Leonora Lafayette

Last updated

Leonora Gwendolyn Lafayette (born July 8, 1926, in Baton Rouge, Louisiana; died October 23, 1975) was an African American soprano with a significant career in Europe during the 1950s and 1960s.

Contents

Biography

Leonora Lafayette was born to Howard and Lena Lafayette. In the 1930s, she grew up in a progressive and cohesive African American community known as "Old South Baton Rouge." She pursued her career while facing substantial racial, cultural, and economic barriers. [1] She died of cancer at the age of 49.

Education

Lafayette was denied admission to Louisiana State University due to segregation. However, she received a scholarship to study at the Juilliard School with Dusolina Giannini and won the John Hay Whitney Fellowship for study abroad. [2] After graduating from Juilliard, she went to Basel. [3]

Career

In her early career in Switzerland, Lafayette won the Geneva Competition and debuted at Theater Basel on May 27, 1951, as Aida , a role she performed hundreds of times along with Madama Butterfly . She was the first Black artist to perform at Covent Garden, conducted by Sir John Barbirolli. On May 5, 1953, she sang Aida at the Prinzregententheater in Munich under Clemens Krauss. [4] She performed at the Vienna State Opera on September 18, 1956, as Aida, and on February 11 and 14, 1958, as Madama Butterfly. [5] Lafayette sang mainly in Europe at venues such as the Vienna State Opera, Bavarian State Opera in Munich, Hamburg State Opera, Nederlandse Opera in Amsterdam, Hessisches Staatstheater Wiesbaden, and in cities like Belgrade, The Hague, Dortmund, Düsseldorf, Glasgow, Graz, Hannover, Nashville, New York, Vienna, Wiesbaden, Zagreb, and at the Zürich Opera House. [6] Despite her success in Europe, she was never able to establish herself in her home country.

Selected discography

Giuseppe Verdi

Frederick Delius

Giacomo Puccini

Literature

Related Research Articles

<span class="mw-page-title-main">John Barbirolli</span> British conductor and cellist (1899–1970)

Sir John Barbirolli was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.

<span class="mw-page-title-main">Walter Berry (bass-baritone)</span> Austrian opera singer

Walter Berry was an Austrian lyric bass-baritone who enjoyed a prominent career in opera. He has been cited as one of several exemplary operatic bass-baritones of his era.

<span class="mw-page-title-main">Clemens Krauss</span> Austrian conductor and opera impresario (1893 - 1954)

Clemens Heinrich Krauss was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner. He founded the New Year's Concert of the Vienna Philharmonic and conducted it until 1954.

<span class="mw-page-title-main">Hilde Güden</span> Austrian opera singer

Hilde Güden was an Austrian soprano who was one of the most appreciated Straussian and Mozartian sopranos of her day. Her youthful and lively interpretations made her an ideal interpreter of roles such as Zerbinetta in Ariadne auf Naxos and Susanna in Le nozze di Figaro.

<span class="mw-page-title-main">Michèle Crider</span> American opera singer

Michèle Crider is an American lirico spinto operatic soprano. She has appeared in many of the great opera house in the world including the Royal Opera House Covent Garden, the Metropolitan Opera in New York, San Francisco Opera, Los Angeles Opera and the state operas of Vienna, Munich, Berlin and Hamburg. She has sung under Riccardo Muti, Daniel Barenboim, Zubin Mehta, James Levine, Nello Santi, Christoph von Dohnányi, Semyon Bychkov, Seiji Ozawa, Riccardo Chailly and Colin Davis. She is professor of vocal performance at the Mozarteum University Salzburg.

<span class="mw-page-title-main">Viorica Ursuleac</span> Romanian soprano (1894 – 1985)

Viorica Ursuleac was a Romanian operatic dramatic soprano.

<span class="mw-page-title-main">Regina Resnik</span> American opera singer

Regina Resnik was an American opera singer who had an active international career that spanned five decades. She began her career as a soprano in 1942 and soon after began a lengthy and fruitful relationship with the Metropolitan Opera that spanned from 1944 until 1983. Under the advice of conductor Clemens Krauss, she began retraining her voice in the mezzo-soprano repertoire in 1953 and by 1956 had completely removed soprano literature from her performance repertoire.

