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New wave is a music genre that encompasses pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s.
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
New Romantic was an underground subculture movement that originated in the United Kingdom in the late 1970s. The movement emerged from the nightclub scene in London and Birmingham at venues such as Billy's and The Blitz. The New Romantic movement was characterised by flamboyant, eccentric fashion inspired by fashion boutiques such as Kahn and Bell in Birmingham and PX in London. Early adherents of the movement were often referred to by the press by such names as Blitz Kids, New Dandies and Romantic Rebels.
Jonathan Aubrey Moss is an English drummer, best known as a member of the 1980s pop group Culture Club. He has also played with other bands, including London, the Nips, the Damned and Adam and the Ants.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Jon Savage is an English writer, broadcaster and music journalist, best known for his definitive history of the Sex Pistols and punk music, England's Dreaming (1991).
Dance-punk is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements. The genre is characterized by mixing the energy of punk rock with the danceable rhythms of funk and disco. It was most prominent in the New York City punk movement.
Rusty Egan is a British pop musician and DJ, although he has only ever held an Irish passport.
London is an English four-piece punk band formed in London in 1976, best known for their wild stage act. The original line-up was Riff Regan (vocals), Steve Voice, Jon Moss (drums) and Dave Wight (guitar). They were managed by Simon Napier-Bell and recorded two singles, a four-track EP and an album for MCA Records in 1977. Most of their songs were written by Riff Regan or by Regan and Steve Voice. All their records were produced by Napier-Bell at the IBC Studios in London.
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within the alternative rock scene. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques.
Miles Tredinnick, also known as Riff Regan, is a rock musician, songwriter and a stage and screenwriter. In the 1970s, he was the lead singer with the British rock band London. Afterwards he went on to write comedy plays for the stage. He has also written scripts for Frankie Howerd, including the television special Superfrank! and the stage comedy Up Pompeii!
The Face is a British music, fashion, and culture monthly magazine originally published from 1980 to 2004, and relaunched in 2019.
Simon Reynolds is an English music journalist and author who began his career at Melody Maker in the mid-1980s. He subsequently worked as a freelancer and published a number of books on music and popular culture.
New pop is a loosely defined British-centric pop music movement consisting of ambitious, DIY-minded artists who achieved commercial success in the early 1980s through sources such as MTV. Rooted in the post-punk movement of the late 1970s, the movement spanned a wide variety of styles and artists, including acts such as Orange Juice, the Human League, and ABC. The term "rockist", a pejorative against people who shunned this type of music, coincided with and was associated with new pop.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Rip It Up and Start Again: Postpunk 1978–1984 is a book by Simon Reynolds on the post-punk musical genre and era. It was first released in the UK in April 2005 by Faber & Faber. The US edition was published by Penguin Books and released in February 2006. It is a shorter version, with several chapters either removed or condensed, and without the large number of illustrations in the UK edition. Reynolds notes this was for space and cost reasons.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno and synth-pop, which has helped spur subgenres such as indietronica, dance-punk and electroclash.
Energy Flash: A Journey Through Rave Music and Dance Culture is a book by English music journalist Simon Reynolds which chronicles the development of dance and rave music from the mid 1980s to the early 2000s. The book was published in the United States under the title Generation Ecstasy: Into the World of Techno and Rave Culture.
Philip Sallon is a British club promoter, event organiser, socialite, style innovator, impresario, and clothing designer. He was born in London, England. He is particularly known for being a prominent member of the Punk sub-cultural and New Romantic pop cultural movements during the 1970s and 1980s.
References
- ↑ Rimmer, Dave (1985). Like Punk Never Happened: Culture Club and the New Pop. Faber & Faber. ISBN 9780571137398.
- ↑ "Like Punk Never Happened: New expanded edition by Dave Rimmer | Books & Shop". Faber. Retrieved 2024-08-23.
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