Let's Go Native | |
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Directed by | Leo McCarey |
Written by | |
Produced by | Leo McCarey |
Starring | |
Cinematography | Victor Milner |
Music by | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 77 minutes |
Country | United States |
Language | English |
Let's Go Native is a 1930 American pre-Code black-and-white musical comedy film, directed by Leo McCarey and released by Paramount Pictures . [1]
The well-received picture anticipated McCarey’s success in future comedies, among these Part-Time Wife (1930), The Kid from Spain (1932) and the screwball classic The Awful Truth (1937). [2]
This article needs an improved plot summary.(May 2024) |
The story is set in the immediate aftermath of the Panic of 1929. Joan, an unemployed costume designer and her boyfriend Voltaire, a disinherited scion of a wealthy family, embark together on a Caribbean cruise. Voltaire discovers that his childhood sweetheart, Constance, is a passenger on the ship: romantic complications develop.
The menage-a-trois find themselves shipwrecked on a tropical island. They discover that the paradise is populated by women, with only one male inhabitant, Jerry. Dubbed King of the Island, he quips “"It was one of the Virgin Islands, but it drifted." Further romantic complications ensue. When these are finally resolved, Voltaire’s grandfather arrives on a yacht and rescues the castaways. As they depart, the island sinks into the ocean. [3] [4]
Paramount initially delayed release of Let’s Go Native, concerned that the narrative was too bizarre for audiences and “had not expected it to be quite so free-spirited.” [5]
Let’s Go Native opened simultaneously with the Marx Brothers’ Animal Crackers (1930) and was “favorably compared by period critics with this pioneering zany team classic” directed by Victor Heerman. [6]
The film was released on 16 August 1930 but a preview screening had taken place in April or May the same year. [7]
Film historian Wes D. Gehring identifies Let’s Go Native as a precursor to McCarey’s subsequent screwball comedy classic The Awful Truth (1937). Let’s Go Native not only catapulted the careers of Jack Oakie, Jeanette MacDonald and Kay Fransis, but “helped established McCarey as a viable feature film director.” The Marx Brothers-like elements of the film earned McCarey the honor of directing Duck Soup (1933). [8]
Film historian Richard Barrios in his A Song in the Dark: The Birth of the Musical Film writes: “Let’s Go Native was sheer [joyful] malarkey, played with bounce and directed by McCarey with some of the affinity toward musical anarchy he later brought to Duck Soup.” [9]
Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
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Thomas Leo McCarey was an American film director, screenwriter, and producer. He was involved in nearly 200 films, including the critically acclaimed Duck Soup, Make Way for Tomorrow, The Awful Truth, Going My Way, The Bells of St. Mary's, My Son John and An Affair To Remember.
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The Kid from Spain is a 1932 American pre-Code black-and-white musical comedy film directed by Leo McCarey. Harry Ruby and Bert Kalmar composed the songs, and Busby Berkeley is credited with creating and directing the film's musical scenes. It was Jane Wyman's film debut.
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