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A letterhack is a fan who is regularly published in magazine and American comic book letter columns.
The term comes from fanspeak, the slang of science fiction fans, and originally referred to prolific writers of letters to fanzines and professional science fiction magazines of the early twentieth century. It was considered to be an important part of fanac ("fan activity"). [1] [2] [3]
Many letterhacks [4] became well known throughout the industry. Writer Mark Engblom describes the phenomenon this way:
Chosen by the title's editor (or, in some cases, the writer), a few lucky fans would get the opportunity to share their opinion with not only the creators, but a captive audience of fellow fans as well. In fact, some of the most prolific fans had letters printed almost every month in a variety of titles, becoming minor celebrities in their own right. [5]
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David S. Goyer is an example of a fan who later wrote comic book films. [11] Some letterhacks gained entrée into an actual career in comics because of their letter-writing experience. For instance, Bob Rozakis parlayed his frequent published letters to DC comics during the late 1960s and early 1970s into a job as DC's "Answer Man" and eventually a solid career as a DC writer. [ citation needed ] Kurt Busiek, Mary Jo Duffy, Mike Friedrich, Mark Gruenwald, Fred Hembeck, Harlan Ellison, Tony Isabella, Paul Levitz, Ralph Macchio, Dean Mullaney, Martin Pasko, Diana Schutz, Beau Smith, Roy Thomas, Peter B. Gillis, George R.R. Martin, and Kim Thompson are just a few of the many comic book professionals who got their starts as young letterhacks.[ citation needed ]
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
Jerome Siegel was an American comic book writer. He is the co-creator of Superman, in collaboration with his friend Joe Shuster. Siegel and Shuster were inducted into the comic book industry's Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993. Siegel also used pseudonyms including Joe Carter and Jerry Ess.
A letterer is a member of a team of comic book creators responsible for drawing the comic book's text. The letterer's use of typefaces, calligraphy, letter size, and layout all contribute to the impact of the comic. The letterer crafts the comic's "display lettering": the story title lettering and other special captions and credits that usually appear on a story's first page. The letterer also writes the letters in the word balloons and draws in sound effects. Many letterers also design logos for the comic book company's various titles.
Comics Buyer's Guide, established in 1971, was the longest-running English-language periodical reporting on the American comic book industry. It awarded its annual Comics Buyer's Guide Fan Awards from 1983 to circa 2010. The publication ceased with the March 2013 issue. The magazine was headquartered in Iola, Wisconsin, after originally being published in the Quad Cities region.
The Marvel No-Prize is a fake or satirical award given out by Marvel Comics to readers. Originally for those who spotted continuity errors in the comics, the current "No-Prizes" are given out for charitable works or other types of "meritorious service to the cause of Marveldom". As the No-Prize evolved, it was distinguished by its role in explaining away potential continuity errors. Initially awarded simply for identifying such errors, a No-Prize was later given only when a reader successfully explained why the continuity error was not an error at all.
Mike Friedrich is an American comic book writer and publisher best known for his work at Marvel and DC Comics, and for publishing the anthology series Star*Reach, one of the first independent comics. He is also an artists representative.
Jack Abel was an American comic book artist best known as an inker for leading publishers DC Comics and Marvel Comics. He was DC's primary inker on the Superman titles in the late 1960s and early 1970s, and inked penciler Herb Trimpe's introduction of the popular superhero Wolverine in The Incredible Hulk #181. He sometimes used the pseudonym Gary Michaels.
Maggie Thompson, is an American longtime editor of the now-defunct comic book industry news magazine Comics Buyer's Guide, science fiction fan, and collector of comics.
The Alley Award was an American annual series of comic book fan awards, first presented in 1962 for comics published in 1961. Officially organized under the aegis of the Academy of Comic Book Arts and Sciences, the award shared close ties with the fanzine Alter Ego magazine. The Alley is the first known comic book fan award.
