Lilliburlero Variations for Two Pianos

Last updated

Three Fantastic Variations on Lilliburlero for Two Pianos is a composition by the British composer Madeleine Dring, published in 1948. [1] Maurice Hinson describes it as being an octatonic work comprising three mildly contemporary, moderately difficult conventional variations in common time that rely too heavily on triplets. [2] The composition takes as its theme Lilliburlero, a dance tune sometimes attributed to Henry Purcell, who published it in his Musick's Handmaid (1689). [1]

David Nettle and Richard Markham have recorded the variations for Netmark (catalogue number NEMACD200, released 11 November 2003). [3]

Related Research Articles

<span class="mw-page-title-main">Paul Dukas</span> French composer (1865–1935)

Paul Abraham Dukas was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice, the fame of which has eclipsed that of his other surviving works, largely due to its usage in the 1940 Disney film Fantasia. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau, and a ballet, La Péri.

"Lillibullero" is a march attributed to Henry Purcell that became popular in England at the time of the Glorious Revolution of 1688.

In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.

The Variations on a Theme by Joseph Haydn, now also called the Saint Anthony Variations, is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B major based on a "Chorale St Antoni", eight variations, and a finale. The work was published in two versions: for two pianos, written first but designated Op. 56b; and for orchestra, designated Op. 56a. The orchestral version is better known and much more often heard than the two-piano version.

<span class="mw-page-title-main">Sergei Taneyev</span> Russian composer and pianist (1856–1915)

Sergey Ivanovich Taneyev was a Russian composer, pianist, teacher of composition, music theorist and author.

Madeleine Winefride Isabelle Dring was an English composer, pianist, singer and actress.

G major is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor.

<span class="mw-page-title-main">Louise Farrenc</span> French composer and pianist (1804–1875)

Louise Farrenc was a French composer, virtuoso pianist and teacher of the Romantic period. Her compositions include three symphonies, a few choral works, numerous chamber pieces and a wide variety of piano music.

Bernhard Heiden was a Jewish emigre from Nazi Germany and a German-American composer who taught as a professor at the Indiana University School of Music from 1946 until his retirement in 1981.

Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old. This piece consists of twelve variations on the French folk song "Ah! vous dirai-je, maman". The French melody first appeared in 1761, and has been used for many children's songs, such as "Twinkle, Twinkle, Little Star", "Baa, Baa, Black Sheep", and the "Alphabet Song".

James Cohn was a Newark, New Jersey-born American composer. After taking violin and piano lessons in his native town, he studied composition with Roy Harris, Wayne Barlow and Bernard Wagenaar, and majored in composition at Juilliard, graduating in 1950.

<span class="mw-page-title-main">Miscellaneous solo piano compositions (Rachmaninoff)</span> Group of piano pieces by Sergei Rachmaninoff

The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre. Sixteen of these pieces are extant; all others are lost. Ten of these pieces were composed before he completed his Piano Concerto No. 1, his first opus, and the rest interspersed throughout his later life. In these casual works, he draws upon the influence of other composers, including Frédéric Chopin and Pyotr Tchaikovsky. The more substantial works, the Three Nocturnes and Four Pieces, are sets of well-thought out pieces that are his first attempts at cohesive structure among multiple pieces. Oriental Sketch and Prelude in D minor, two pieces he composed very late in his life, are short works that exemplify his style as a mature composer. Whether completed as a child or adult, these pieces cover a wide spectrum of forms while maintaining his characteristic Russian style.

<span class="mw-page-title-main">Piano four hands</span> Duet using one piano

Piano four hands is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a piano duo.

<i>Russian Rhapsody</i> (Rachmaninoff)

Russian Rhapsody is a piece for two pianos in E minor composed by Sergei Rachmaninoff in 1891, when he was 18 years old. It is more accurately described as a set of variations on a theme, rather than a true rhapsody. It was premièred on October 29, 1891, and its performance lasts approximately nine minutes.

<span class="mw-page-title-main">Graham Waterhouse</span> English composer (born 1962)

Graham Waterhouse is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, Three Pieces for Solo Cello and Variations for Cello Solo for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet Rhapsodie Macabre. He has set poetry for speaking voice and cello, such as Der Handschuh, and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon.

Richard Markham is an English classical pianist. Whilst still a student he was a prizewinner at the Geneva International Music Competition, and he made his London debut in 1974 appearing as soloist with the English Chamber Orchestra under Raymond Leppard at the Queen Elizabeth Hall.

Sonata for Two Pianos is a composition by Russian composer Igor Stravinsky, premiered in 1944 by Richard Johnston and Nadia Boulanger. First conceived as a solo work, Stravinsky needed to write it for four hands to voice all four melodic lines clearly. It is considered one of Stravinsky's most important compositions for two solo pianos, together with Concerto for Two Pianos.

Eight Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83, also known as Improvisations on Hungarian Peasant Songs or simply as Improvisations, is a composition for solo piano by Hungarian composer Béla Bartók. It was finished in 1920.

The Piano Trio, WoO 38, in E-flat major is a composition for piano trio by Ludwig van Beethoven, that was discovered amongst Beethoven's papers following his death. It is believed to have been composed in either 1790 or 1791. More conventional in nature than the Piano Trios Op.1, the composition was not published until 1830 by F. P. Dunst in Frankfurt, along with the Allegretto for Piano Trio in B-flat major, WoO 39, and Piano Sonata in C major, WoO 51.

References

  1. 1 2 Sir Richard Rodney Bennett, "Lilliburlero Variations", Novello, 2008
  2. Music for More than One Piano: An Annotated Guide (Bloomington, Indiana: Indiana University Press, 1983, 2001) ISBN   0-253-21457-2
  3. Presto Classical, accessed 8 July 2014.