This is a list of songs by Blanche Merrill. In all cases she wrote the lyrics, so there is no separate column for lyricist. In a handful of cases she also composed the music although most of the time music was composed by others, often by Leo Edwards. In some cases the credit is listed as "words and music by Blanche Merrill and ..." this phraseology has been incorporated into the appropriate cell.
For published songs, the source of information is the publication itself. For unpublished songs, the source of information the song's mention in reviews, or the Library of Congress's Catalog of Copyright Entries.
The majority of Merrill's unpublished songs are probably lost, although copies could exist in the archives of the various performers for whom she wrote. The Library of Congress's copyright deposit would also have copies of songs which she copyrighted but never published. [1]
Title | Show or vaudeville act | Music composed by | Written for | Publisher | Year of publication (or first mention) | Source |
---|---|---|---|---|---|---|
Ain't That Always the Way | Leo Edwards | Fanny Brice | 1939 | First published in Fanny Brice's Comedy Songs [2] | ||
Becky is Back in the Ballet | Leo Edwards | Fanny Brice | New York: Shapiro, Bernstein & Co. | 1922 | First performed in 1915. [3] | |
Best That You Get When You Get It is Only an Even Break, The | An Even Break | Mollie Fuller | 1925 | [4] | ||
Bootlegger's Bride, The | Belle Baker? | 1927 | [5] | |||
Boots, Boots, Boots | Jean Schwartz | New York: Waterson, Berlin & Snyder | 1918 | |||
Breaking Home Ties | 1923 | [6] | ||||
Broadway Sam | Passing Show of 1915 | Leo Edwards | Willie Howard | 1915 | [7] [8] | |
Buckwheat Cake Tosser in Child's, The ("The Buckwheat Tosser") | Ziegfeld Follies of 1924 | Edna Leedom | 1924 | [9] [10] | ||
Bye and Bye | Leo Edwards | Horace Wright and Rene Dietrich | New York: Chas. K. Harris | 1912 | ||
Coat of Mine | M.K. Jerome | New York: Waterson, Berlin & Snyder | 1919 | |||
Dance of the Rake, The | Leo Edwards | Fanny Brice | 1939 | First published in Fanny Brice's Comedy Songs [2] | ||
Dancing Mad | Ziegfeld Follies of 1923 | Leo Edwards | Edna Leedom, Fanny Brice | 1923 | IBDB, [11] | |
Dippy Doodle-Um (The Crazy Quilt Song) | M.K. Jerome | New York: Waterson, Berlin & Snyder | 1919 | |||
Dog's Tale of Love, A | Anna Chandler | 1921 | [12] | |||
Dying Swan, The | Ziegfeld Follies of 1916 | Leo Edwards | Fanny Brice | 1916 | [13] | |
Egotistical Eva | Blanche Merrill | Eva Tanguay | New York: Chas. K. Harris | 1910 | [14] | |
Egyptian | Ziegfeld Follies of 1917 | Leo Edwards | Fanny Brice | 1917 | [15] First published in Fanny Brice's Comedy Songs [2] | |
Every Little Heart That's Lonely | Leo Edwards | New York: Shapiro, Bernstein & Co. | 1923 | Arr. By Ed. Morbach Jr. | ||
Getting Mad Was Never Made For Us | Blanche Merrill | John Hyams and Leila McIntyre | New York: Waterson, Berlin & Snyder | 1914 | Cover | |
Girl I Used To Be, The | Life | Mable McCane | 1924 | [16] | ||
Give an Imitation of Me | Blanche Merrill | Eva Tanguay | New York: Chas. K. Harris | 1910 | ||
Good Night Blue Eyes | Leo Edwards | New York: Waterson, Berlin & Snyder | 1918 | |||
Hat, The | Ziegfeld Follies of 1916 | Leo Edwards | Fanny Brice | 1916 | [13] | |
Here's To You, My Sparkling Wine | Leo Edwards | New York: G. Schirmer | 1915 | |||
Hocus Pocus | 1923 | [6] | ||||
Humpty Dumpty | The Trained Nurses | Leo Edwards | New York: Chas. K. Harris | 1912 | ||
I am a Thief | The Burglar | Maurice Burkhardt | 1916 | [17] | ||
I Can't Be True To One Little Girl When Another Little Girl Comes 'Round | The Trained Nurses | Leo Edwards | New York: Chas. K. Harris | 1912 | ||
