Libby Larsen

Last updated

Libby Larsen
Libby Larsen at book release.jpg
Larsen in October 2017
Background information
Born (1950-12-24) December 24, 1950 (age 71)
Wilmington, Delaware
Occupation(s)Composer

Elizabeth Brown Larsen (born December 24, 1950) is a contemporary American classical composer. [1] Along with composer Stephen Paulus, she is a co-founder of the Minnesota Composers Forum, now the American Composers Forum. [2]

Contents

A former holder of the Papamarkou Chair at John W. Kluge Center of the Library of Congress, Larsen has also held residencies with the Minnesota Orchestra, the Charlotte Symphony Orchestra and the Colorado Symphony Orchestra. [3] [1]

Biography

Early life

Libby Larsen was born on December 24, 1950 in Wilmington, Delaware, the daughter of Robert Larsen and Alice Brown Larsen. [4] She was the third of five daughters in the family, [1] [2] and at the age of three, Libby and her family moved to Minneapolis, Minnesota. [5]

Her first musical experience dates from the time when she was three years old. She observed her older sister's piano lessons at home; later, she imitated what she had heard. Her formal music education began at the Saint Joseph of Carondelet nuns at Christ the King School. All students sang Gregorian Chant and learned to sight-read using moveable ‘do’ solfege. The rhythmic flexibility and prosody of text Larsen learned in chant showed her that there is freedom in music, a concept that would prove to be very influential in her future compositions. In addition to her classical training, Larsen's father was an amateur clarinetist in a Dixieland band, and her mother played boogie-woogie on the record player, giving her a multifarious and very American musical background. [5]

Musical career

Larsen attended the University of Minnesota for both her undergraduate and graduate work. She received a Bachelor of Arts degree in Theory and Composition in 1971, a Masters of Arts degree in Composition in 1975, and a PhD in Theory and Composition in 1978. Throughout her studies at university, she studied composition with Dominick Argento, Paul Fetler and Eric Stokes. [1] In 1975, Larsen married her husband, James Reece, whom she met at university. [2]

In 1973, Larsen co-founded the Minnesota Composers Forum with colleague Stephen Paulus with the goal to provide a public platform and an audience for the creation and performance of new compositions, along with giving practical help in business matters such as applying for fellowships and negotiating contracts. [2] In 1996, the organization changed its name to the American Composers Forum and established chapters in cities throughout the country including Texas Forth Worth Mesquite , Atlanta, Washington D.C. and Los Angeles, among others. Its base is still in St. Paul, Minnesota. [6]

In 1983, Larsen was appointed one of the Minnesota Orchestra's two composers-in-residence, making her the first woman to serve as a resident composer with a major orchestra. [2] [7] She composed her first symphony, Water Music, for the Minnesota Orchestra, which was premiered in 1985 under Sir Neville Marriner. [1] During her time with the Minnesota Orchestra, Larsen researched reasons for the low attendance of people of her own age at classical concerts and why non-European composers were not adequately represented in concert programs. This led her to studies of classical music in America and its place in American culture, the results of which she has explored in her compositions and other philosophical projects. [8] In 1986, her daughter Wynne was born. [2]

Larsen organized and became artistic director of the Hot Notes Series (sponsored by the Schubert Club of St. Paul) in 1993, which focuses on the modern keyboard, particularly on the interaction between performer and synthesized sound. This interaction has become a feature of her later works, including Frankenstein: The Modern Prometheus (1990) based on the book by Mary Shelley. This work used electronic visual effects such as projectors and screens around the theater which showed different perspectives (e.g. those of the monster or those of Frankenstein himself) throughout the opera. This opera was Larsen's first exploration of technological sound [1] and was selected as one of the eight best classical music events of 1990 by USA Today. [9]

In 1993, she won a Grammy Award for producer of Best Classical Vocal Performance for "The Art of Arlene Augér", featuring her song cycle Sonnets from the Portuguese. [10] In 1996, she received Honorary Doctorates from both St. Mary's College/Notre Dame, and the University of Nebraska. [11]

In addition to being known as a composer, Larsen is known as a musical philosopher and speaker. She has given keynote addresses at places such as the League of American Orchestras, American Choral Directors Association, American Orff-Schulwerk Association National Convention, Concert Band Directors National Association, Dominique de Menil Presidential Lecture Series at Rice University (2001), Music Educators National Convention, and National Association of Schools of Music. [11] From 2003-04, she served as the first Harissios Papamarkou Chair in Education and Technology at the Library of Congress. [12]

In 2010, Larsen received a George Peabody Medal for Outstanding Contributions to Music in America. [13] [14]

Influences

When asked about her influences, Larsen responded, "To tell the truth, my teachers have come to me from unexpected places in my musical life. They have been poets, architects, painters and philosophers. The other way I really learn is by reading scores voraciously, from Chuck Berry to Witold Lutosławski." [15]

