The following is a list of telenovelas produced by Televisa in the 2000s. The 2000s marked a decade of evolution and modernization for Mexican telenovelas, as Televisa sought to adapt to changing viewer preferences, global competition, and new media formats. While the core formula of romance, drama, and moral conflict remained central, the decade introduced more contemporary themes, youthful casts, and faster-paced storytelling. Telenovelas increasingly targeted both traditional audiences and younger demographics, especially through teen-focused series and musical tie-ins. One of the most iconic and influential telenovelas of the decade was Rebelde (2004–2006), a teen drama set in an elite boarding school. It not only became a massive hit in Mexico and across Latin America, but also launched the successful pop group RBD, which became an international sensation. Rebelde signaled a shift toward multimedia franchises that combined television, music, fashion, and live tours.
Contents
Other standout titles from the 2000s include Amor real (2003), a historical romance produced by Carla Estrada that received critical acclaim and high ratings, and Rubí (2004), a remake of the classic 1968 telenovela, which featured a morally ambiguous female lead, played by Bárbara Mori, and ushered in a trend of "anti-heroine" protagonists. Another major success was La fea más bella (2006–2007), the Mexican adaptation of the Colombian hit Yo soy Betty, la fea, which balanced comedy and romance while addressing themes of self-worth and beauty standards. The 2000s also saw the emergence of new stars such as Maite Perroni, William Levy, Angelique Boyer, and Sebastián Rulli, who would become prominent figures in the following decade. Behind the scenes, producers like José Alberto Castro and Salvador Mejía helped shape the modern Televisa style with more dynamic pacing and broader international appeal.
By the end of the decade, Mexican telenovelas remained a dominant force in Spanish-language entertainment, though they began facing increasing competition from productions in countries like Colombia, Brazil, and later the rise of global streaming platforms. Nonetheless, the 2000s reinforced the genre's adaptability and continued relevance in the face of a rapidly evolving media landscape.
