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This is a list of double bassists known for their slap bass technique.
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This is a list of double bassists known for their slap bass technique.
The double bass, also known simply as the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. Similar in structure to the cello, it has four, although occasionally five, strings.
Pizzicato is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument :
Larry Graham Jr. is an American bassist and singer, both with the psychedelic soul/funk band Sly and the Family Stone and as the founder and frontman of Graham Central Station. In 1980, he released the single "One in a Million You", which reached the top ten on the US Billboard Hot 100. He is credited with the invention of the slapping technique on the electric bass guitar, which radically expanded the tonal palette of the bass, although he himself refers to the technique as "thumpin' and pluckin' ". In 1993, he was inducted into the Rock and Roll Hall of Fame as a member of the Sly and the Family Stone. He is also the uncle of rapper Drake.
Stuart Hamm is an American bass guitar player, known for his session and live work with numerous artists as well as for his unconventional playing style and solo recordings.
Slapping and popping are ways to produce percussive sounds on a stringed instrument. It is primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately.
A djembe or jembe is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa. According to the Bambara people in Mali, the name of the djembe comes from the saying "Anke djé, anke bé" which translates to "everyone gather together in peace" and defines the drum's purpose. In the Bambara language, "djé" is the verb for "gather" and "bé" translates as "peace."
A bassline is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
A cajón is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music, but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
Mark Raymond King is an English musician. He is the lead singer and bassist of the band Level 42. King is known for his slap style of playing the bass guitar, with MusicRadar describing him as "the guy who put the slap in pop during the 80s". King received a BASCA Gold Badge Award in October 2015 in recognition of his contribution to British music. He won the "Outer Limits" award at the 2017 Progressive Music Awards.
The Fender Jazz Bass is the second model of electric bass created by Leo Fender. It is distinct from the Precision Bass in that its tone is brighter and richer in the midrange and treble with less emphasis on the fundamental frequency. The body shape is also different from the Precision Bass, in that the Precision Bass has a symmetrical lower bout on the body, designed after the Telecaster and Stratocaster lines of guitars, while the Jazz Bass has an offset lower bout, mimicking the design aesthetic of the Jaguar and Jazzmaster guitars.
Jazz bass is the use of the double bass or electric bass to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs. From the 1920s and 1930s Swing and big band era, through 1940s Bebop and 1950s Hard Bop, to the 1960s-era "free jazz" movement, the resonant, woody sound of the double bass anchored everything from small jazz combos to large jazz big bands.
Louis Johnson was an American bass guitarist. Johnson was best known for his work with the group the Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s, including the best-selling album of all time, Michael Jackson's Thriller.
"Slap That Bass" is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance.
"Secret Touch" is a song by Canadian rock band Rush, and is the eighth track from the band's 2002 studio album, Vapor Trails. It has been revealed to be one of singer Geddy Lee's favorite tracks from the album. It was released as the second single from Vapor Trails, reaching #25 on the US Mainstream Rock chart.
Jayen Varma is an Indian electric bass player. He is known for developing tabla and mridangam style finger technique on bass guitar to play slap bass. The style developed by him is widely known as Indian slap bass, which won him fans around the globe and accolades from some of the great names in bass guitar like Jeff Berlin, Bootsy Collins, Victor Wooten etc. He belongs to the State of Kerala in India. He performs with the band Trinaad consisting of Indian classical vocalist Aparna Panshikar and French drummer Jean Davoisne. He is also a member of the bands Afro Tala and Firefly.
Didi Beck is a German electric bass and double bass player. He plays in the rockabilly band, the Boppin'B. An accomplished upright bass slap bass player, he teaches slap bass and has written an instruction book on slapping, and a made a video entitled How to Learn the Rockabilly Slap Bass Starring Didi Beck. His rapid, virtuosic slapping technique can be heard online.
Davide Biale, better known by his online alias Davie504, is an Italian musician and YouTuber. He is best known for playing bass guitar, primarily with a slapping technique, and creating several covers and viral videos.