Below is a sortable list of compositions by Louis Vierne. The works are categorized by genre, opus number, date of composition and titles.
Genre | Opus | Date | French title (original title) | English title | Notes | Notes |
---|---|---|---|---|---|---|
Orchestra | 24 | 1907–1908 | Symphonie en la mineur | Symphony in A minor | for orchestra | |
Concertante | 50 | 1925–1926 | Poème | Poème | for piano and orchestra | |
Concertante | 52 | 1926 | Ballade | Ballade | for violin and orchestra | |
Concertante | 1926 | Pièce symphonique | Symphonic Piece | for organ and orchestra | adapted from Organ Symphonies Nos. 1–3 | |
Chamber music | 5 | 1894–1895 | Deux pièces
| Two Pieces
| for viola or cello and piano | |
Chamber music | 6 | 1894? | Largo et Canzonetta | Largo and Canzonetta | for oboe and piano | |
Chamber music | 12 | 1894 | Quatour à cordes en ré mineur | String Quartet in D minor | for 2 violins, viola and cello | |
Chamber music | 23 | 1905–1906 | Sonate en sol mineur | Sonata in G minor | for violin and piano | |
Chamber music | 25 | 1909 | Rhapsodie en sol bémol majeur | Rhapsody in G♭ major | for harp | |
Chamber music | 27 | 1910 | Sonate en si mineur | Sonata in B minor | for cello and piano | |
Chamber music | 42 | 1917–1918 | Quintette en ut mineur pour piano et cordes | Piano Quintet in C minor | for 2 violins, viola, cello and piano | |
Chamber music | 46 | 1921 | Marche triomphale pour le centenaire de Napoléon Ier | Triumphal March for the Centenary of Napoleon I | for 3 trumpets, 3 trombones, timpani and organ | |
Chamber music | 56 | 1928 | Soirs étrangers
| Evenings Abroad
| for cello and piano | |
Organ | 1 | 1894 | Allegretto | Allegretto in B minor | for organ | |
Organ | 1894 | Verset fugué sur "In exitu Israel" | Verset fugué sur "In exitu Israel" | for organ | ||
Organ | 4 | 1896 | Prélude funèbre | Prélude funèbre in C minor | for organ | |
Organ | 8 | 1899 | Communion | Communion | for organ | |
Organ | 14 | 1898–1899 | Première symphonie pour grand orgue
| Organ Symphony No. 1 in D minor
| for organ | dedicated to Alexandre Guilmant |
Organ | 20 | 1902–1903 | Deuxième symphonie pour grand orgue
| Organ Symphony No. 2 in E minor
| for organ | |
Organ | 28 | 1911 | Troisième symphonie pour grand orgue
| Organ Symphony No. 3 in F♯ minor
| for organ or harmonium | dedicated to Marcel Dupré |
Organ | 30 | 1912 | Messe basse
| Low Mass | for organ or harmonium | |
Organ | 31 | 1913–1914 | Vingt-quatre pièces en style libre
| 24 Pieces in Free Style | for organ or harmonium | |
Organ | 32 | 1914 | Quatrième symphonie pour grand orgue
| Organ Symphony No. 4 in G minor
| for organ | |
Organ | 1914 | Prélude en fa dièse mineur | Prélude in F♯ minor | for organ | ||
Organ | 47 | 1923–1924 | Cinqième symphonie pour grand orgue
| Organ Symphony No. 5 in A minor
| for organ | dedicated to Joseph Bonnet |
Organ | 51 | 1926 | 24 Pièces de fantaisie : Première Suite
| 24 Fantasy Pieces: Suite No. 1 | for organ | |
Organ | 53 | 1926 | 24 Pièces de fantaisie: Deuxième Suite
| 24 Fantasy Pieces: Suite No. 2 | for organ | |
Organ | 54 | 1927 | 24 Pièces de fantaisie: Troisième Suite
| 24 Fantasy Pieces: Suite No. 3 | for organ | Vierne dedicated Dédicace to Rodman Wanamaker of the Wanamaker Organ. |
Organ | 55 | 1927 | 24 Pièces de fantaisie: Quatrième Suite
| 24 Fantasy Pieces: Suite No. 4 | for organ | |
Organ | 1928 | Trois improvisations
| 3 Improvisations | for organ | live performance by Vierne recorded at Notre Dame de Paris Cathedral in November 1928; transcribed by Maurice Duruflé (1954) from the recording | |
Organ | 58 | 1929–1931 | Triptyque
| Triptyque | for organ | |
Organ | 59 | 1930 | Sixième symphonie pour grand orgue
| Organ Symphony No. 6 in B minor
| for organ | dedicated to Lynnwood Farnam [1] |
Organ | 62 | 1934 | Messe basse pour les défunts
