Viva Villa! is a 1934 American pre-Code film directed by Jack Conway and starring Wallace Beery as Mexican revolutionary Pancho Villa. The screenplay was written by Ben Hecht, adapted from the 1933 book Viva Villa! by Edgecumb Pinchon and O. B. Stade. The film was shot on location in Mexico and produced by David O. Selznick. There was uncredited assistance with the script by Howard Hawks, James Kevin McGuinness, and Howard Emmett Rogers. Hawks and William A. Wellman were also uncredited directors on the film.
And Starring Pancho Villa as Himself is a 2003 American made-for-television western film for HBO in partnership with City Entertainment and starring Antonio Banderas as Pancho Villa, directed by Bruce Beresford, written by Larry Gelbart and produced by Joshua D. Maurer, Mark Gordon, and Larry Gelbart. The cast also includes Alan Arkin, Jim Broadbent, Michael McKean, Eion Bailey, and Alexa Davalos.
Herbert Banemann Rawlinson was an English-born stage, film, radio, and television actor. A leading man during Hollywood's silent film era, Rawlinson transitioned to character roles after the advent of sound films.
Clothes Make the Pirate is a 1925 American silent comedy film directed by Maurice Tourneur and starring Leon Errol and Dorothy Gish. The film was written by Marion Fairfax from the novel of the same name by Holman Francis Day.
Riders of Death Valley is a 1941 American Western film serial from Universal Pictures. It was a high budget serial with an all-star cast led by Dick Foran and Buck Jones. Ford Beebe and Ray Taylor directed. It also features Lon Chaney Jr. in a supporting role as a villainous henchman as well as Noah Beery Jr., Charles Bickford, Guinn "Big Boy" Williams, Monte Blue, Roy Barcroft, Richard Alexander and Glenn Strange.
Patria is a 1917 15-chapter American serial film starring Irene Castle, Milton Sills, and Warner Oland, based on the novel The Last of the Fighting Channings by Louis Joseph Vance. Patria was an independent film serial funded by William Randolph Hearst in the lead-up to the United States' entry into World War I. The film in its original form contained anti-Japanese propaganda and was investigated by a Senate committee. The Argentine title for the film was La Heroina de Nueva York.
Villa Rides is a 1968 American Technicolor Western war film in Panavision directed by Buzz Kulik and starring Yul Brynner as Mexican revolutionary Pancho Villa and Robert Mitchum as an American adventurer and pilot of fortune. The supporting cast includes Charles Bronson as Fierro, Herbert Lom as Huerta and Alexander Knox as Madero. Sam Peckinpah wrote the original script and was set to direct, but Brynner disliked Peckinpah's harsh depiction of Villa and had Robert Towne rewrite the script, with Kulik brought on as director. The screenplay is based on the biography by William Douglas Lansford.
The Moon Riders is a 1920 American silent Western film serial directed by B. Reeves Eason and Theodore Wharton. The serial is considered lost. It ran for 18 episodes.
In the Days of Daniel Boone is a 1923 American silent Western film serial directed by William James Craft. The film is considered to be lost. A trailer is included in the DVD More Treasures from American Film Archives, 1894-1931: 50 Films.
The Way of a Man is a 1924 American silent Western film serial directed by George B. Seitz. Pathé Exchange also released it as a 9-reel film later in 1924. Both the serial and the film version are considered to be lost.
Elmo the Fearless is a 1920 American silent action adventure film serial directed by J. P. McGowan and starring Elmo Lincoln and Louise Lorraine. The film is now considered to be lost.
The Masked Rider is a 1919 American silent Western film serial directed by Aubrey M. Kennedy. Scenes were filmed in Mission San Jose in San Antonio, Castroville and Bandera, Texas, and in Coahuíla, Mexico. The serial was thought to be lost in entirety. However, most episodes have since been found, although many of them are incomplete.
The Life of General Villa (1914) is a silent biographical action–drama film starring Pancho Villa as himself, shot on location during a civil war. The film incorporated both staged scenes and authentic live footage from real battles during the Mexican Revolution, around which the plot of the film revolves. The film was produced by D. W. Griffith and featured future director Raoul Walsh as the younger version of Villa.
Pancho Villa is a 1972 American, British and Spanish spaghetti western film directed by Eugenio Martín. It takes as its starting point the life and legend of the Mexican bandit-revolutionary of that name, but has no other basis in historical fact. The film features Telly Savalas, Clint Walker, Chuck Connors and Anne Francis. Shot in Spain, this "brawling spectacle" has an often-overlooked light-comedy satirical facet, which to this day often confuses viewers. The storyline was developed during the Vietnam War and reflected certain antiwar sentiments in an American society. The title song "We All End Up the Same", with music by John Cacavas and lyrics by Don Black, is sung by Telly Savalas.
To the Ladies is a 1923 American silent comedy film produced by Famous Players–Lasky and released by Paramount Pictures. It is based on a 1922 Broadway play, To the Ladies, by George S. Kaufman and Marc Connelly.
Ruggles of Red Gap is a 1923 American silent Western film directed by James Cruze and written by Anthony Coldeway and Walter Woods that was adapted from the novel by Harry Leon Wilson. The film stars Edward Everett Horton, Ernest Torrence, Lois Wilson, Fritzi Ridgeway, Charles Stanton Ogle, Louise Dresser, Anna Lehr, and William Austin. The film was released on October 7, 1923, by Paramount Pictures.
Alfred Emory Johnson was an American actor, director, producer, and writer. As a teenager, he started acting in silent films. Early in his career, Carl Laemmle chose Emory to become a Universal Studio leading man. He also became part of one of the early Hollywood celebrity marriages when he wed Ella Hall.
Pancho Villa was famous during the Mexican Revolution and has remained so, holding a fairly mythical reputation in Mexican consciousness, but not officially recognized in Mexico until long after his death. As the "Centaur from the North" he was considered a threat to property and order on both sides of the border, feared, and revered, as a modern Robin Hood.
The Yaqui is a 1916 American silent Black and white Melodrama directed by Lloyd B. Carleton and starring Hobart Bosworth, Gretchen Lederer and Emory Johnson. The film depicts Yaqui Indians entrapped by nefarious elements into enslavement for a wealthy plantation owner. They struggle in captivity, eventually rebelling against their owner's oppression.