Style and approach

Her style and approach to music comes from her own philosophy on music. Her music comes from the sound she hears everyday around her in the world. It is noted for its "energy, optimism, rhythmic diversity, colourful orchestration, liberated tonality without harsh dissonance, and pervading lyricism." [1]

The rhythms used are often taken directly from the American language: "our own American language has beautiful rhythms in it; it is this American vernacular and the rhythm of our American life that is the language of my music." [16] Pieces such as Holy Roller (about a revivalist preacher’s speech) and Bid Call (about auctioneering patterns) showcase this style. Larsen composes without barlines, preferring to first discover the natural flow of a line and then refine it until she finds a common meter, giving many of her compositions a feeling of free internal rhythm. [17]

Awards

presented by the University of Minnesota [11]
for producer of Best Classical Vocal Performance for “The Art of Arlene Augér” featuring Larsen’s Sonnets from the Portuguese
presented by Bemidji State University
presented by the Massachusetts Institute of Technology

Selected works

Opera

Orchestral

Band

Choral

Vocal

Instrumental

Multimedia

Carillon

An opera by Libby Larsen, the story of a child brought by a family into a new culture. Appleton Boychoir; Attic Theater, Inc.; Children’s Ballet Theatre; Fox Cities Performing Arts Center; Fox Valley Symphony Orchestra; Lawrence Academy of Music Girl Choir; University Drumming Group; White Heron Chorale; Brian Groner, conductor
Las Cantantes, The University of New Mexico Women’s Chorus; Bradley Ellingboe, conductor
Katarina Strom-Harg, piano; Stfan Harg, clarinet; Kathleen Roland, soprano; Asa Johannon, violin
Benita Valenta, soprano; Scottish Chamber Orchestra; Joel Revzen, conductor
John Kinzie, marimba; Colorado Symphony Orchestra; Marin Alsop, conductor
Featuring Larsen’s Sonnets from the Portuguese, also includes music of Wolfgang Amadeus Mozart, Henry Purcell, and Robert Schumann.
Arleen Augér, soprano; Minnesota Orchestra, Members of the Saint Paul Chamber Orchestra; Joel Revzen, conductor.
1993 Grammy Award for Best Classical Vocal Performance
Koch International Classics. Also includes music of Stephen Paulus and Samuel Barber.
Oregon Repertory Singers; Gilbert Seeley, conductor
Albany Records
Benton Hess, piano; Terry Rhodes, soprano
Koch International Classics.
Featuring Larsen’s Love After 1950, also includes music of Lisbeth Alexander-Katz, Amy Beach, Lili Boulanger, Rebecca Clarke, Alma Mahler, Clara Wieck Schumann, Elinor Remick Warren
Susanne Mentzer, mezzo-soprano; Craig Rutenberg, piano
Leonarda Productions, LE327, 1985.
Featuring Larsen’s Overture--Parachute Dancing 1984, also includes music of Nancy Van De Vate, Kay Gardner, Marga Richter, Katherine Hoover, Ursula Mamlok, Jane Brockman.
Bournemouth Sinfonietta, Arioso Chamber Orchestra, Carolann Martin: Conductor

Related Research Articles

Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s, she had shifted to a postmodernist, neoromantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.

Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. In this regard, she was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.

Michael Tilson Thomas American conductor, pianist and composer (b1944)

Michael Tilson Thomas is an American conductor, pianist and composer. He is Artistic Director Laureate of the New World Symphony, an American orchestral academy based in Miami Beach, Florida, Music Director Laureate of the San Francisco Symphony, and Conductor Laureate of the London Symphony Orchestra.

John Harris Harbison is an American composer, known for his symphonies, operas, and large choral works.

Tania León Cuban-American composer and conductor

Tania León is a Cuban-born American composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations.

Joseph Clyde Schwantner is a Pulitzer Prize-winning American composer, educator and a member of the American Academy of Arts and Letters since 2002. He was awarded the 1970 Charles Ives Prize.

Augusta Read Thomas American composer

Augusta Read Thomas is an American composer and professor.

Yehudi Wyner is an American composer, pianist, conductor and music educator.

Cleveland Chamber Symphony

The Cleveland Chamber Symphony is an American chamber orchestra based in Cleveland, Ohio. It is dedicated to the performance of contemporary classical music, and has presented over 200 performance premieres.

Margaret Brouwer is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.

Arleen Auger American coloratura soprano (1939-1993)

Joyce Arleen Auger was an American soprano, known for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Mozart, and Schubert.

Gabriela Lena Frank is an American pianist and composer of contemporary classical music.

William McGlaughlin is an American composer, conductor, music educator, and Peabody Award-winning classical music radio host. He is the host and music director of the public radio programs Exploring Music and Saint Paul Sunday.

