Linda Dement

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Linda Dement (born 1960 in Brisbane) is an Australian multidisciplinary artist, working in the fields of digital arts, photography, film, and writing non-fiction. [1] Dement is largely known for her exploration of the creative possibilities of emergent technologies such as the CD-ROM, 3-D modelling, interactive software, and early computing. [2] [3]

Contents

About

She began exhibiting in 1984. [4] She graduated with a Bachelor of Arts (Fine Arts) from City Art Institute, Sydney in 1988. [5]

Dement's work has been exhibited in Australia and internationally in galleries and festivals, including at the Institute of Contemporary Art in London, Ars Electronica in Austria, the International Symposia of Electronic Art in Sydney and Montreal and the Impakt Media Arts Festival in Europe. [6]

Along with Australian artist collective VNS Matrix, Dement's work pioneered Australian cyberfeminism in art. Cyberfeminist politics and poetics used technology to deconstruct gender stereotypes in mainstream culture, and proactively situated women in relation to the rise of electronic culture in the early 1990s. [7] Through her work, Dement aims to "give form to the unbearable." [8] Dement's work has been described as depersonalised autobiography, [9] that is, an appropriation of the digital as a space of expression, or a "rupture" in the info-tech dominated sphere of computer culture. [10] Her work explores the relationship between the physical body and the body politic, exaggerating female "other-ness" or the "monstrous-feminine." [11]


Censorship

Some of Dement's early works have come under censorship by the Australian Government. Typhoid Mary was taken to the NSW Parliament as being "obscene" and subsequently came under the classification of the Australian Government's Office of Film and Literature as "not suitable for those under the age of 18." In My Gash also received a formal "Restricted" classification. [12]

Works

Works
YearTitleMediaNotes
2013Awry SignalsPerformance art, augmented reality, and mixed media for the creation of the electronic devicea collaboration with Nancy Mauro-Flude to create a séance device and performance
201350BPMa collaboration with Kelly Doley
2013Kill Fix
2012Moving ForestNicknamed "Castle 2012"
2011Killing the Host
2010BloodbathBump Projects; a collaboration with Francesca da Rimini, Kate Richards, Nancy Mauro-Flude, Sarah Waterson and Sydney Roller Derby League.
2009The Ends of the Eartha collaboration with Jane Castle [13]
2009On Tracka collaboration with group In Serial; Linda Dement, Petra Gemeinboeck, PRINZGAU/podgorschek and Marion Tränkle, formed through the eMobilArt workshop programme 2008 - 2009
2008Moving Forest Londona collaboration with Shu Lea Cheang and Martin Howse for the Transmediale Festival in Berlin, Germany.
2007I Know You Think It's Too Late
2007–1997Eurydicea collaboration with Kathy Acker
1999In My GashCD-ROM
1995Cyberflesh GirlmonsterCD-ROMTo make this work, Dement set up a stall as part of Artist Week at Adelaide Festival in 1994. She then digitally scanned 30 women's body parts of their choice. These scanned body parts were then digitally manipulated and reworked as "mutant" bodies to make up the work. Many of the "flesh donors" were prominent Australian cyberfeminist artists present at the Festival. [11]
1991Typhoid MaryCD-ROM [14]
1991–1981Various photographic works

Writing

Awards and Prizes

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References

  1. ↑ Daniel Palmer, "Digital Art: A Rich Ecology Archived 2014-02-12 at the Wayback Machine "
  2. ↑ Zurbrugg, Nicholas, ed. (1994). ' Linda Dement Interviewed by Glenda Nalder', Electronic Arts in Australia. Vol. 8. Murdoch, W.A: Continuum: The Australian Journal of Media & Culture. p. 166.
  3. ↑ Abrams, Loney (4 January 2019). "The Other Art History: The Forgotten Cyberfeminists of '90s Net Art". Artspace. Retrieved 9 January 2019.
  4. 1 2 'Linda Dement' by Vickie Crowley in Gerstner, David A., ed. Routledge international encyclopedia of queer culture. Routledge, 2006.
  5. ↑ Frost, Andrew. "Linda Dement Biography". Scanlines-Media Art in Australia Since 1960. Retrieved 8 March 2015.
  6. ↑ Munster, Anna. Materializing new media: embodiment in information aesthetics. UPNE, 2011.
  7. ↑ Tofts, Darren (2005). Interzone: Media Arts in Australia. Victoria: Craftsman House. p. 118. ISBN   097573038X.
  8. ↑ Dement, Linda. "Linda Dement artist statement". www.videoartchive.org.au/. Monash University. Retrieved 26 October 2014.
  9. ↑ Mikki Halpin, Holly Willis (1996). "When the personal becomes digital: Linda dement and Barbara Hammer move towards a Lesbian Cyberspace". Women & Performance: A Journal of Feminist Theory. 9:1 (17): 235.
  10. ↑ Tofts, Darren (2005). Interzone : media arts in Australia. Fishermans Bend, Vic.: Craftsman House. p. 118. ISBN   097573038X.
  11. 1 2 Tofts, Darren (2005). Interzone : media arts in Australia. Fishermans Bend, Vic.: Craftsman House. p. 120. ISBN   097573038X.
  12. ↑ Tofts, Darren (2005). Interzone : media arts in Australia. Fishermans Bend, Vic.: Craftsman House. p. 121. ISBN   097573038X.
  13. ↑ Barrett, Di (2009). The ends of the earth : 13 October - 28 November 2009 (2 of 2 ed.). Adelaide: SASA Gallery. p. 6. ISBN   9780980591194 . Retrieved 26 October 2014.
  14. ↑ "Typhoid Mary, Linda Dement". Australian Video Art Archive (AVAA). Monash University. Retrieved 9 January 2019.
  15. ↑ Watson-Verran, Helen; Dement, Linda; Australian Network for Art and Technology (1 January 1994). Artists thinking about science. Adelaide, S.A.: Australian Network for Art and Technology. ISBN   0646204416. OCLC   221760074.
  16. ↑ Hirst, Jasmine; Dement, Linda; Richardson, Elvis; Munster, Anna; Artspace (Woolloomooloo, N.S.W.) (1 January 1995). I really want to kill you but I can't remember why: Linda Dement, Jasmine Hirst, Elvis Richardson. Woolloomooloo, NSW: Artspace Australia. ISBN   1876017007. OCLC   38407551.
  17. ↑ Blazey, Peter; Dawson, Victoria; Herbert, Tim (1 January 1995). Love cries. Sydney, N.S.W.: Angus & Robertson. ISBN   020718626X. OCLC   34149425.
  18. ↑ Stevens, Leonie (1 January 1998). Warp drive: Australian drug stories. Milsons Point, N.S.W.: Random House Australia. ISBN   0091835461. OCLC   40872293.
  19. ↑ Murray, Kevin; Dement, Linda; Clarke, Julie; Tofts, Darren; Bell, Anonda; Bendigo Art Gallery (1 January 1999). Byte me: art + culture + technology ; Linda Dement ... [et al. Bendigo, Vic.: Bendigo Art Gallery. OCLC   44894526.
  20. ↑ Frost, Andrew. "Linda Dement bio". Scanlines.
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