I Can't Do This I can't Do That | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | Alternative titles: Don't ever wear that tie again it's so loud it makes me start Why I can't do this and I can't do that | |
I Can't Help It | Blanche Merrill | Eva Tanguay | New York: Chas. K. Harris | 1910 | Cover | |
I Don't Care Any More Than I Used To | Eva Tanguay | 1923 | [18] | |||
I Don't Know Whether to Do It or Not | Blanche Merrill | Fanny Brice | 1915 | Known from recording. | ||
I Got a Rock | Blanche Merrill | Lillian Shaw | New York: Chas. K. Harris | 1911 | cover | |
I Look Like the Last Rose of Summer | Blanche Merrill? | Lillian Shaw | 1917 | [19] | ||
I Want To Dance, Dance, Dance | Leo Edwards | Edith Cliford, Harry Tighe / Mae West | New York: Chas. K. Harris | 1912 | Cover | |
I Was All Right When Things Were All Wrong | So This Is Love | Ann Butler | 1925 | [20] | ||
If Anything Happens, It Happens To Me | Ziegfeld Follies of 1924 | Edna Leedom | 1924 | [9] | ||
If You Love Me Like I Love You | Gus Edwards | 1934 | ||||
Ike Don't Make No Strike | Leo Edwards | New York: Chas. K. Harris | 1913 | |||
I'll Get Along Somehow | Life | Mable McCane | 1924 | [16] | ||
I'm a Harmony Baby | Blanche Merrill, Harry De Costa, M.K. Jerome, Fred Rich | New York: Waterson, Berlin & Snyder | 1923 | Lyrics by Blanche Merrill, Harry De Costa, M. K. Jerome and Fred Rich | ||
I'm a Hieland Lassie | Leo Edwards | Fanny Brice | 1921 | Originally titled "Bony hei'land lassie"; "melody by L. Edwards, arr. By Ed. Marbach"; First published in Fanny Brice's Comedy Songs [2] | ||
I'm a Little Butterfly | Edwin Weber | Fanny Brice | 1939 | First published in Fanny Brice's Comedy Songs [2] | ||
I'm an Indian | Leo Edwards | Fanny Brice | New York: Mills Music | 1922 | First mentioned in 1918; [21] Reprinted in Fanny Brice's Comedy Songs [2] | |
I'm Bad | Leo Edwards | Fanny Brice | 1939 | First published in Fanny Brice's Comedy Songs [2] | ||
I'm From Chicago | Leo Edwards | New York : Waterson, Berlin & Snyder | 1917 | |||
I'll Goin' To Be Bad | Life | Mable McCane | 1924 | [16] | ||
I'm Going to Build a Theatre of My Own | Sonia Meroff | 1921 | [22] | |||
I'm Looking for a Blue Bird (to Chase My Blues Away) | Fred Rich | New York: Maurice Richmond | 1921 | |||
I'm Lucky To Get By | Leo Edwards | Eva Tanguay | New York: Chas. K. Harris | 1913 | Cover | |
I've Dug All I Could, But See What I'm Getting | Anna Chandler | 1921 | [12] | |||
If We Could Only Take Their Word | Leo Edwards | Fanny Brice | 1939 | Performed in the Ziegfeld Follies of 1916 [23] | ||
If You Want a Little Doggie, Whistle and I'll Come To You | Leo Edwards | New York: Chas. K. Harris | 1915 | |||
If You Want to Know Them Yes Them | Bobby Folsom | 1926 | [24] | |||
In a Little Cottage By the Railroad Track | Davey's Troubles | Blanche Merrill | Herman Timberg | New York: Waterson, Berlin & Snyder | 1913 | |
In a Pretty Little White House of Our Own | Ziegfeld Follies | Leo Edwards | New York: Chas. K. Harris | 1912 | ||
In My Streamlined Trailer | Words and music by the Duncan Sisters & Blanche Merrill | Duncan Sisters | 1947 | Catalog of Copyright Entries, p. 4793 | ||
In the Corner of My Heart | Words and music by the Duncan Sisters & Blanche Merrill | Duncan Sisters | 1947 | Catalog of Copyright Entries, p. 4844 | ||
In the Days of Girls and Boys | Leo Edwards | 1911 | [25] | |||
It's a Dog's Life | Life | Mable McCane | 1924 | [16] | ||
It's All a High Hat | 1923 | Song satirizing Henry Ford's ambition to be president. Lyric published in Variety [26] | ||||
Jake! Jake! The Yiddisha Ball-Player | Irving Berlin | New York: Waterson, Berlin & Snyder | 1913 | |||
