Linda Frye Burnham | |
---|---|
Born | 1940 Bartlesville, Oklahoma |
Occupation | founding editor High Performance Magazine; The Drama Review; writer Artforum magazine; co-founding editor of Community Arts Network; arts organizer and co-founder of 18th Street Arts Center, Highways Performance Space, Art in the Public Interest |
Spouse | Steven Durland |
Children | Jill Burnham, Anthony Burnham, Andrew Burnham |
Parent(s) | Eldon and Margaret Frye |
Linda Frye Burnham (born 1940) is an American writer whose work and research focuses on performance art, community art, education and activism. In 1978 she was the founding editor of High Performance Magazine and later served as co-editor with Steven Durland until 1997. She has served as a staff writer for Artforum magazine, contributor to The Drama Review, among other publications. As an arts organizer Burnham co-founded in Santa Monica, California, the 18th Street Arts Center (1988 with Susanna Dakin), and Highways Performance Space (1989 with Tim Miller). [1] In 1995 she cofounded Art in the Public Interest with Steven Durland in North Carolina, as well as cofounding the Community Arts Network in 1999 with Steven Durland, Robert Leonard and Ann Kilkelly. [2] [3] Burnham received a Bachelor of Arts in Humanities from the University of Southern California, and a Masters of Fine Arts in creative writing from the University of California, Irvine.
Burnham’s writing has been published in numerous journals and art magazines in both the United States and the UK. [4] She wrote (with Durland) The Citizen Artist: 20 Years of Art in the Public Arena, Critical Press, Incorporated (1st edition 1998). Among the books she has edited are: Making Exact Change: How U.S. arts-based programs have made a significant and sustained impact on their communities, (2005); Performing Communities Grassroots Ensemble Theaters, New Village Press (2006); Bridge Conversations: People Who Live and Work in Multiple Worlds, Arts & Democracy Press (2011). [5] [6] [7]
In 1999 Burnham was awarded a lifetime achievement award from the Women’s Caucus for Art. In 2013, she and Steven Durland received the ATHE Award for Leadership in Community-based Theater and Civic Engagement. [8] [9]
Robert C. Morgan is an American art critic, art historian, curator, poet, and artist.
High Performance was a quarterly arts magazine based out of Los Angeles founded in 1978 and published until 1997. Its editorial mission was to provide support and a critical context for new, innovative and unrecognized work in the arts.
Cheri Gaulke is a visual artist most known for her role in the Feminist Art Movement in southern California in the 1970s and her work on gay and lesbian families.
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The Painted Bride Art Center, sometimes referred to informally as The Bride, is a non-profit artist-centered performance space and gallery particularly oriented to presenting the work of local Philadelphia artists, which presents dance, jazz, world, folk and electronic music, visual arts, theatre and performance art, poetry and spoken word performances. It is located at 5212 Market Street in the West Philadelphia neighborhood of Philadelphia, Pennsylvania,
The Women's Caucus for Art (WCA), founded in 1972, is a non-profit organization based in New York City, which supports women artists, art historians, students, educators, and museum professionals. The WCA holds exhibitions and conferences to promote women artists and their works and recognizes the talents of artists through their annual Lifetime Achievement Award. Since 1975 it has been a United Nations-affiliated non-governmental organization (NGO), which has broadened its influence beyond the United States. Within the WCA are several special interest causes including the Women of Color caucus, Eco-Art Caucus, Jewish Women Artist Network, International Caucus and the Young Women's Caucus. The founding of the WCA is seen as a "great stride" in the feminist art movement.
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Degenerate Art Ensemble is a Seattle-based multi-art performance company whose work is inspired by punk, comics, cinema, nightmares and fairy tales driven by live music and visceral movement theater and dance. The group was founded and is co-directed by dancer/performer/director Haruko Nishimura and composer/conductor/performer Joshua Kohl. Degenerate Art Ensemble is both a multi-discipline performance company and a band, having performed major dance and live music works, orchestral concerts, rock shows and site-specific street spectacles.
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Moira Roth was a feminist art historian and art critic who was Trefethen Professor of Art History at Mills College in Oakland, California from 1985 to 2017. She taught at the University of California, San Diego from 1974 to 1985. She was educated at the London School of Economics in England, and received a B.A. in sociology and an M.A. from New York University and a PhD from the University of California, Berkeley in 1974. She wrote extensively on contemporary art, editing The Amazing Decade: Women and Performance Art in America 1970-1980, A Source Book, published by Astro Artz (1983). Her collection of essays, Difference/Indifference: Musings on Postmodernism, Marcel Duchamp and John Cage, was published, with a commentary by Jonathan D. Katz, by Psychology Press (1998), exploring the construction of masculinity and conflicting identities. She received a Lifetime Achievement Award from the Women's Caucus for Art in 1997, and the National Recognition in the Arts Award from the College Art Association in 2006. She appears in Lynn Hershman Leeson's 2010 documentary film !Women Art Revolution.
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Shannon Jackson is the Cyrus and Michelle Hadidi Professor of Rhetoric and of Theater, Dance and Performance Studies at the University of California, Berkeley, and former Associate Vice Chancellor of Art and Design. She also serves as Program Director of the Kramlich Collection and Kramlich Art Foundation.
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Astro Artz was an American publishing company founded by Susanna Dakin in the early 1980s.
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