Three Fantastic Variations on Lilliburlero for Two Pianos is a composition by the British composer Madeleine Dring, published in 1948. [1] Maurice Hinson describes it as being an octatonic work comprising three mildly contemporary, moderately difficult conventional variations in common time that rely too heavily on triplets. [2] The composition takes as its theme Lilliburlero, a dance tune sometimes attributed to Henry Purcell, who published it in his Musick's Handmaid (1689). [1]
Madeleine Winefride Isabelle Dring was an English composer and actress.
An octatonic scale is any eight-note musical scale. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. In classical theory, this scale is commonly simply called the octatonic scale although there are a total of 42 non-enharmonically equivalent, non-transpositionally equivalent eight-note sets.
In music, a tuplet is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature ". This is indicated by a number, indicating the fraction involved. The notes involved are also often grouped with a bracket or a slur.
David Nettle and Richard Markham have recorded the variations for Netmark (catalogue number NEMACD200, released 11 November 2003). [3]
Richard Markham is an English pianist. He was born in Grimsby, England, where he studied with Shirley Kemp and attended Wintringham Grammar School. By the age of 16 he had been awarded the LRAM and ARCM Performing Diplomas, become a member of the National Youth Orchestra of Great Britain, and won a scholarship to study with Max Pirani at the Royal Academy of Music in London. Whilst still a student he was a prizewinner at the Geneva International Competition, and he made his London debut in 1974 appearing as soloist with the English Chamber Orchestra under Raymond Leppard at the Queen Elizabeth Hall.
Johannes Brahms was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Milton Byron Babbitt was an American composer, music theorist, and teacher. He is particularly noted for his serial and electronic music.
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
Ernő Dohnányi was a Hungarian composer, pianist and conductor. He used a German form of his name, Ernst von Dohnányi, on most of his published compositions. The "von" implies nobility, and, according to the biography by his third wife, his family was ennobled in 1697 and given a family crest, which she describes in some detail.
Richard Wernick in Boston, Massachusetts is an American composer. He is best known for his chamber and vocal works. His composition Visions of Terror and Wonder won the 1977 Pulitzer Prize for Music.
Louise Farrenc was a French composer, virtuoso pianist and teacher. Born Jeanne-Louise Dumont in Paris, she was the daughter of Jacques-Edme Dumont, a successful sculptor, and sister to Auguste Dumont.
Bernhard Heiden was a German and American composer and music teacher, who studied under and was heavily influenced by Paul Hindemith. Bernhard Heiden, the son of Ernst Levi and Martha (Heiden-Heimer) was originally named Bernhard Levi, but he later changed his name.
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old. This piece consists of twelve variations on the French folk song "Ah! vous dirai-je, maman". The French melody first appeared in 1761, and has been used for many children's songs, such as "Twinkle, Twinkle, Little Star", "Baa, Baa, Black Sheep" and the "Alphabet Song".
James Cohn is an American composer born February 12, 1928 in Newark, New Jersey. After taking violin and piano lessons in his native town, he studied composition with Roy Harris, Wayne Barlow and Bernard Wagenaar, and majored in Composition at Juilliard, graduating in 1950.
The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre. He composed sixteen such pieces, and all others are lost. Ten of these pieces were composed before he completed his Piano Concerto No. 1, his first opus, and the rest interspersed throughout his later life. In these casual works, he draws upon the influence of other composers, including Frédéric Chopin and Pyotr Tchaikovsky. The more substantial works, the Three Nocturnes and Four Pieces, are sets of well-thought out pieces that are his first attempts at cohesive structure among multiple pieces. Oriental Sketch and Prelude in D minor, two pieces he composed very late in his life, are short works that exemplify his style as a mature composer. Whether completed as a child or adult, these pieces cover a wide spectrum of forms while maintaining his characteristic Russian style.
Piano four hands is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a piano duo.
Russian Rhapsody is a piece for two pianos in E minor composed by Sergei Rachmaninoff in 1891, when he was 18 years old. It is more accurately described as a set of variations on a theme, rather than a true rhapsody. It was premièred on October 29, 1891, and its performance lasts approximately nine minutes.
Variations sérieuses, Op. 54, is a composition for solo piano by Felix Mendelssohn consisting of a theme in D minor and 17 variations. It was completed on 4 June 1841. A performance lasts about eleven minutes.
Sonata for Two Pianos is a composition by Russian composer Igor Stravinsky, premiered in 1944 by Richard Johnston and Nadia Boulanger. First conceived as a solo work, Stravinsky needed to write it for four hands to voice all four melodic lines clearly. It is considered one of Stravinsky's most important compositions for two solo pianos, together with Concerto for Two Pianos.
Eight Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83, also known as Improvisations on Hungarian Peasant Songs or simply as Improvisations, is a composition for solo piano by Hungarian composer Béla Bartók. It was finished in 1920.
Young Girls at the Piano is an oil-on-canvas painting by French artist Pierre-Auguste Renoir, a leading painter in the development of the Impressionist style. The painting was completed in 1892 as an informal commission for the Musée du Luxembourg. Renoir painted three other variations of this composition in oil and two sketches, one in oil and one in pastel. Known by the artist as repetitions, they were executed to fulfill commissions from dealers and collectors. The work is on public display at the Musée d'Orsay in Paris, Metropolitan Museum of Art in New York, and the Musée de l'Orangerie in Paris.
The Piano Trio in E-flat major, WoO. 38 is a composition for piano trio by Ludwig van Beethoven, that was discovered amongst Beethoven's papers following his death. It is believed to have been composed in either 1790 or 1791. More conventional in nature than the Piano Trios Op.1, the composition was not published until 1830 by F. P. Dunst in Frankfurt, along with the Allegretto for Piano Trio in B-flat major, WoO. 39 and Piano Sonata in C major, WoO. 51.
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