Jazz Baby | M.K. Jerome | New York: Waterson, Berlin & Snyder | 1919 | |||
Jumping Into Something | George A. Whiting and Sadie Burt | 1926 | [27] Possibly the same as "We're Jumping Into Something" | |||
Just 'Round the Corner from Broadway | Gus Edwards | Gus Edwards | New York: Shapiro, Bernstein & Co. | 1914 | Cover | |
K-I-S-S Kiss | The Trained Nurses | Leo Edwards | New York: Chas. K. Harris | 1912 | ||
Let's Pretend We're Kids Again | Gus Edwards | 1934 | ||||
Little Jazz Band of Our Own, A | Eva Tanguay | 1921 | [28] | |||
Little Wigwam For Two, A | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | ||
Love is an Old Fashion'd Feeling | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | ||
Low Heel Shoes | Hazel Flynn | Lulu McConnell | 1939 | [29] | ||
Make 'Em Laugh | Around the World | Edwin Weber | Fanny Brice | 1922 [30] | First published in Fanny Brice's Comedy Songs (New York: Mills Music, 1939). | |
May Walk | Blanche Merrill | [31] | ||||
Melodious Jazz | M.K. Jerome | New York: Waterson, Berlin & Snyder | 1920 | |||
Moll, The | Jack Stanley | 1933 | ||||
Money | Blanche Merrill | Eva Tanguay | New York: Chas. K. Harris | 1911 | Cover | |
Moving Picture Baby | Music Box Revue (1925) | Leo Edwards | Fanny Brice | 1925 | Billboard, August 15, 1925, p. 90. | |
My Bill | 1923 | [6] | ||||
My Little Dancing Heart | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | ||
My Syncopated Melody Man | Blanche Merrill and Eddie Cox | New York: Meyer Cohen Music Publishing | 1918 | Lyrics by Blanche Merrill and Eddie Cox | ||
'Neath the Light of the Twinkling Star | Leo Edwards | New York: Chas. K. Harris | 1913 | |||
Nosie Rosie Posie | Leo Edwards | Trixie Friganza | New York: Chas. K. Harris | 1912 | Cover | |
Oh! God! Let My Dream Come True! | Al Piantadosi | Shapiro, Bernstein & Co. | 1916 | |||
Oh, That Heavenly Man | Leo Edwards | New York: Chas. K. Harris | 1913 | |||
Old Established Firm | Puzzles of 1925 | Jimmy Hussey | 1925 | Variety [32] | ||
Page Mister Cupid | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | ||
Painted Rose | Blanche Merrill & James Hanley | 1930 | Unpublished; "Words and melody by Blanche Merrill and James Hanley" | |||
Pavlowa | Greenwich Village Follies of 1921 | Leo Edwards | Fanny Brice | 1921 | [33] First published in Fanny Brice's Comedy Songs [2] | |
Poor Little Cinderella | Dance and Grow Thin | Blanche Merrill | New York: Irving Berlin Inc. | 1917 | ||
Poor Little Moving Picture Baby | Leo Edwards | Fanny Brice | 1939? | First published in Fanny Brice's Comedy Songs [2] | ||
(Poor Little) Wall Flower | Jack and Jill | Muriel Pollock | 1923 | [34] | ||
Pretty Birdie | Dance and Grow Thin | Blanche Merrill | New York: Irving Berlin Inc. | 1917 | ||
Put a Little Letter in My Letter Box | Dance and Grow Thin | Blanche Merrill | New York: Irving Berlin Inc. | 1917 | ||
Quack, Quack | Arthur Freed | Marie Callahan and Billy Hanson | 1927 | [35] | ||
Queen of the May | Blanche Merrill | Rosetta Duncan | 1932 | [36] | ||
Ragtime Drama, A | Blanche Merrill | 1917 | A Ragtime Drama with Ada Jones and Billy Murray, recorded by the Victor Talking Machine Company on January 23, 1917, matrix B-19114 and issued as Victor 18288-B. [37] | |||
Result of Going to Dancing School, The | Arthur Freed? | Fanny Brice | 1927 | [35] | ||
Rolling Down the River | Blanche Merrill ? | Dora Maugham | 1930 | [38] | ||
Russian Art | Leo Edwards | Fanny Brice | 1939 | First published in Fanny Brice's Comedy Songs [2] | ||
Shadowland | Gus Edwards | Gus Edwards | New York : Shapiro, Bernstein & Co. | 1914 | Cover | |
