Gallery
Dual Form by Barbara Hepworth, St Ives Guildhall
St Ives Harbour by Thomas Millie Dow
A list of St Ives artists, artists who have lived in the town of St Ives in Cornwall, southwest England, are as follows:
Dame Jocelyn Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Benjamin Lauder Nicholson, OM was an English painter of abstract compositions, landscapes, and still-life. He was one of the leading promoters of abstract art in his country.
Brayane Herbert Wynter was one of the St. Ives group of British painters. His work was mainly abstract, drawing upon nature for inspiration.
Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avant-garde movements such as tachisme and CoBrA.
Wilhelmina Barns-Graham CBE was one of the foremost British abstract artists, a member of the influential Penwith Society of Arts.
George Peter Lanyon was a British painter of landscapes leaning heavily towards abstraction. Lanyon was one of the most important artists to emerge in post-war Britain. Despite his early death at the age of forty-six he achieved a body of work that is amongst the most original and important reappraisals of modernism in painting to be found anywhere. Combining abstract values with radical ideas about landscape and the figure, Lanyon navigated a course from Constructivism through Abstract Expressionism to a style close to Pop. He also made constructions, pottery and collage.
Trevor Bell was an English Leeds-born artist and contemporary visual artist.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
The Pier Arts Centre is an art gallery and museum in Stromness, Orkney, Scotland. It was established in 1979 to provide a home for an important collection of fine art donated to "be held in trust for Orkney" by the author, peace activist and philanthropist Margaret Gardiner (1904–2005). Alongside the permanent collection the Centre curates a year-round programme of changing exhibitions and events.
The Penwith Society of Arts is an art group formed in St Ives, Cornwall, England, UK, in early 1949 by abstract artists who broke away from the more conservative St Ives School. It was originally led by Barbara Hepworth and Ben Nicholson, and included members of the Crypt Group of the St Ives Society, including Peter Lanyon and Sven Berlin. Other early members included: Leonard Fuller, Isobel Heath, Alexander Mackenzie, John Wells, Bryan Wynter, Wilhelmina Barns-Graham, David Haughton, Denis Mitchell, and the printer Guido Morris. Herbert Read was invited to be the first president.
The St Ives School refers to a group of artists living and working in the Cornish town of St Ives. The term is often used to refer to the 20th century groups which sprung up after the First World War around such artists as Borlase Smart, however there was considerable artistic activity there from the late 19th Century onwards.
Denis Adeane Mitchell was an English abstract sculptor who worked mainly in bronze and wood. A prominent member of the St Ives group of artists, he worked as an assistant to Barbara Hepworth for many years.
Kate Nicholson was a British painter and the daughter of artist Ben Nicholson and his first wife, the artist Winifred Nicholson.
Michael Bird is a British author and art historian. He was born in London and educated at Haberdashers' Aske's School and Merton College, Oxford. After teaching at Sherborne School he worked in publishing, including a stint on the editorial team of the Macmillan Dictionary of Art. Throughout the 1980s and 1990s, Bird published poetry, essays and reviews. His books on modern British art include monographs on the artists Sandra Blow (2005), Bryan Wynter (2010), Lynn Chadwick (2014) and George Fullard (2017),The St Ives Artists: A Biography of Place and Time and Studio Voices: Art and Life in 20th-century Britain (2018). He has also written a history of art for children, Vincent's Starry Night and Other Stories (2016).
Sven Paul Berlin was an English painter, writer and sculptor. He is now best known for his controversial fictionalised autobiography The Dark Monarch, which was withdrawn just days after publication in 1962 following legal action. The book became the theme of an exhibition in Tate St Ives in autumn 2009 when it was re-published.
Paul Feiler was a German-born artist who was a prominent member of the St Ives School of art: he has pictures hanging in major art galleries across the world.
Margaret Nairne Mellis was a Scottish artist, one of the early members and last survivors of the group of modernist artists that gathered in St Ives, in Cornwall, in the 1940s. She and her first husband, Adrian Stokes, played an important role in the rise of St Ives as a magnet for artists. She later married Francis Davison, also an artist, and became a mentor to the young Damien Hirst.
Metavisual Tachiste Abstract was a pivotal exhibition mounted by the Redfern Gallery, London in 1957. Subtitled 'Painting in England Today', Metavisual Tachiste Abstract ran from 4 April 1957 - 4 May 1957. The exhibition was composed almost exclusively of works painterly abstraction and many of the leading British artists of the day exhibited works - including Peter Lanyon, Patrick Heron, Ben Nicholson, Roger Hilton, Robyn Denny, Alan Davie, Terry Frost, Sandra Blow and Gillian Ayres.
The Nine British Art is a private art gallery in St James's, central London, England. The gallery specializes in British art, with a focus on works from the St Ives group and the post-war period.
Belgrave St Ives is a commercial art gallery, specialising in modern British and contemporary art in St Ives, Cornwall, southwest England. It gives emphasis to work produced in Cornwall from the 1930s onwards, when the town of St Ives became an internationally important modernist artistic centre.
