William Ronald Reid Jr. was a Haida artist whose works include jewelry, sculpture, screen-printing, and paintings. Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century.
Haida are an indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
The Museum of Anthropology at the University of British Columbia (UBC) campus in Vancouver, British Columbia, Canada displays world arts and cultures, in particular works by First Nations of the Pacific Northwest. As well as being a major tourist destination, MOA is a research and teaching museum, where UBC courses in art, anthropology, archaeology, conservation, and museum studies are given. MOA houses close to 50,000 ethnographic objects, as well as 535,000 archaeological objects in its building alone.
Alida Kinnie Starr is a Canadian multidisciplinary recording artist.
Robert Charles Davidson LL. D. D.F.A., is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
John Friedmann was an Honorary Professor in the School of Community and Regional Planning at the University of British Columbia in Vancouver, Canada, and Professor Emeritus at the UCLA Luskin School of Public Affairs. He was the founding professor of the Program for Urban Planning in the Graduate School of Architecture and Planning at UCLA and served as its head for a total of 14 years between 1969 and 1996.
Nancy Jean Turner is a Canadian ethnobiologist, originally qualified in botany, who has done extensive research work with the indigenous peoples of British Columbia, the results of which she has documented in a number of books and numerous articles.
Primrose Adams was a Canadian First Nations artist and member of the Raven Clan from the Haida nation. She wove hats and baskets in the Haida method and is most notable for her spruce root basketry, which involves working in the traditional manner of collecting and dyeing her own spruce root. Adams died in January 2020.
Helen Haig-Brown is a Tsilhqot'in filmmaker working primarily with indigenous and First Nations themes. Many of these derive from her maternal roots in the Tsilhqot'in First Nation.
Aerlyn Weissman is a two-time Genie Award-winning Canadian documentary filmmaker and political activist on behalf of the lesbian community.
Haida Modern is a 2019 Canadian documentary film about the art and activism of Haida artist Robert Davidson. The film was directed by Charles Wilkinson, filmed, produced and edited by Wilkinson and Tina Schliessler and executive produced by Kevin Eastwood. It premiered at the 2019 Vancouver International Film Festival.
Elle-Máijá Apiniskim Tailfeathers is a Blackfoot and Sámi filmmaker, actor, and producer from the Kainai First Nation in Canada. She has won several accolades for her film work, including multiple Canadian Screen Awards.
Planning cultures are the differing customs and practices in the profession of urban and regional planning that exist around the world. The discourse, models, and styles of communication in planning are adapted to the various local conditions of each community such that planning approaches from one part of the world are not necessarily transferable to other parts of the globe. Planning culture can refer to how planning professionals undertake their practice in a given location, where they are "affected by both individual and collectively shared cognitive frames" that shape their view of the world. Planners, as stated by Simone Abram, are "constantly in the process of actually producing culture". The concept of planning culture also encompasses how planning actually unfolds within a community, as shaped by its culture and influenced by its people. Differing cultural contexts produce different planning and policy responses to issues "bound to specific local (cultural) contexts". Examples of planning cultures include those specific to different countries, regions, and parts of the globe, as well as differing cultures that exist within the same location, such as indigenous planning cultures.
Indigenous planning is an ideological approach to the field of regional planning where planning is done by Indigenous peoples for Indigenous communities. Practitioners integrate traditional knowledge or cultural knowledge into the process of planning. Indigenous planning recognizes that "all human communities plan" and that Indigenous communities have been carrying out their own community planning processes for thousands of years. While the broader context of urban planning, and social planning includes the need to work cooperatively with indigenous persons and organizations, the process in doing so is dependent on social, political and cultural forces.
Rosemary Georgeson is a Coast Salish and Sahtu Dene filmmaker and multi-media artist. Georgeson was born on Galiano Island in British Columbia, Canada. Her work ranges from film, theatre, radio to involvement in the culinary arts. Georgeson was the Aboriginal Community Director of Urban Ink Productions 2002-2011, and has worked with the company since its inception in 2001. In 2014 Georgeson was invited to the position of Aboriginal Storyteller in Residence at the Vancouver Public Library. Much of Georgeson's work highlights the unrecorded contributions that Indigenous women have made within the dying fishing industry. Raised in a fishing family on Galiano Island in the Southern gulf islands of British Columbia, Georgeson spent many years working and living on fish boats. An important component of Georgeson's work involves collaborating with other artists and community members.
Edge of the Knife is a 2018 Canadian drama film co-directed by Gwaai Edenshaw and Helen Haig-Brown. It is the first feature film spoken only in the Haida language. Set in 19th-century Haida Gwaii, it tells the classic Haida story of a traumatized and stranded man transformed into Gaagiixiid, the wildman.
Skeena Reece is a Canadian First Nations artist whose multi-disciplinary practice includes such genres as performance art, "sacred clowning," songwriting, and video art. Reece is of Cree, Tsimshian, Gitksan, and Métis descent.
Terri-Lynn Williams-Davidson is a Canadian indigenous lawyer, artist, activist and author and a member of the Raven Clan from the Haida Nation. As a lawyer, Williams-Davidson specializes in aboriginal-environmental law, having represented the Haida Nation at all levels of court since 1996 and notably participating in the litigation of the Haida Nation's TFL39 Case to protect the old-growth forests of Haida Gwaii, a case that effectively altered the government's stance on the consultation and accommodation of Aboriginal Rights.
Kung Jaadee is a traditional Haida storyteller, singer, drummer, teacher, and children's book author from the village of Old Massett, Haida Gwaii in Northern British Columbia, Canada.