Society Debutante | Fanny Brice | Before 1926 | [39] | |||
Spring | Leo Edwards | Fanny Brice | 1922 | First published in Fanny Brice's Comedy Songs (New York: Mills Music, 1939). | ||
Strawberries in January | Duncan Sisters | Duncan Sisters | 1947 | Catalog of Copyright Entries, p. 4793 | ||
Tanguay Rag | Blanche Merrill | Eva Tanguay | New York: Chas. K. Harris | 1910 | Cover [40] | |
Tanguay Tangle | Leo Edwards | Eva Tanguay | New York: Chas. K. Harris | 1913 | Cover | |
That's Why I'm Back Again | Blanche Merrill ? | Dora Maugham | 1930 | [38] | ||
There is Life in the Old Boy Yet | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | ||
There's Dirty Work Down in Denmark | Ziegfeld Follies of 1924 | Edna Leedom | 1924 | [9] | ||
They Think I'm Nutty On and off | Blanche Merrill | Eva Tanguay | New York: Chas. K. Harris | 1911 | ||
This is the Day | M.K. Jerome | New York: Waterson, Berlin & Snyder | 1919 | |||
Those Bad, Bad Women of History | Blanche Merrill ? | Dora Maugham | 1930 | [38] | ||
Toodle-Oodle-oo | M.K. Jerome | New York: Waterson, Berlin & Snyder | 1919 | At some point interpolated into the Greenwich Village Follies of 1921 [41] | ||
Toothache | Arnold New | 1933 | ||||
Trailing Along in a Trailer | Leo Edwards | Fanny Brice [42] | New York: Mills Music | 1936 | ||
Twit, Twit, Twit | Jean Schwartz | New York: Waterson, Berlin & Snyder | 1918 | |||
We Take Our Hats off to You, Mr. Wilson! | Blanche Merrill | New York: Leo Feist Inc. | 1914 | |||
Welcome Stranger | Belle Baker | 1921 | [43] | |||
Welcome Stranger | Duncan Sisters | 1947 | Catalog of Copyright Entries, p. 4793 | |||
We're Jumping Into Something | Puzzles of 1925 | Blanche Merrill | Jimmy Hussey, (Helen Broderick) | 1925 | Variety [32] Possibly the same as "Jumping Into Something" | |
We've had a lovely time, so long, good bye | The Trained Nurses | Leo Edwards | New York: Chas. K. Harris | 1912 | ||
What Is it Happened To Me? | Life | Mable McCane | 1924 | [16] | ||
What Price Love | George Whiting and Sadie Burt | 1926 | [27] | |||
When the Cat's Away | Puzzles of 1925 | Dorothy Appleby | 1925 | [44] | ||
While They Were Dancing Around | Leo Edwards | New York: Chas. K. Harris | 1912 | |||
Whistle and Help me Along | The Trained Nurses | Leo Edwards | New York: Chas. K. Harris | 1912 | ||
Whose Little Girl is the Girl You're With Tonight | Leo Edwards | New York: Edward B. Marks Music | 1925 | |||
Why Didn't I Meet You Long Ago | Page Mister Cupid | Jean Schwartz | New York: Jerome H. Remick & Co. | 1920 | ||
Will You Bring Back My Bonnie To Me | Leo Edwards | Emma Carus | New York: Chas. K. Harris | 1912 | Cover | |
You Can't Believe Them | Ann Ford and George Goodridge | 1921 | [45] | |||
Zulu Zo | Anna Chandler | 1921 | [12] | |||
Funny Girl is a musical with score by Jule Styne, lyrics by Bob Merrill, and book by Isobel Lennart, that first opened on Broadway in 1964. The semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice, featuring her stormy relationship with entrepreneur and gambler Nicky Arnstein.
Eddie Cantor was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Familiar to Broadway, radio, movie, and early television audiences, this "Apostle of Pep" was regarded almost as a family member by millions because his top-rated radio shows revealed intimate stories and amusing anecdotes about his wife Ida and five daughters. Some of his hits include "Makin' Whoopee", "Ida ", "If You Knew Susie", "Ma! He's Making Eyes at Me", “Mandy”, "My Baby Just Cares for Me”, "Margie", and "How Ya Gonna Keep 'em Down on the Farm ?" He also wrote a few songs, including "Merrily We Roll Along", the Merrie Melodies Warner Bros. cartoon theme.