Florence Marga Richter was an American composer of classical music, and pianist.

Charlotte Bray is a British composer. She was championed by the Royal Opera House Covent Garden, London Sinfonietta and Birmingham Contemporary Music Group, BBC Symphony Orchestra. Her music has been performed by many notable conductors such as: Sir Mark Elder, Oliver Knussen, Daniel Harding, and Jac van Steen.

Malcolm Cameron Peyton is an American composer, concert director, conductor, and teacher.

Marsha Mabrey African American conductor, violinist and violist

Marsha Eve Mabrey is an African American conductor, educator, violinist and violist. She was the first African American woman to be appointed and serve as the conductor of the Seattle Philharmonic Orchestra.

Jake Runestad is an American composer and conductor of classical music based in Minneapolis, Minnesota. He has composed music for a wide variety of musical genres and ensembles, but has achieved greatest acclaim for his work in the genres of opera, orchestral music, choral music, and wind ensemble. One of his principal collaborators for musical texts has been the poet Todd Boss.

Dorothy Hindman American composer and music educator (born 1966)

Dorothy Hindman is an American composer and music educator.

Juliana Hall is an American composer of art songs, monodramas, and vocal chamber music. She has been described by the NATS Journal of Singing as "one of our country’s most able and prolific art song composers for almost three decades" and, in discussing her 1989 song cycle Syllables of Velvet, Sentences of Plush, the Journal went on to assert that "Even at this very early stage in her life and career, Hall knew something about crafting music whose beauty could enhance the text at hand without drawing attention away from that text. This is masterful writing in every respect."

References

  1. 1 2 3 4 5 6 7 Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove Dictionary of Women Composers. W.W. Norton. pp. 266–68. ISBN   978-0-393-03487-5.
  2. 1 2 3 4 5 6 Fuller, Sophie (1994). The Pandora guide to women composers: Britain and the United States 1629-present . Pandora. pp.  173–74. ISBN   978-0-04-440897-0.
  3. “News from the Library of Congress”, loc.gov; accessed December 28, 2012.
  4. Von Glahn, Denise (2017). Libby Larsen: Composing an American Life. Urbana: University of Illinois Press. p. 14. ISBN   9780252041150.
  5. 1 2 Stallard, Tina Milhorn (December 23, 2010). Michael K. Slayton (ed.). "Libby Larsen" in Women of Influence in Contemporary Music: Nine American Composers. Scarecrow Press. pp. 191–92. ISBN   978-0-8108-7748-1.
  6. “American Composers Forum: Mission and History”, composersforum.org; accessed March 24, 2011.
  7. Marilyn Biery. "New Music for Organ at the End of the Twentieth Century: A Series on the Compositions of Six American Composers", in: The American Organist, July 2000, 76-78.
  8. DeSmith, Christy. "Loading the Canon", in: The Rake, November 2005, 57-62.
  9. "Classical: Batons Hint at a Brave New World", in: USA Today, December 24, 1990, 2D.
  10. "'I Am Woman' -- Libby Larsen". news.psu.org. September 19, 2018.
  11. 1 2 3 4 5 6 7 8 9 10 11 12 "Libby Larsen - CV" (PDF). December 2, 2004. Archived from the original (PDF) on October 15, 2014. Retrieved October 28, 2015.
  12. Libby Larsen: Biography, libbylarsen.com, March 24, 2011.
  13. Royce, Graydon. "Minneapolis composer wins Peabody Medal", in: Star Tribune, May 27, 2010.
  14. "Renowned composer honors Linfield with pair of concerts", in: News Register, April 13, 2011.
  15. "Libby Larsen - Influences - FAQ". libbylarsen.com. August 20, 2011. Retrieved October 28, 2015.
  16. Libby Larsen: FAQ-On Music, libbylarsen.com; accessed March 24, 2011.
  17. Smith, Ken. "Floating free", in: Choir and Organ, November/December 2001, 43-35.
  18. “Composer Libby Larsen Receives Distinguished Minnesotan Award”, bemidjistate.edu; accessed December 21, 2012.
  19. “The Eugene McDermott Award in the Arts: Past Recipients”, mit.edu; accessed online December 21, 2012.
  20. "Prolific composer Larsen wins Arts Council award." TechTalk. 48. no. 7 (2003): 7.
  21. “Minnesota Music Hall of Fame: Inductees” Archived April 25, 2016, at the Wayback Machine , mnmusichalloffame.org; accessed December 21, 2012.
  22. “Libby Larsen Receives George Peabody Medal”, ascap.com; December 21, 2012.
  23. "Music for Carillon". The Guild of Carillonneurs in North America . Retrieved April 2, 2019.
  24. Libby Larsen: Featured Recordings - accessed online March 24, 2011.