Lillian Sarafinchan | |
|---|---|
 | |
| Born | 1935 Vegreville,Alberta |
| Nationality | Canadian,Ukrainian,Romanian |
| Alma mater | Banff School of the Arts, Ontario College of Art |
Lillian Sarafinchan (born 1935) is a painter and teacher, production design, continuity & art director and locations director.
Sarafinchan was born in Vegreville, Alberta, in 1935, the eldest of three brothers and eventually, a sister. [1]
Sarafinchan's interest in art began early. Confined at home with measles at age 12, she began passing the time on the family farm painting with whatever materials she could find at hand. She took some of her paintings with her when she returned to school. Her teacher, Mrs. Miller, hung them in the classroom, which also happened to be used once a week by an adult art class sponsored by the University of Alberta in Edmonton Extension Program, led by a local artist, Laura Evans Reid, who noticed Sarafinchan’s work and encouraged her to join her art class. When Sarafinchan was 15, Laura Reid secretly entered some of Sarafinchan’s work in a province-wide competition. As a result, Sarafinchan won first prize and the first of her 8 scholarships to summer classes at the Banff School of Fine Arts. After completing High School, Sarafinchan moved on the Ontario College of Art (OCA) in Toronto. Because of a health problem, she did not complete her first year. but, in spite of this, was awarded a scholarship to continue into her second year. Laura. Reid had also given Sarafinchan introductions to members of the Group of Seven in Toronto. Jock McDonald, one her instructors at OCA, became one of her mentors. She graduated from OCA with the Medal for Proficiency in Drawing and Painting.[ citation needed ]
After graduation, Sarafinchan was asked by Harley Parker, another painting instructor at OCA, to join him and Marshall McLuhan in their redesign and new approach to exhibitions at the Royal Ontario Museum (ROM) in Toronto. Sarafinchan’s main responsibility was to work with the trades in executing the ideas generated by the three of them in fulfilling their mandate to bring a more exciting, new, contemporary draw to the museum. Some of their exhibitions included a fashion show, masks and posters from around the world. And she continued to paint. In 1966, she was asked if she would like to hang a few of her works in the Alpha Gamma Delta sorority house (where she had become a member and had lived while at Art College). A three-day show was mounted, drawing a crowd of people and leading to the offer of a one-woman show at Toronto’s Pennell Gallery and an invitation to hang one of her paintings in Habitat at Expo ‘67 in Montreal (in the end, three were chosen). [2]
Solo exhibitions followed including at Adam and Yves Gallery, two at the Dunkleman Gallery, (Stong College, York University), of which she became a teaching fellow, one in Edmonton, near her home town of Vegreville (1974, and a special thrill for her) and two solo exhibitions at Toronto’s prestigious Roberts Gallery. [3] Sarafinchan also loved to teach and, under the auspices of the Art Gallery of Ontario and the Ontario Arts Council, was sought after to give workshops by schools, art associations and galleries in Ontario as well as in Quebec and Alberta. Sarafinchan married and subsequently raised two sons on her own. She continued painting until she developed an allergic reaction to the media and had to put it all aside. She had by then entered the film business... first in continuity and eventually as a production designer (picking up a Genie along the way, for "Dancing in the Dark"). [4] Eventually she became a sought after location manager and scout. Her works are owned and appreciated in Canada, the US, England, Australia and Ukraine, in both private and corporate collections. [5]
In 1987 Sarafinchan won a Genie Award for 'Dancing in the Dark' production design and art direction. [6]
Vegreville is a town in central Alberta, Canada. It is on Highway 16A approximately 103 km (64 mi) east of Edmonton, Alberta's capital city. It was incorporated as a town in 1906, and that year also saw the founding of the Vegreville Observer, a weekly newspaper for the region.
Laura Muntz Lyall was a Canadian Impressionist painter, known for her sympathetic portrayal of women and children.
