writer and activist of Romanian ethnicity.
Ion Ciocanu was a Moldovan literary critic.
Tudor Cataraga was a sculptor from the Republic of Moldova.
Vitalie Ciobanu is a journalist from the Republic of Moldova. He is the editor in chief of Contrafort He is a member of the Writers' Union of Romania, the Moldovan Writers' Union and the Group for Social Dialogue.
Mihail Savenco was a Moldovan politician of Ukrainian descent. He was a high-ranking official of the Moldavian Democratic Republic.
Virgil Mihaiu is a Romanian writer, jazz critic, diplomat, jazz aesthetics professor, polyglot, and performer. He was co-founder and the first director of the Romanian Cultural Institute in Lisbon, and served as minister-counselor at the Romanian embassy in Portugal. Since 2015 he is director of the Casa do Brasil / Brazilian Cultural Centre, as well as the Biblioteca de Estudios Latinoamericanos, both institutions functioning under the aegis of Cluj's principal University.
Literature of Moldova comprises the literature of the principality of Moldavia, the later trans-Prut Moldavia, Bessarabia, the Moldavian Autonomous Soviet Socialist Republic, the Moldavian Soviet Socialist Republic, and the modern Republic of Moldova, irrespective of the language. Although there has been considerable controversy over linguistic identity in Moldova, the Moldovan and Romanian languages are virtually identical and share a common literary history. Moldovan literature, therefore, has considerable overlap with Romanian literature.
Samuil Rivinovici Lehtțir, also rendered as Lehțir, Lehtțâr, Lekhttsir, Lekhtser, and Lehitser, was Moldovan poet, critic, and literary theorist. Of Bessarabian Jewish origin, he rejected Romanian nationalism as a youth, and fled to the Ukrainian Soviet Socialist Republic. Returning to complete his studies at Cernăuți University in the Kingdom of Romania, but was regarded as a political suspect, and again escaped to the Moldavian Autonomous Soviet Socialist Republic (MASSR) in 1926—soon after that polity had been created within the Soviet Union. He was employed as a book publisher and journalist, emerging as an authority on literary matters. Lehtțir adopted Proletkult ideas about the need to destroy and rebuild cultural traditions; on such grounds, he and his colleague Iosif Vainberg came to deny that there was a Bessarabian literature that was worth preserving, and that Moldavian literary tradition could be built up from proletarian identity and Soviet patriotism. This sparked a special controversy within a larger debate about Romanian and Moldavian identity.