Leontophone (Leontophonos, Leophontes) is a small animal from Medieval bestiaries that is deadly to lions. To be killed, the lion needs to only bite the leontophone. Though, in a proper ritual, the leontophone's flesh is burned and its ashes are sprinkled on a piece of meat, which is placed at a crossroad; if a lion eats even a small amount of the tainted meat, it dies. The ancients considered this method a 'happy arrangement', since both lions and leontophones die in the process; from this, one can safely assume that not only were lions considered dangerous, but leontophones may have been considered pests. [1]
Likewise, due to the danger they pose to lions, lions instinctively hate leontophones. Confronted by a leontophone, they often hunt and kill them, tearing them apart with their claws rather than biting them. [2] However, some sources state that the lion will instead flee from the small creature, only attacking and killing it when left with no option to flee (since attacking the leontophone may cause it to urinate, and the urine of the leontophone is also fatally poisonous to lions). [3]
Though no sources give a definite depiction of the leontophone's appearance, some sources speculate that the creature looks like a small boar or a small bear, while others speculate that it is serpentine (with some referring to it even as a small 'worm', the medieval term for a dragon).
A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
In Greek mythology, sirens are humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets place them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.
The manticore or mantichore is a Persian legendary creature similar to the Egyptian sphinx that proliferated in Western European medieval art as well. It has the head of a human, the body of a lion, and the tail of a scorpion or a tail of venomous spines similar to porcupine quills. There are some accounts that the spines can be launched like arrows. It eats its victims whole, using its three rows of teeth, and leaves no bones behind.
The striped hyena is a species of hyena native to North and East Africa, the Middle East, the Caucasus, Central Asia, and the Indian subcontinent. It is the only extant species in the genus Hyaena. It is listed by the IUCN as near-threatened, as the global population is estimated to be under 10,000 mature individuals which continues to experience deliberate and incidental persecution along with a decrease in its prey base such that it may come close to meeting a continuing decline of 10% over the next three generations.
The characteristic of cynocephaly, or cynocephalus, having the head of a canid, typically that of a dog or jackal, is a widely attested mythical phenomenon existing in many different forms and contexts. The literal meaning of cynocephaly is "dog-headedness"; however, that this refers to a human body with a dog head is implied. Such cynocephalics are known in mythology and legend from many parts of the world, including ancient Egypt, India, Greece, and China. Further mentions come from the medieval East and Europe. In modern popular culture cynocephalics are also encountered as characters in books, comics, and graphic novels. Cynocephaly is generally distinguished from lycanthropy (werewolfism) and dogs that can talk.
The bonnacon is a legendary creature described as a bull with inward-curving horns and a horse-like mane. Medieval bestiaries usually depict its fur as reddish-brown or black. Because its horns were useless for self-defense, the bonnacon was said to expel large amounts of caustic feces from its anus at its pursuers, burning them and thereby ensuring its escape.
The crocotta or corocotta, crocuta, or leucrocotta is a mythical dog-wolf of India or Aethiopia, linked to the hyena and said to be a deadly enemy of men and dogs.
Royal hunting, also royal art of hunting, was a hunting practice of the aristocracy throughout the known world in the Middle Ages, from Europe to Far East. While humans hunted wild animals since time immemorial, and all classes engaged in hunting as an important source of food and at times the principal source of nutrition, the necessity of hunting was transformed into a stylized pastime of the aristocracy. More than a pastime,l interaction, essential training for war, and a privilege and measurement of nobility. In Europe in the High Middle Ages the practice was widespread.
The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion, and the head and wings of an eagle with its talons on the front legs.
The salamander is an amphibian of the order Urodela which, as with many real creatures, often has been ascribed fantastic and sometimes occult qualities by pre-modern authors not possessed by the real organism. The legendary salamander is often depicted as a typical salamander in shape with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire.
A pard is the Greek word for the leopard, which is listed in medieval bestiaries and in Pliny the Elder's book Natural History. Over the years, there have been many different depictions of the creature including some adaptations with and without manes and some in later years with shorter tails. However, one consistent representation shows them as large felines often with spots.
The Myrmecoleon or Ant-lion is a fantastical animal from classical times, possibly derived from an error in the Septuagint version of the book of Job, reappearing in the Greek Christian Physiologus of the 3rd or 4th century A.D.
In Christian art, animal forms have at times occupied a place of importance. With the Renaissance, animals were nearly banished, except as an accessory to the human figure.
In European bestiaries and legends, a basilisk is a legendary reptile reputed to be a serpent king, who causes death to those who look into its eyes. According to the Naturalis Historia of Pliny the Elder, the basilisk of Cyrene is a small snake, "being not more than twelve inches in length", that is so venomous, it leaves a wide trail of deadly venom in its wake, and its gaze is likewise lethal.
A legendary creature is a type of fantasy entity, typically a hybrid, that has not been proven and that is described in folklore, but may be featured in historical accounts before modernity.
The Rochester Bestiary is a richly illuminated manuscript copy of a medieval bestiary, a book describing the appearance and habits of a large number of familiar and exotic animals, both real and legendary. The animals' characteristics are frequently allegorised, with the addition of a Christian moral.
The barnacle goose myth is a widely-reported historical misconception about the breeding habits of the barnacle goose and brant goose. One version of the myth is that these geese emerge fully formed from goose barnacles (Cirripedia). Other myths exist about how the barnacle goose supposedly emerges and grows from matter other than bird eggs.
Friedrich Simon Bodenheimer or Shimon Fritz Bodenheimer was a German-born Israeli entomologist. He wrote two major works on the history of biology and is considered the founder of entomology in Israel.
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