| Low Mass of the Dead | for organ or harmonium | |
Piano | 7 | 1895 | Deux pièces
| 2 Pieces
| for piano | |
Piano | 9 | Feuillets d'album
| Album Leaves | for piano | manuscript lost | |
Piano | 17 | 1899 | Suite bourguignonne
| Burgundian Suite | for piano | |
Piano | 34 | 1915–1916 | Trois nocturnes
| 3 Nocturnes | for piano | |
Piano | 36 | 1914–1915 | Douze préludes
| 12 Preludes | for piano | |
Piano | 39 | 1916 | Poème des cloches funèbres
| Poem of the Funeral Bells | for piano | 1. manuscript lost |
Piano | 43 | 1916 | Silhouettes d'enfants
| Children's Silhouettes | for piano | |
Piano | 44 | 1918 | Solitude
| Loneliness | for piano | |
Piano | 49 | 1922 | Ainsi parlait Zarathoustra, Poème | Thus Spake Zarathustra | for piano | Poem after Friedrich Nietzsche; incomplete |
Choral | 16 | 1899 | Messe solennelle en ut dièse mineur | High Mass in C♯ minor | for 4 voices and 2 organs | |
Choral | 22 | 1903–1905 | Praxinoë, Princesse d'Egypte, Légende lyrique | Praxinoë, Princess of Egypt | for soloists, choir and orchestra | Légende lyrique; libretto by Ambroise Colin |
Vocal | 2 | 1891 | Tantum ergo | Tantum ergo | for 1 voice or 4 voices | |
Vocal | 3 | c.1890 | Ave Maria | Ave Maria | for voice and organ | |
Vocal | 10 | 1895 | 2 Mélodies
| 2 Songs | for voice and piano | manuscript lost 1. words by P. Gobillard 2. words by Paul Verlaine |
Vocal | 11 | 1896 | 3 Mélodies
| 3 Songs | for voice and piano | 1. words by Théophile Gautier 2. words by Paul Verlaine 3. words by Paul Verlaine |
Vocal | 13 | 1899 | 3 Mélodies
| 3 Songs | for voice and piano | 1. words by Paul Verlaine 2. words by Carly Timun 3. words by Victor Hugo |
Vocal | 18 | 1897 | 3 Mélodies
| 3 Songs | for voice and piano | 1. words by Paul Verlaine 2. words by Paul Verlaine 3. words by Leconte de Lisle |
Vocal | 19 | 1898 | Dors, chère Prunelle | Sleep, Dear Prunelle | for voice and piano | words by Catulle Mendès |
Vocal | 21 | manuscript lost; possibly 3 Motets or 3 Mélodies | ||||
Vocal | 26 | 1903 | 3 Mélodies
| 3 Songs | for voice and piano | 1. words by Paul Verlaine 2. words by Leconte de Lisle 3. words by Auguste Villiers de l'Isle-Adam |
Vocal | 29 | 1912 | Stances d'amour et de rêve
| Stanzas of Love and Dreams | for voice and piano | words by Sully Prudhomme |
Vocal | 33 | 1914 | Psyché | Psyché | for soprano and orchestra (or piano) | Symphonic Poem; words by Victor Hugo |
Vocal | 35 | 1912 | Les djinns | Les djinns | for soprano and orchestra | Symphonic Poem |
Vocal | 37 | 1916 | Éros | Éros | for soprano and orchestra | Symphonic Poem; words by Comtesse de Noailles |
Vocal | 38 | 1916 | Spleens et détresses
| Spleen and Distress | for soprano and piano or orchestra | words by Paul Verlaine |
Vocal | 40 | 1907 | Romance | Romance | for voice and piano | Vocalise |
Vocal | 41 | 1917 | Dal vertice | Dal vertice | for tenor and orchestra (or piano) | Ode lyrique; words by Gabriele d'Annunzio |
Vocal | 45 | 1919 | Cinq poèmes de Baudelaire
| 5 Poems of Baudelaire
| for soprano and piano | words by Charles Baudelaire |
Vocal | 48 | 1924 | Poème de l'amour I. Floréal
| Love Poem | for voice and piano | 15 Songs; words by Jean Richepin |
Vocal | 57 | 1930–1931 | Les Angélus
| Les Angélus | for voice and organ (or orchestra) | |
Vocal | 60 | 1930 | Quatre poèmes grecs
| 4 Greek Poems
| for soprano and harp or piano | words by Comtesse de Noailles |
Vocal | 61 | 1931 | La ballade du désespéré | The Ballad of Despair | for tenor and orchestra (or piano) | Poème lyrique |
Vocal | Les roses blanches de la lune | The White Roses of the Moon | for voice and piano | words by Jean Richepin |
Charles-Marie-Jean-Albert Widor was a French organist, composer and teacher of the late Romantic era. As a composer he is known for his ten organ symphonies, especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.
