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Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Bernard Howell Leach was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
In pottery, a potter's wheel is a machine used in the shaping of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, and for applying incised decoration or rings of colour. Use of the potter's wheel became widespread throughout the Old World but was unknown in the Pre-Columbian New World, where pottery was handmade by methods that included coiling and beating.
A saggar is a type of kiln furniture. It is a ceramic boxlike container used in the firing of pottery to enclose or protect ware being fired inside a kiln. The name may be a contraction of the word safeguard.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Michael Ambrose Cardew (1901–1983), was an English studio potter who worked in West Africa for twenty years.
Dora May Billington (1890–1968) was an English teacher of pottery, a writer and a studio potter. Her own work explored the possibilities of painting on pottery.
Gwyn Hanssen Pigott OAM (1935–2013) was an Australian ceramic artist. She was recognized as one of Australia’s most significant contemporary artists. By the time she died she was regarded as "one of the world's greatest contemporary potters". She worked in Australia, England, Europe, the US, New Zealand, Japan and Korea. In a career spanning nearly 60 years, influences from her apprenticeships to English potters were still apparent in her later work. But in the 1980s she turned away from production pottery to making porcelain still-life groups largely influenced by the Italian painter Giorgio Morandi.
Svend Bayer is a Danish-British studio potter described by Michael Cardew as "easily my best pupil."
Julia Galloway is a Montana-based studio potter and professor of ceramics at the University of Montana-Missoula.
Jack Doherty is a Northern Irish studio potter and author. He is perhaps best known for his vessels made of soda-fired porcelain. He has been featured in a number of books, and his work has been exhibited widely in both Europe and North America. Articles of his have appeared in various pottery journals and he has been Chair of the Craft Potters Association.
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware.
William Greatbatch was a noted potter at Fenton, Staffordshire, from the mid-eighteenth to the beginning of the nineteenth centuries. Fenton was one of the six towns of the Staffordshire Potteries, which were joined in the early 20th century to become the city of Stoke-on-Trent in Staffordshire, England.
Denise Wren was an Australian-born British studio potter and craftsperson. Wren was one of the first female studio potters in Britain. She studied and taught with the Kingston School of Art, Knox Guild and Camberwell College of Arts. Wren and her family subsequently set up the Oxshott Pottery and wrote on the subjects of ceramics, textiles and making.
Lisa Kay Orr is an American potter and a teacher of ceramics. Orr has work in both public and private collections, and shows her work nationally as well as internationally. Orr's work can be seen in the Fine Arts Museum of San Francisco and in Korea in the collection of the WOCEF.
Jennifer Elizabeth Lee is a Scottish ceramic artist with an international reputation. Lee's distinctive pots are hand built using traditional pinch and coil methods. She has developed a method of colouring the pots by mixing metallic oxides into the clay before making. Her work is held in over forty museums and public collections worldwide, including the Metropolitan Museum of Art in New York, the Philadelphia Museum of Art, the Los Angeles County Museum and the Victoria and Albert Museum. In 2018 Lee won the Loewe Craft Prize, an award initiated by Jonathan Anderson in 2017. The prize was presented to her at an awards ceremony at The Design Museum in London.
John Reeve was a Canadian studio potter.
References
- ↑ Emmanuel Cooper (ed.), Ceramic Art London, London: Ceramic Review Publishing, 2009
- ↑ Craft Potters Association: www.craftpottersassoc.co.uk/cpa-members-listing/, accessdate: June 13, 2016
- ↑ Steve Woodhead, The Teapot Book, London: A&C Black, 2005
- ↑ St Ives Ceramics
- ↑ Lisa Hammond Pottery
- ↑ Kigbeare Studios and Gallery Archived 2012-03-21 at the Wayback Machine
- ↑ "apprenticeships". LISA HAMMOND. Retrieved 14 February 2020.
- ↑ David Whiting, Unconscious Revelation: The pots of Lisa Hammond, Goldmark, 2009
- ↑ Phil Rogers, "Lisa Hammond: Intuited Grace", Ceramic Arts Daily, 1 September 2009
- ↑ Ceramike - British Studio Ceramics
- ↑ "Clay College Stoke". Crowdfunder UK. Retrieved 14 February 2020.
- ↑ Corrigan, Phil (28 November 2017). "Prince gives royal seal of approval to latest pottery development". stokesentinel. Retrieved 14 February 2020.
- ↑ Earth & Fire Ceramic Fair at Rufford Abbey: Earth & Fire Ceramic Fair at Rufford Abbey, accessdate: June 13, 2016
