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The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
Trevor David Pinnock is a British harpsichordist and conductor.
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Marin Marais was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.
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Jean (?) de Sainte-Colombe (c. 1640 – c. 1700) was a French composer and violist. Sainte-Colombe was a celebrated master of the viola da gamba. He is credited (by Jean Rousseau in his Traité de la viole (1687)) with adding the seventh string, tuned to the note AA (A1 in scientific pitch notation), on the bass viol.
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Timothy Wesley John Brady is a Canadian composer, electric guitarist, improvising musician, concert producer, record producer and cultural activist. Working in the field of contemporary classical music, experimental music, and musique actuelle, his compositions utilize a variety of styles from serialism to minimalism and often incorporate modern instruments such as electric guitars and other electroacoustic instruments. His music is marked by a synthesis of musical languages, having developed an ability to use elements of many musical styles while retaining a strong sense of personal expression. Some of his early recognized works are the 1982 orchestral pieces Variants and Visions, his Chamber Concerto (1985), the chamber trio ...in the Wake..., and his song cycle Revolutionary Songs (1994).
Matthew White is a Canadian countertenor.
Lee Santana is an American lutenist and composer, resident in Bremen, Germany.
François Morel was a Canadian composer, pianist, conductor, and music educator. An associate of the Canadian Music Centre, he was made a Knight of the National Order of Quebec in 1994 and was awarded the Prix Denise-Pelletier in 1996. He has had his works premiered by the CBC Symphony Orchestra, the Montreal Symphony Orchestra, and the Philadelphia Orchestra.
Joseph Francis Petric is a Canadian concert accordionist, musicologist, composer, author, and pedagogue.
Jonathan Dunford is an American violist specialising in the baroque repertoire.
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Claire Guimond is a Canadian flute player, founding member and former Artistic Director of Arion Baroque Orchestra.
References
- ↑ "Review: Early music paints beautiful voice paintings at Calgary concert". Stephan Bonfield, Calgary Herald, 01.22.2013
- ↑ "Montreal ensembles revisit a master". Boston Globe, Matthew Guerrieri, November 26, 2007
- 1 2 "Les Voix Humaines". Allmusic, Biography by Robert Cummings
- ↑ "Fantasias". Classical Net, Henry Purcell, 2009.
- ↑ "Canada’s ‘Hart House’ Viols Heard Again".. La Scena Musicale, by Crystal Chan / June 14, 2009
- ↑ "Sainte-Colombe Concerts a deux Violes Esgales". Gramophone review, Julie Anne Sadie
- ↑ "Sainte Colombe: Concertos for bass viol/Les Voix Humaines". Classics Today, review by: John Greene
- ↑ "Les Voix Humaines’ magical take on Bach’s The Art of the Fugue: album review". Toronto Star, May 20, 2013