Louis Victor Jules Vierne was a French organist and composer. As the organist of Notre-Dame de Paris from 1900 until his death, he focused on organ music, including six organ symphonies and a Messe solennelle for choir and two organs. He toured Europe and the United States as a concert organist. His students included Nadia Boulanger and Maurice Duruflé.
Marcel Jean-Jules Dupré was a French organist, composer, and pedagogue.
César-Auguste-Jean-Guillaume-Hubert Franck was a French Romantic composer, pianist, organist, and music teacher born in present-day Belgium.
The organ repertoire is considered to be the largest and oldest repertory of all musical instruments. Because of the organ's prominence in worship in Western Europe from the Middle Ages on, a significant portion of organ repertoire is sacred in nature. The organ's suitability for improvisation by a single performer is well adapted to this liturgical role and has allowed many blind organists to achieve fame; it also accounts for the relatively late emergence of written compositions for the instrument in the Renaissance. Although instruments are still disallowed in most Eastern churches, organs have found their way into a few synagogues as well as secular venues where organ recitals take place.
Pierre André Labric is a French organist, pedagogue and composer.
George C. Baker is an American organist, composer, pedagogue, and dermatologist.
Bernardus Franciscus van Oosten is a Dutch organist, pedagogue and author. He is titular organist of the Grote Kerk in his hometown of The Hague and is an organ professor at Rotterdam Conservatoire.
Christine Kamp is a Dutch organist & pianist.
Georges Martin Witkowski was a French conductor and composer.
Christopher Mark Houlihan is an American concert organist noted for his clarity, flexibility of rhythm, and technical achievement. His Vierne 2012 tour in which he performed Louis Vierne's complete organ symphonies in six cities across North America was met with critical acclaim.
Carl Weinrich was an American organist, choral conductor, and teacher. He was particularly known for his recitals and recordings of Bach's organ music and as a leader in the revival of Baroque organ music in the United States during the 1930s.
Hélène-Gabrielle Fleury-Roy was a French composer and the first woman to gain a prize at the prestigious Prix de Rome for composition.
Joséphine Pauline Boulay was a French organist, composer and professor.
Joseph-Ermend Bonnal ; also Ermend-Bonnal, alias Guy Marylis) was a French composer and organist.
Lynnwood Farnam was a Canadian organist who became the preeminent organist in North America in the 1920s until his death. He was influential in promoting the music of Bach, and also championed French organ music contemporary to his day. He became acquainted with the most important American and European organists of his day, and upon his early death several major works were dedicated in to his memory. He was known for his superb technical ability and knowledge of organ registration, but he avoided performances intended to "show off" the organist, preferring the attention to be drawn to the music.
Michel Bouvard is a French classical organist.
The Symphony en la mineur, op. 24 by Louis Vierne is the composer's second symphonic score, after Praxinoë op. 22, and is the only symphony for orchestra by the blind organist of Notre-Dame de Paris who composed six Organ Symphonies.
Ave Maria, Op. 3, by Louis Vierne is a sacred song, originally composed c. 1890 for mezzo-soprano and organ.
Surrexit a mortuis, Op. 23, No. 3, is a composition for choir and two organs by Charles-Marie Widor. The text is an anonymous Latin Easter hymn. Named a motet, it was first published by Hamelle in 1906. The single work was published by Dr. J. Butz in 2008.