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References
- ↑ Scott MacDonald (2001). The Garden in the Machine: A Field Guide to Independent Films about Place . University of California Press. pp. 106–. ISBN 978-0-520-22737-8.
- ↑ "The Poetic and the Pop: The 43rd Vienna International Film Festival (Viennale)". Senses of Cinema, Michelle Carey, May 2006
- ↑ Tay, Sharon Lin, and Patricia R. Zimmermann. "Throbs and Pulsations: Les LeVeque and the Digitization of Desire”. After Image. Web. December 12, 2012.
- ↑ "Visual Bio". Portland Mercury, JULIANNE SHEPHERD, September 19, 2002.
- ↑ Steven Jacobs (June 13, 2011). Framing Pictures: Film and the Visual Arts. Edinburgh University Press. pp. 164–. ISBN 978-0-7486-8871-5.
- ↑ Christine Sprengler (April 2, 2014). Hitchcock and Contemporary Art. Palgrave Macmillan. pp. 149–. ISBN 978-0-230-39216-8.
- ↑ "FEATURED REVIEW: Perpitube: Repurposing Social Media Spaces – Crazy Lady". Artillery, Chris Bors.
- ↑ Glyn Davis; Professor Glyn Davis, Dr Dr; Kay Dickinson, Lisa Patti, Amy Villarejo (February 20, 2015). Film Studies: A Global Introduction. Routledge. pp. 480–. ISBN 978-1-317-62338-0.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ Steve F. Anderson (2011). Technologies of History: Visual Media and the Eccentricity of the Past. UPNE. pp. 169–. ISBN 978-1-61168-008-9.
- ↑ Douglas A. Cunningham (2012). The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration. Scarecrow Press. pp. 244–. ISBN 978-0-8108-8122-8.
- ↑ "Obsessions Video Program". Chicago Reader, Fred Camper
- ↑ "CRITIC'S NOTEBOOK; A Revolution Made Of Gritty Intimacy". New York Times, By STEPHEN HOLDEN Published: July 17, 1998
- ↑ "ART REVIEW; Seashells as Symbols in Mesoamerican Society". New York Times, By HELEN A. HARRISON, December 7, 1997.