The Bavarian State Orchestra is the orchestra of the Bavarian State Opera in Munich, Germany. It has given its own series of concerts, the Akademiekonzerte, since 1811.

<span class="mw-page-title-main">Keri-Lynn Wilson</span> Canadian operatic and symphonic conductor (born 1967)

Keri-Lynn Wilson is a Canadian conductor of operatic and symphonic repertoire. She is the founder and music director of the Ukrainian Freedom Orchestra.

<span class="mw-page-title-main">Daniela Dessì</span> Italian operatic soprano

Daniela Dessì was an Italian operatic soprano.

Sylvie Valayre is a French operatic soprano known for her versatile interpretations of lyric, spinto, and dramatic coloratura soprano parts. She sings grueling roles like Abigaille, Lady Macbeth or Turandot as well as lighter pieces like Giordano's Maddalena, Cio-Cio San, or Verdi's Desdemona at major opera houses around the world.

<i>Koanga</i>

Koanga is an opera written between 1896 and 1897, with music by Frederick Delius and a libretto by Charles Francis Keary, inspired partly by the book The Grandissimes: A Story of Creole Life by George Washington Cable (1880). Inspiration also came from Delius's own experiences as a young man, when his family sent him to work in Florida. It was Delius's third opera, and he thought better of it than of its predecessors, Irmelin and The Magic Fountain, because of the incorporation of dance scenes and his treatment of the choruses. Koanga is reputed to be the first opera in the European tradition to base much of its melodic material on African-American music.

Trude Eipperle was a German operatic soprano.

Hildegard Ranczak was a Bohemian operatic soprano, particularly associated with Richard Strauss roles, and largely based in Germany. She married and later divorced German baritone Fritz Schaetzler.

<span class="mw-page-title-main">Ira Malaniuk</span> Austrian opera singer

Ira Malaniuk was an Austrian operatic Mezzo-soprano of Ukrainian descent. She sang a wide range of roles, from Mozart to contemporary works.

Georgine von Milinkovič was a Croatian operatic mezzo-soprano, particularly associated with Wagner and Strauss roles.

Natalia Leonidovna Troitskaya was a Russian operatic soprano who had a major international career during the 1980s and early 1990s. She particularly excelled in the operas of Giacomo Puccini and Giuseppe Verdi. Among her signature roles were Tatyana in Pyotr Ilyich Tchaikovsky's Eugene Onegin and the title heroines in Verdi's Aida, Puccini's Manon Lescaut, and Puccini's Tosca. She was a frequent partner of Plácido Domingo during the 1980s and also sang opposite other great artists like Montserrat Caballé, Dmitri Hvorostovsky, and Luciano Pavarotti.

<span class="mw-page-title-main">Angela Meade</span> American opera singer

Angela Meade is an American operatic soprano.

<span class="mw-page-title-main">Adele Kern</span> German opera singer

Adele Kern real name Adele Kern-Klein was a German operatic and operetta coloratura soprano. She was known for her technical perfection and joy of playing. From 1927 to 1935, she sang at the Salzburg Festival as well as at the state operas of Vienna, Berlin and Munich.

<span class="mw-page-title-main">Elena Guseva</span> Russian operatic soprano

Elena Guseva is a Russian operatic soprano who has performed at major opera houses in Europe. Besides standard repertoire such as Verdi's Aida and Puccini's Mimi, she has focused on roles by Russian composers, such as Tchaikovsky's Lisa and Prokofiev's Polina, a role she performed when Der Spieler was first performed at the Vienna State Opera.

References

  1. Countermelody, Episode 75, Leonora Lafayette (Black History Month 2021 III)
  2. Dartisha L. Mosley and Raquelle K. Bostow: Women of Rosenwald: Curating Social Justice through the Arts (1928 - 1948)
  3. Kyla Dean Pitcher: The Musical Journey of Opera Singer Leonora Lafayette: A Louisiana Treasure, Doctoral Dissertation LSU, 2006
  4. Countermelody, Episode 75, Leonora Lafayette (Black History Month 2021 III)
  5. Wiener Staatsoper: Performances with Leonora Lafayette
  6. Leonora Lafayette, Bayerisches Musiker-Lexikon Online
  7. "Before Gershwin's Porgy and Bess, before Joplin's Treemonisha, there was Delius' Koanga: Opera in Three Acts with Prologue and Epilogue - The FIRST African-American Opera"