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Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life.
Eva Gonzalès was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844–1926), Berthe Morisot (1841–95), and Marie Bracquemond (1840–1916).
Marie Bracquemond was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-1895), and Eva Gonzalès (1847-1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach.
Julie Manet Rouart was a French painter, model, diarist, and art collector.
The Amsterdamse Joffers were a group of women artists who met weekly in Amsterdam at the end of the 19th and beginning of the 20th century. They supported each other in their professional careers. Most of them were students of the Rijksakademie van beeldende kunsten and belonged to the movement of the Amsterdam Impressionists. Each one became a successful artist. As a group they contributed to the social acceptance in the Netherlands of women becoming professional artists.
Paule Gobillard was a French artist and Post-Impressionist painter who was heavily influenced by the Impressionists. She is the niece of Berthe Morisot and Eugène Manet, the brother of Édouard Manet, who taught her lessons in painting as part of her education upon being orphaned at an early age. She was unknown in the art scene compared to her relatives. She exhibited with the Société des Indépendants in 1904 and in 1926.
Victoria Dubourg or Victoria Fantin-Latour was a French still life painter.
Edma Morisot was a French artist and the older sister of the Impressionist painter Berthe Morisot.
The Batignolles group was a group of young avant-garde painters from the end of the 19th century who gathered around Édouard Manet. The group bears its name in reference to the Batignolles district, where the artists used to meet between 1869 and 1875. Many of the artists in the group later became known for the Impressionism movement.
The Society of Modern Women Artists was created in Paris in 1930 as an association for modern women artists. They organized an annual salon from 1931 to 1938. Through these exhibitions they showed modern works of art by French and international women artists, to establish the presence of women in art and to gain recognition from the general public. FAM's exhibitions are considered "a significant force towards putting women artists on a more equal footing" with male artists in France.
Under the Lamp, also known as Sous la lampe - Afred Sisley et sa femme, chez Bracquemond à Sèvres, is an 1887 oil-on-canvas painting by French artist Marie Bracquemond. It is held in a private collection.
Afternoon Tea is an 1880 oil-on-canvas painting by French artist Marie Bracquemond. It is a portrait of the artist's half-sister Louise Quivoron, who often served as a model for her paintings, reading in a garden at Bracquemond's home in the Parisian suburb of Sèvres. The work was shown during an exhibition in 1919 and purchased by the French government from Bracquemond's son Pierre. It is now in the collection of the Petit Palais, Musée des Beaux-Arts de la Ville de Paris. It is one of her few works held in a public collection. The theme of the work reflects the intellectual activities of the lives of women, and can be compared to related works such as Mary Cassatt’s The Reader (1877) and Harriet Backer’s Evening (1890).
The Lady in White, also known as The Woman in White, is an 1880 oil-on-canvas painting by French artist Marie Bracquemond. It depicts the artist's half-sister Louise Quivoron, who often served as a model for her paintings. It was one of three paintings by Bracquemond shown at the fifth Impressionist exhibition in April 1880. A previous painting, Woman in the Garden (1877), may have been a study for The Lady in White. Like the other Impressionists of the time, Bracquemond worked outside en plein air, mostly in her garden at Sèvres.
Woman at her Toilette is an oil-on-canvas painting by French artist Berthe Morisot, executed between 1875 and 1880. It was first exhibited at the fifth Impressionist exhibition in 1880 and is now in the Art Institute of Chicago. When first shown, the work was displayed alongside other Impressionist works by Paul Cézanne, Pierre-Auguste Renoir, and Camille Pissarro. The painting is also known under the title Lady at her Toilet. The work is one of several paintings that Morisot completed on the theme of women getting dressed, applying makeup, and arranging their hair.
On a French River is an impressionist oil painting on canvas painted by the artist Emma Lampert Cooper during the late 1800s. It is a landscape painting that depicts a river scene in Parthenay, France. It is part of the permanent collection at the Memorial Art Gallery (MAG) in Rochester, New York.Emma Lampert Cooper's husband, Colin Campbell Cooper, also produced similar paintings in the same location when they traveled together. Specifically, the paintings titled Port St. Jacques, Parthenay, France, and A View of a European Village. Both of these paintings have been auctioned in the past and are privately owned.
References
- ↑ Kang, Cindy (2018). Berthe Morisot: Woman Impressionist. New York, NY: Rizzoli Electra. p. 27. ISBN 9780847861316. OCLC 1027042476.
- ↑ Laurence, Madeline (2017). Women Artists in Paris, 1850-1900. New York, New Haven: Yale University Press. pp. 240–257. ISBN 9780300223934. OCLC 982652244.