Joyce Wieland was a Canadian experimental filmmaker and mixed media artist. Wieland found success as a painter when she began her career in Toronto in the 1950s. In 1962, Wieland moved to New York City and expanded her career as an artist by including new materials and mixed media work. During that time, she also rose to prominence as an experimental filmmaker and soon, institutions such as the Museum of Modern Art in New York were showing her films. In 1971, Wieland's True Patriot Love exhibition was the first solo exhibition by a living Canadian female artist at the National Gallery of Canada. In 1982, Wieland received the honour of an Officer of the Order of Canada and in 1987, she was awarded the Toronto Arts Foundation's Visual Arts Award. She was also a member of the Royal Canadian Academy of Arts.
Pegi Nicol MacLeod,, was a Canadian painter whose modernist self-portraits, figure studies, paintings of children, still lifes and landscapes are characterized by a fluidity of form and vibrant colour. Born Margaret Kathleen Nichol, she was a teacher, war artist and arts activist. In 1936 she became a member of the Canadian Society of Painters in Water Colour and one year later she joined the Canadian Group of Painters.
Alexan Simeon Janvier was a First Nations painter in Canada. A member of the Indian Group of Seven, he helped pioneer contemporary Aboriginal art in Canada.
Carol Lorraine Sutton is a multidisciplinary artist born in Norfolk, Virginia, USA and now living in Toronto, Ontario, Canada. She is a painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of Clement Greenberg and is noted for the use of color. Some of Sutton paintings have been related to ontology.
Susan Andrina Ross CM, was a Canadian painter, printmaker, and illustrator from Port Arthur, Ontario who is best known for her portraits of Native and Inuit peoples as well as Arctic landscapes. Her work is valuable both for its artistry and for its historical significance since she captured many images of a passing way of life. In 2002 she was awarded the Order of Canada in the Visual Arts.
Barbara McGivern, also known as The Gold Lady, was a Canadian artist from Toronto, Ontario. One of her best known series is The Extraordinary Journey. The series was inspired by her trips through the deserts of Oman and Saudi Arabia, when she began incorporating the use of gold leaf into her work. Her style is most notable for presenting gold as a colour rather than as a precious metal. Her paintings are in private and corporate collections in Canada, Europe and the Middle East.
Jane Ash Poitras is a Cree painter and printmaker from Canada. Her work uses the idioms of mainstream art to express the experience of Aboriginal people in Canada.
Monica Tap is a Canadian painter, artist and educator. She lives in Toronto, Ontario, and teaches at the University of Guelph. She is known for engaging and challenging conventions concerning landscape and still-life painting.
Sylvia Hahn was a Canadian artist and head of the art department which is at the Royal Ontario Museum.
Mary Annora Brown L.L. D. (1899–1987), known as Annora Brown, was a Canadian visual artist whose work encompassed painting and graphic design. She was best known for her depictions of natural landscapes, wildflowers, and First Nations communities in Canada. Much of her work thematically explored Albertan identity, though she remained relatively obscure in discussions of Canadian art.
Nancy Tousley is a senior art critic, journalist, art writer and independent curator whose practice has included writing for a major daily newspaper, art magazines, and exhibition catalogues.
Brenda Draney is a contemporary Cree artist based in Edmonton, Alberta.
Mary Evelyn Wrinch who signed her name M. E. Wrinch (1877–1969), was a Canadian artist who created miniature paintings, oil paintings, and block prints, sometimes inspired by the Northern Ontario landscape. She pioneered the 'Canadian style', painting landscapes with bold colours of the Algoma, Muskoka and Lake Superior regions, in situ. In her miniature paintings on ivory, she depicted her sitters with freshness and vitality. Her colour block prints are virtuoso examples of the medium.
Barbara Roe Hicklin was a Canadian painter who, in 1975, became the first woman president of the Alberta Society of Artists.
Linda Craddock is a Canadian visual artist living in Calgary, Alberta. Her work has been featured in exhibitions since 1973.
Julie Voyce is a Canadian multimedia artist, known for her imaginative imagery, and for printmaking.
Joan Willsher-Martel was a painter of abstract and pointillist landscapes, in watercolour, drawings and oils.
Laura Evans Reid (1883–1951) was a Canadian painter