The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
Fania Borach, known professionally as Fanny Brice or Fannie Brice, was an American comedienne, illustrated song model, singer, and theater and film actress who made many stage, radio, and film appearances. She is known as the creator and star of the top-rated radio comedy series The Baby Snooks Show.
Leon Errol was an Australian-American comedian and actor in the United States, popular in the first half of the 20th century for his appearances in vaudeville, on Broadway, and in films.
Lou Holtz was an American vaudevillian, comic actor, and theatrical producer.
John W. Steel was an American tenor. He was featured in the Ziegfeld Follies of 1919 and 1920 and Irving Berlin's Music Box Revues of 1922 and 1923.
Funny Girl is a 1968 American biographical musical comedy-drama film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of Broadway and film star and comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein.
James Frederick Hanley was an American songwriter and author.
My Man is a 1928 black and white part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. It was Brice's feature film debut at the age of 37. She was a star in the Ziegfeld Follies before she started acting in motion pictures. At the time Warner Bros. made this film there were still some silent movies in production and being released. My Man used intertitles but included talking sequences, synchronized music, and sound effects using a Vitaphone sound-on-disc system. It was not until 1929 that talking movies would completely take over, but Warner Bros. had completely stopped making silent movies and switched to sound pictures by the end of that year, either part talking or full talking. Warner Bros. also started making movies in color as well as sound movies.
David Stamper was an American songwriter of the Tin Pan Alley and vaudeville eras, a contributor to twenty-one editions of the Ziegfeld Follies, writer for the Fox Film Corporation, and composer of more than one thousand songs, in spite of never learning to read or write traditional music notation. He may have written "Shine On Harvest Moon", a claim supported by vaudeville performer and writer Eddie Cantor. He was also a charter member of the American Society of Composers, Authors and Publishers or ASCAP.
Leo Edwards was a Broadway and Tin Pan Alley composer and pianist. He worked closely with Florenz Ziegfeld Jr., writing music for the Ziegfeld Follies for over a decade. He also wrote music for Paul Whiteman and collaborated with his two brothers, the composer Gus Edwards and music publisher and talent agent Ben Edwards, in addition to writing music for several New York music publishing firms.
Robert North was an American vaudeville performer who became a success as a stand-up comedian. Later he became a prolific motion picture producer.
Irvin Colloden Miller was an American actor, playwright, and vaudeville show writer and producer. He was responsible for successful theater shows including Broadway Rastus (1921), Liza (1922), Dinah (1923), which introduced the wildly popular black bottom dance, and Desires of 1927 starring Adelaide Hall. For thirty years he directed the popular review, Brown Skin Models, influenced by the Ziegfeld Follies but exclusively using black performers. "In the 1920s and 1930s, he was arguably the most well-established and successful producer of black musical comedy."
Herman Timberg was a vaudevillian, actor and songwriter, a writer of sketches and dialogue for vaudeville and musicals, "active in nearly every field of show business." He was the brother of composer Sammy Timberg and uncle of the journalist Robert Timberg.
"Second Hand Rose" is a 1921 popular song written by Grant Clarke and James F. Hanley for Fanny Brice.
Germaine Mitti, also known as Germaine Mitty, was a French dancer who appeared with the Ziegfeld Follies and in vaudeville revues of the 1920s.
Blanche L. Merrill was a songwriter specializing in tailoring her characterizations to specific performers. She is best known for the songs she wrote for Fanny Brice.
Patricia Bowman was an American ballerina, ballroom dancer, musical theatre actress, television personality, and dance teacher.
Seymour Furth was an American songwriter, composer, and librettist active from the late 1890s until his death in 1932. He wrote popular songs for Broadway musicals, vaudeville, tin pan alley, and minstrel shows; notably creating the opening musical number for the first Ziegfeld Follies in 1907. He most frequently worked as a composer with another collaborator serving as his lyricist, but sometimes he created both music and lyrics, and at other times just words with other composers. He composed piano works in popular styles of his day, including ragtime. His best known songs were comedic, including "Nothing Like That in Our Family" (1906) and "No Wedding Bells For Me" (1907).