Joseph P. Gill was an American magazine writer and highly prolific comic book scripter. Most of his work was for Charlton Comics, where he co-created the superheroes Captain Atom, Peacemaker, and Judomaster, among others. Comics historians consider Gill a top contender as the comic-book field's most prolific writer. Per historian and columnist Mark Evanier, Gill "wrote a staggering number of comics. There are a half-dozen guys in his category. If someone came back and said he was the most prolific ever, no one would be surprised."
T.M. Maple was the pseudonym of Jim Burke, a Canadian who wrote more than 3,000 letters to comic book letter columns between 1977 and 1994.
Jerry Gwin Bails was an American popular culturist. Known as the "Father of Comic Book Fandom," he was one of the first to approach the comic book field as a subject worthy of academic study, and was a primary force in establishing 1960s comics fandom.
Alter Ego is an American magazine devoted to comic books and comic-book creators of the 1930s to late-1960s periods comprising what fans and historians call the Golden Age and Silver Age of Comic Books.
John Workman is an American editor, writer, artist, designer, colorist and letterer in the comic book industry. He is known for his frequent partnerships with writer/artist Walter Simonson and also for lettering the entire run of Grant Morrison/Rachel Pollack's Doom Patrol.
A comic book letter column is a section of an American comic book where readers' letters to the publisher appear. Comic book letter columns are also commonly referred to as letter columns, letter pages, letters of comment (LOCs), or simply letters to the editor. Letter columns appeared early on in the history of comic books themselves, and their growing prevalence — particularly beginning in the 1960s — helped create and legitimatize comics fandom. As the forum developed, the volume and tenor of letters became a reliable gauge of overall reader response to developments in the comics themselves. Letter columns remained a regular feature of most comic books until the early years of the 21st century, when they began being phased out in favor of the growing prevalence of email and Internet forums. Despite this, the 2010s saw a renaissance of comic book letter columns, and many comics titles still print them.
The Comic Reader (TCR) was a comics news-fanzine published from 1961 to 1984. Debuting in the pre-direct market era, TCR was the first regularly published comics industry news fanzine, and was able to secure many contacts from within the ranks of the larger publishers. As TCR increased in popularity and influence, it was able to attract professional artist to illustrate the covers. TCR also proved to be a launching pad for aspiring comic book creators, many of whom published work in the fanzine as amateurs. Contributors from the world of fandom included founding editor Jerry Bails, key editor Paul Levitz, Paul Kupperberg, Tony Isabella, Byron Preiss, Neal Pozner, Don Rosa, Carl Gafford, and Doug Hazlewood.
Rocket's Blast Comicollector (RBCC) was a comics advertising fanzine published from 1964 to 1983. The result of a merger with a similar publication, RBCC's purpose was to bring fans together for the purpose of adding to their comic book collections. It also proved to be a launching pad for aspiring comic book creators, many of whom corresponded and exchanged their work through RBCC, and published work in the fanzine as amateurs.
The Amazing World of DC Comics was DC Comics' self-produced fan magazine of the mid-1970s. Running 17 issues, the fanzine featured DC characters and their creators, and was exclusively available through mail order. Primarily text articles, with occasional strips and comics features, Amazing World offered a great deal of insight into Bronze Age DC corporate and creative culture.
BEM, originally known as Bemusing Magazine, was a British fanzine focused on comic books which was published roughly five times a year from 1973 to 1982. The brainchild of Martin Lock, BEM featured American and British comics industry news and gossip, interviews, comic reviews, essays, columns, and comic strips. Billed as "The Comics News Fanzine," BEM eventually transitioned into a professionally produced comics magazine. As time went on, the fanzine also became more of a "strip-zine," with original comics content — some of it written by Lock — increasing year by year. Notable artistic contributors to BEM over the years included Brian Bolland, Dave Gibbons, Mike McMahon, Bryan Talbot, Chris Ash, and Dave Harwood.
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