Liquid Sex Decay | |
---|---|
Origin | Charlotte, North Carolina, US |
Genres | Electro-industrial |
Years active | 1997–1998 |
Labels | MJ-12 |
Associated acts | Apparatus |
Past members | Scott Morgan David York |
Liquid Sex Decay was an electro-industrial band based in Charlotte, North Carolina. The duo was created by keyboardist David York (as D. York) and guitarist Scott Morgan (as Sid), who were formerly in the band Apparatus. They debuted with their only full-length studio album Liquid Sex Decay in 1997 before disbanding. [1] [2]
Liquid Sex Decay was formed by musicians Scott Morgan and David York from the band Apparatus, which dissolved in 1995. [3] [4] The band issued their self-titled debut album in 1997 on MJ-12 Records and critics considered the album a direct follow-up to 1995's Apparatus . [5] The duo wanted to continue experimenting fusing ambient, techno, industrial and electronic music while moving away from a guitar dominated sound. [6] [7] [8] Later that year the band released a cover of Angelo Badalamenti's score to Twin Peaks on the various artists album TV Terror: Felching a Dead Horse by Re-Constriction Records. [9] [10]
Studio albums
Re-Constriction Records was a division of Cargo Music based in California. The label was founded in 1991 and headed by Chase, who was previously the Music Director at KCR, a student radio station on the campus of San Diego State University. They specialized in releasing bands belonging to the industrial, grindcore, electroclash, aggrotech and EBM genres.
Numb is a Canadian electro-industrial band that is based in Vancouver, British Columbia, Canada.
Diatribe was an industrial rock group from San Jose, California which was active in the 1990s. They had a sound similar to 16 Volt and Chemlab, integrating synthesizers and vocal samples with more traditional rock instruments. The band's full-length debut Diatribe was released by Cargo Music and Re-Constriction Records on November 3, 1996.
LetDownCrush is the third studio album by 16volt, released on August 7, 1996 by Cargo and Re-Constriction Records.
Christ Analogue is an industrial rock group started in 1995 by frontman and producer Wade Alin. They were known for their confident and remarkable live shows.
Killing Floor were an American electro-industrial group based in San Francisco, California, United States. The original incarnation consisted of keyboardists John Belew and Christian Void before guitarist Marc Phillips, percussionist James Basore and bassist Karl Tellefsen were added to the line-up. They released two albums on Re-Constriction Records: Killing Floor in 1995 and Divide by Zero in 1997. The band ceased activities shortly after the release of their 1998 EP Come Together.
Killing Floor is the eponymously titled debut studio album of Killing Floor, released on March 14, 1995 by Re-Constriction Records.
Divide by Zero is the second studio album by Killing Floor, released on September 23, 1997 by Re-Constriction Records.
Apparatus was an electro-industrial band based in Charlotte, North Carolina. The trio comprised vocalist Blake Barnes, guitarist Scott Morgan and keyboardist David York. They released a sole full-length self-titled album in 1995 before disbanding.
Apparatus is the eponymously titled and only album by Apparatus, released on August 1, 1995 by Re-Constriction Records. Promotional music videos were filmed for the songs "Come Alive" and "Hell's Home". After the album's publication the trio disbanded, with keyboardist David York and guitarist Scott Morgan forming the band Liquid Sex Decay later.
TV Terror: Felching a Dead Horse is a various artists compilation album released on September 23, 1997 by Re-Constriction Records. The idea came to fruition when Permission founder Jayson Elliot discovered Monochrome - A Tribute to the Sisters of Mercy via a car ride through Chicago in June 1994 and compiled the music on the second disc. Its release was the cause of the first utterance of the word "felch" on national television when Kurt Loder reported its release on MTV News.
Iron Lung Corp were an American electro-industrial group based in Chicago and originally formed by Jamie Duffy, Alex Eller, Gregory A. Lopez, Brian McGarvey, Daniel Neet, Will Nivens, Ethan Novak and Jason Novak. They released three full length albums: Big Shiny Spears (1997), Ditch the Attitude, Pally (2002), Body Snatchers (2013).
In Radiant Decay is the second studio album by Christ Analogue, released on April 8, 1997, by Cargo Music and Re-Constriction Records. Compared to the band's punk-styled live performances, the album displays more of the band's talent for combining industrial, techno and indie rock into an electronic music format.
Loaded is the second studio album by Unit:187, released on August 26, 1997 by 21st Circuitry. Writing for the album was completed in December 1996 but the material wasn't recorded until February of the following year. In October 1997CMJ New Music Monthly listed the album at number one on their "Dance Top 25" chart.
LUXT were an American electro-industrial group formed in Sacramento, California, United States by multi-instrumentalists Anna Christine and Erie Loch, with Loch composing the lyrics.
Engine is the third studio album by Die Warzau, released on February 28, 1995 by TVT and Wax Trax! Records. It was the band's first album in over two years and upon release was considered a masterpiece of industrial music.
Alien Faktor were an American electro-industrial group based in Milwaukee, Wisconsin, United States. Created as a solo musical project by multi-instrumentalist Tom Muschitz, Alien Faktor was influenced by EDM, soundtrack and industrial music. The band released four studio albums for Decibel: Abduction (1994), Desolate (1995), Listen! (1996) and Arterial Spray & Cattle Mutilations (1997).
Liquid Sex Decay is the eponymously titled and only studio album by Liquid Sex Decay, released in December 1997 by MJ-12 Records.
Ultracide is a song by Diatribe, released as a single in 1996 by Re-Constriction Records.
Details Sketchy is an EP by Dessau, released on September 19, 1995 by Fifth Colvmn Records. The album was Fifth Colvmn' fastest seller despite composer John Elliott being underwhelmed by the finished recordings.