Lisandro Abadie

Last updated

Lisandro Abadie (born 28 July 1974) is an Argentine bass-baritone. He studied in Switzerland, initially in Basel at the Schola Cantorum (music diploma in 2001) and subsequently at the Music School of Lucerne University, graduating with a solo-singing diploma in 2005 and winning the Edwin Fischer Memorial Prize in 2006.

He has performed under conductors such as William Christie, Facundo Agudin, Laurence Cummings, Václav Luks, Anthony Rooley or Hervé Niquet, in concert, on stage and in recordings, and has sung works by Mozart, Bach, Purcell, Händel, Marais, Monteverdi and Brahms. He has also sung in Bach's St Matthew and St John Passions. [1]

Related Research Articles

<i>St Matthew Passion</i> 1727 sacred oratorio by Johann Sebastian Bach

The St Matthew Passion, BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew".

<i>Laß, Fürstin, laß noch einen Strahl</i>, BWV 198

Laß, Fürstin, laß noch einen Strahl is a secular cantata composed as a funeral ode by Johann Sebastian Bach, first performed on 17 October 1727. In Wolfgang Schmieder's catalogue of Bach's works (BWV) it was assigned the number 198. It is also known as Trauerode or as Trauerode: auf den Tod der Königin Christiane Eberhardine.

Lisandro is a male first name, particularly common in Argentina. Its origin comes from the Ancient Greek language, and is believed to have been popularized thanks to Lysander, a Spartan military and political leader.

Matthew White is a Canadian countertenor.

<i>Brich dem Hungrigen dein Brot</i>, BWV 39 1726 church cantata by J. S. Bach

Johann Sebastian Bach composed the church cantata Brich dem Hungrigen dein Brot, BWV 39, in Leipzig and first performed on 23 June 1726, the first Sunday after Trinity that year. Three years earlier, on the first Sunday after Trinity in 1723, Bach had taken office as Thomaskantor and started his first cycle of cantatas for Sundays and Feast Days in the liturgical year. On the first Sunday after Trinity in 1724, he began his second cycle, consisting of chorale cantatas. The cantata Brich dem Hungrigen dein Brot is regarded as part of Bach's third cantata cycle which was written sporadically between 1725 and 1727.

<i>Darzu ist erschienen der Sohn Gottes</i>, BWV 40 Church cantata by Johann Sebastian Bach

Darzu ist erschienen der Sohn Gottes, BWV 40, is a church cantata by Johann Sebastian Bach. He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche. It was the first Christmas cantata Bach composed for Leipzig. The title of the cantata also appears in more modern German as Dazu ist erschienen der Sohn Gottes.

Peter Kooij is a Dutch bass singer who specializes in baroque music.

<i>Nun komm, der Heiden Heiland</i>, BWV 61 Church cantata by Johann Sebastian Bach

Johann Sebastian Bach composed the church cantata Nun komm, der Heiden Heiland, BWV 61, in Weimar for the first Sunday in Advent, the Sunday which begins the liturgical year, and first performed it on 2 December 1714.

Abadie is a French and English surname derived from the Occitan word abadia ("abbey"). Notable people with the surname include:

<span class="mw-page-title-main">Vox Christi</span>

Vox Christi, Latin for Voice of Christ, is a setting of Jesus' words in a vocal work such as a Passion, an Oratorium or a Cantata. Conventionally, for instance in Protestant music of the Baroque era, the vox Christi is set for a bass voice.

<i>Sehet, wir gehn hinauf gen Jerusalem</i>, BWV 159 Church cantata by Johann Sebastian Bach

Sehet, wir gehn hinauf gen Jerusalem, BWV 159, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday Estomihi, the last Sunday before Lent, and probably first performed it on 27 February 1729. The gospel reading for the Sunday, from the Gospel of Luke, includes Jesus announcing his suffering and death in Jerusalem. The cantata's theme and Bach's music foreshadow his Passion.

<i>Er rufet seinen Schafen mit Namen</i>, BWV 175

Er rufet seinen Schafen mit Namen, BWV 175, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig for the third day of Pentecost and first performed it on 22 May 1725.

<i>Ich hab in Gottes Herz und Sinn</i>, BWV 92

Ich hab in Gottes Herz und Sinn, BWV 92, is a cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725. It is based on the hymn "Ich hab in Gottes Herz und Sinn" by Paul Gerhardt (1647), and is the only chorale cantata Bach based on a hymn by Gerhardt.

Bas Ramselaar is a Dutch bass singer and conductor.

<i>St Matthew Passion</i> structure Insight in a mass by J. S. Bach

Johann Sebastian Bach's St Matthew Passion, BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources and by the different forms that are used for musical expression.

<span class="mw-page-title-main">Gabriela Eibenová</span> Czech soprano

Gabriela Eibenová is a Czech soprano in opera and concert, specialising in music of the Baroque and classical period in historically informed performance.

<span class="mw-page-title-main">Magnificat in E-flat major, BWV 243a</span> Magnificat by Johann Sebastian Bach

The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. Bach revised the work some ten years later, transposing it from E-flat major to D major, and creating the version mostly performed today, BWV 243.

Alison Margaret Browner is an Irish mezzo-soprano opera singer.

"Jesu Leiden, Pein und Tod" is a German Lutheran hymn by Paul Stockmann. Written in 34 stanzas and published in 1633, it narrates the Passion of Jesus. It was sung to a melody by Melchior Vulpius. Johann Sebastian Bach used three of its stanzas as chorales in his St John Passion.

<span class="mw-page-title-main">Johannes Hill</span> German opera singer

Johannes Hill is a German baritone in concert and in oratorios, who has performed internationally. Singing in choirs from age 10, he has performed major roles in oratorios, such as both Jesus and Pilate in Bach's Passions, and Pope Francis in the premiere of Laudato si'. He has also performed in vocal ensembles such as Kammerchor Stuttgart and Collegium Vocale Gent.

References

  1. "Lisandro Abadie (Bass)". Bach Cantatas. Retrieved 29 May 2015.